David Greig’s “Solaris” at the Lyric Hammersmith Theatre
Far away from Earth, there is a planet called Solaris. It is covered by an ocean and orbits two...
Read MorePosted by Mert Dilek | 17th Oct 2019 | Adaptation, London, Review, United Kingdom
Far away from Earth, there is a planet called Solaris. It is covered by an ocean and orbits two...
Read MorePosted by Mert Dilek | 13th Oct 2019 | London, Review, Theatre and Politics, United Kingdom
What does it really mean to do political theatre? Does the theatre even hold any potential to...
Read MorePosted by Aleks Sierz | 12th Oct 2019 | London, Review, Theatre and Politics, United Kingdom
At the age of 81, Caryl Churchill, Britain’s greatest living playwright, is still going strong....
Read MorePosted by Ann Poole | 12th Oct 2019 | Theatre for Young Audiences, Transcultural Collaborations, United Kingdom
In 2016, I took part in the Pilot project for the Multilingual Performance Project (MPP). I...
Read MorePosted by Julia Secklehner | 11th Oct 2019 | Czech Republic, London, Musical Theatre, Review
To commemorate the 30th anniversary of the 1989 Velvet revolution the Czech Centre brings to...
Read MorePosted by Mert Dilek | 10th Oct 2019 | London, Review, United Kingdom
One of my formative memories in the theatre dates back to twelve years ago, when I attended a...
Read MorePosted by Maria Delgado | 10th Oct 2019 | Review, Spain, Translation, United Kingdom
Federico García Lorca’s rural trilogy, written in the period between 1932 and 1936 as social...
Read MorePosted by Aleks Sierz | 5th Oct 2019 | LGBTQ+ Theatre, London, Review, Theatre and Gender, United Kingdom
Once there were radically innovative playwrights; then came university courses about radically...
Read MorePosted by Mert Dilek | 29th Sep 2019 | London, Review, United Kingdom
There is no denying that Cary Churchill is the greatest living British playwright. So, what you...
Read MorePosted by Katalin Trencsényi | 28th Sep 2019 | Australia, London, Review, United Kingdom
The Sydney Theatre Company’s 2013 landmark staging of The Secret River to the United Kingdom was...
Read MorePosted by Aleks Sierz | 27th Sep 2019 | London, Review, United Kingdom
In British plays of the postwar period, before the liberated 1960s, there is always an unresolved...
Read MorePosted by Aleks Sierz | 22nd Sep 2019 | London, Review, Theatre and Politics, United Kingdom
Identity politics have been around for decades. But it’s always good to revisit the subject....
Read MorePosted by Aleks Sierz | 21st Sep 2019 | London, Review, Theatre and Politics, United Kingdom
The past can often hang like a nightmare on the present. And, in the case of Jewish identity, this...
Read MorePosted by Juno Schwarz | 21st Sep 2019 | London, Review, Transmedia, Ukraine, United Kingdom
What happens when somebody dies at the frontline? Who’s responsible for getting in touch with...
Read MorePosted by Mert Dilek | 21st Sep 2019 | London, Review, Theatre and Politics, United Kingdom
Alexander Zeldin’s new play arrives at the National Theatre’s Dorfman stage with a title...
Read MorePosted by Konrad Zielinski | 20th Sep 2019 | London, Review, Theatre and Politics, United Kingdom
Simon Wood’s debut play Hansard, performed at London’s National Theatre Lyttleton...
Read MorePosted by Duška Radosavljević | 13th Sep 2019 | Review, United Kingdom
Fresh from a sold-out run at the Edinburgh International Festival, Tim Crouch’s latest piece (a...
Read MorePosted by Aleks Sierz | 13th Sep 2019 | Adaptation, London, Review, United Kingdom
Rachel O’Riordan, the new artistic director of this Off-West End venue, has arrived with a program...
Read MorePosted by Konrad Zielinski | 12th Sep 2019 | Adaptation, London, Review, United Kingdom
The revival of Sydney Theatre Company’s production of The Secret River, performed to great acclaim...
Read MorePosted by Konrad Zielinski | 11th Sep 2019 | Review, Theatre and Politics, United Kingdom
Beliefs of racial purity and superiority were at the heart of the conflict that brought about the...
Read More

James Graham’s “Punch” at the Apollo Theatre:… by Aleks Sierz 30th September 2025 

“Lale Lili Marleen:” The Promising… by Daniel Meyer-Dinkgräfe 10th October 2025
Debating Identity: Is It Time to Rename Cairo’s… by Ati Metwaly 26th September 2025 

“Tired” Of Consuming Postdramatic… by Ivanka Apostolova Baskar 31st August 2025 