Inside David Winitsky: Thoughts On Theatre, The Upcoming Fall Season At Kitchen, And Beyond
The world has changed significantly not only in the last four months but more largely since the...
Read MorePosted by Emma Cooper | 19th Jun 2020 | Interview, New York, News, Producing, United States of America
The world has changed significantly not only in the last four months but more largely since the...
Read MorePosted by Azudi Onyejekwe | 7th Jun 2020 | Essay, New York, Theatre and Politics, United States of America
Dear white folks (and institutions) seeking to be true allies, Resist the urge to pat yourselves...
Read MorePosted by Andrew Agress | 11th May 2020 | New York, Review, United States of America
In this time of isolation, wouldn’t it be nice to take a virtual visit to the park? Fear...
Read MorePosted by Irina Yakubovskaya | 7th May 2020 | Interview, New York, Theatre and Art, United States of America
His photography is undoubtfully radiating, soulful, with a hint of edgy energy. Marc J. Franklin...
Read MorePosted by Emily Cordes | 30th Apr 2020 | Immersive Theatre, New York, Review, Transmedia, United States of America
Individual tastes notwithstanding, it can be argued that the best theatre is that which connects...
Read MorePosted by Marisa C. Hayes | 26th Apr 2020 | New York, Puppetry, Review, Theatre and Art, Transcultural Collaborations, United States of America
In its simplest form, the proscenium is constructed of little more than cardboard. Small paper...
Read MorePosted by Megan McCormick | 20th Apr 2020 | New York, Review, Theatre and Opera, United States of America
On February 13th, 2020, 92Y celebrated German Lied with Beethoven and Schumann song cycles...
Read MorePosted by Asya Gorovits | 10th Apr 2020 | New York, Review, United States of America
Like many of us during the COVID-19 quarantine, I am nostalgic for the times when we could go to...
Read MorePosted by Marcina Zaccaria | 31st Mar 2020 | Applied Theatre, Devised Theatre, Interview, New York, United States of America
Marcina Zaccaria, Editor of the Theatre and Opera Section of The Theatre Times, got the...
Read MorePosted by Cate Cammarata | 12th Mar 2020 | Interview, New York, Playwriting, United States of America
We can’t discuss unpleasant historical events or why you or I voted for that candidate without generating anger and accusations. A society which is afraid to think and respectfully consider different points of view will inevitably degrade its ability to understand. Then what?
Read MorePosted by Abigail Weil | 6th Mar 2020 | Design, Japan, New York, Review, Transcultural Collaborations, United States of America
Suicide Forest, written by and starring Haruna Lee is a trippy meditation on the extremes of...
Read MorePosted by Andrew Agress | 1st Mar 2020 | New York, Review, United States of America
Reading dry Shakespeare texts and going to parties at friends’ places seem like quintessential...
Read MorePosted by Abigail Weil | 27th Feb 2020 | New York, Participatory Theatre, Review, Theatre and Disability, United States of America
To find Unmaking Toulouse-Lautrec, you will first enter through the wrong door. The production is...
Read MorePosted by Jack Wernick | 20th Feb 2020 | New York, Review, United States of America
The VW Dome at MoMA PS1 in Long Island City, Queens is the evocative setting of web-inspired...
Read MorePosted by Ágnes Bakk | 15th Feb 2020 | Interview, New York, Transmedia, United States of America
Rebecca Rouse is a Professor at the University of Skövde (Sweden), media artist and researcher. VR...
Read MorePosted by Andrew Agress | 12th Feb 2020 | New York, Review, Theatre and Film, United States of America
It seems that the classic Broadway musical West Side Story may be getting not one but two film...
Read MorePosted by Marcina Zaccaria | 10th Feb 2020 | New York, Review, Theatre and Opera, United States of America
With a smattering of words, carefully grouped to alert the scholar that collectivism and...
Read MorePosted by Antigoni Gaitana | 7th Feb 2020 | Design, New York, Review, United States of America
A series of questions filled my mind. What was the motivation behind the choice of sets and costumes? In my opinion, the only thing that really worked well set wise was the ever-present void on stage, the grave downstage in which all bodies were thrown in – a constant reminder of death and of Richard’s deeds.
Read MorePosted by Jonathan Kalb | 6th Feb 2020 | Festivals, New York, Review, United States of America
“Static” is one of those words from which most artists recoil. It’s typically used for something...
Read MorePosted by AeRhee Lee | 30th Jan 2020 | Musical Theatre, New York, Review, United States of America
Within moments of the opening bars of Kit Armstrong’s rendering of Bach’s Goldberg...
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A Theatre Of Boredom And Theatrical Distrust (André… by S.E. Gontarski 4th December 2025
Dostoevsky on Stage. “The Mutt” by Anoushka… by Vassili Schedrin 7th December 2025 

The Queen of Versailles Musical or the Funeral of… by Lisa Monde 29th October 2025 
The 12th Dangdai Xiao Juchang Xiqu Jie (Contemporary… by Xunnan Li And Yuan Du 2nd December 2025
James Graham’s “Punch” at the Apollo Theatre:… by Aleks Sierz 30th September 2025 
Evil Can Appear Beautiful by Margaret Rose 23rd November 2025