Theatre Review: Xameleon Theatre Presents “A Dog’s Heart”–”A Brilliantly Clever Production”
In a memorable production, Xameleon Theatre recently brought Mikhail Bulgakov’s complex novel A...
Read MorePosted by Juno Schwarz | 17th Dec 2018 | Adaptation, London, Review, Russian Theatre Abroad, United Kingdom
In a memorable production, Xameleon Theatre recently brought Mikhail Bulgakov’s complex novel A...
Read MorePosted by Aleks Sierz | 16th Dec 2018 | London, Review, United Kingdom
Can you really turn a three-page short story into a full-length play? What would you add, and how...
Read MorePosted by Aleks Sierz | 9th Dec 2018 | Review, United Kingdom
Iona is not having a good day. She’s a super talkative Dublin teen who desperately wants to be...
Read MorePosted by Oberon Books | 3rd Dec 2018 | Books, United Kingdom
Producer and Editor Titilola Dawudu talks about the moment that inspired her love of theatre, and...
Read MorePosted by Simon Rushton | 3rd Dec 2018 | Acting, News, United Kingdom
He will celebrate his actual birthday on a stage in his hometown Most people celebrate with...
Read MorePosted by Duška Radosavljević | 2nd Dec 2018 | London, Review, United Kingdom
Less is more. When it comes to theatre-making, there is hardly a more relevant maxim than this...
Read MorePosted by Rob Hastings | 28th Nov 2018 | London, Review, United Kingdom
When the lights go out for the interval midway through Hadestown, I’m already making a mental list...
Read MorePosted by Holly Williams | 27th Nov 2018 | London, News, Theatre and Opera, United Kingdom
Hadestown, a reworking of the Orpheus and Eurydice myth by American singer-songwriter Anais...
Read MorePosted by Aleks Sierz | 27th Nov 2018 | London, Review, United Kingdom
Because of the #MeToo movement, and the revival of feminist protest, the theme of sisterhood now...
Read MorePosted by Miranda Laurence | 24th Nov 2018 | Dramaturgy, Essay, United Kingdom
My mode of being, as a dramaturg, begins with looking and continues with language. Much of my work...
Read MorePosted by Aleks Sierz | 22nd Nov 2018 | London, Review, United Kingdom
Plays about old age are also often plays about death. This is certainly true of American novelist...
Read MorePosted by Haylin Cai | 22nd Nov 2018 | London, Review, Theatre and Gender, United Kingdom
In Greek and Roman mythology, Medusa the Gorgon is a hideous, monstrous woman with snakes in place...
Read MorePosted by Letizia Fusini | 17th Nov 2018 | China, London, Review, United Kingdom
The long-term collaboration between the China National Peking Opera Company (Guojia jingju yuan)...
Read MorePosted by Aleks Sierz | 16th Nov 2018 | Adaptation, London, Puppetry, Review, United Kingdom
In the days after the widespread commemorations of the 100th anniversary of the end of the first...
Read MorePosted by Katalin Trencsényi | 15th Nov 2018 | Dance Umbrella 2018, Festivals, Greece, Review, Theatre and Dance, United Kingdom
A curved, declivitous, dark-grey hill, built from large, rectangular vinyl blocks–reminiscent of...
Read MorePosted by Aleks Sierz | 15th Nov 2018 | London, Review, United Kingdom
How do you judge artistic excellence? Is there such a thing as an objectively brilliant musician,...
Read MorePosted by Aleks Sierz | 14th Nov 2018 | Adaptation, London, Review, United Kingdom
You can see why artistic director Indhu Rubasingham chose to stage this version of Zadie Smith’s...
Read MorePosted by Letizia Fusini | 13th Nov 2018 | China, Chinese Theatre Abroad, London, Review, United Kingdom
As part of the China Focus Events Series, the British Library, in collaboration with Sinolink...
Read MorePosted by Aleks Sierz | 12th Nov 2018 | London, Review, Theatre and Opera, United Kingdom
Sometimes, just sometimes, I see a show which makes me wish that all theatre could be like this. A...
Read MorePosted by Miranda Laurence | 11th Nov 2018 | Dramaturgy, Essay, Thailand, Theatre and Dance, Transcultural Collaborations, United Kingdom
“When I collaborate, I want to collaborate with the wrong person.” Pichet Klunchun, Thai dancer,...
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