Kirill Serebrennikov Arrested: The First Two Days
As reported by numerous sources in Russia, director Kirill Serebrennikov was arrested on August 22...
Read MorePosted by John Freedman | 24th Aug 2017 | News, Russia, Theatre and Politics
As reported by numerous sources in Russia, director Kirill Serebrennikov was arrested on August 22...
Read MorePosted by Carrie Klewin Lawrence | 14th Aug 2017 | Spain, Theatre and Politics
Miguel del Arco is a director who trusts his audience. And apparently, the respect is mutual....
Read MorePosted by Aleks Sierz | 10th Aug 2017 | Review, Theatre and Politics, United Kingdom
The 1960s were “hilarious,” says one young character in this revival, starring Broadway icon...
Read MorePosted by Christopher Harris | 7th Aug 2017 | Playwriting, Theatre and Politics, United Kingdom
The New Wylfa construction remains a controversial subject and one that sparks intense debate. In Hollti, audiences are offered a sensual journey through a land torn over the prospect of an exciting, if not frightening change.
Read MorePosted by Baharak Sahami | 6th Aug 2017 | Iran, Theatre and Politics
The Whispers Behind the Battle Line, a tragicomedy by Ali Reza Naderi and directed by Mohammad...
Read MorePosted by Marta Keil | 6th Aug 2017 | News, Poland, Theatre and Politics
Let us consider that the evolution of institutional criticism has been conducted in relation to...
Read MorePosted by Wu Haiyun | 5th Aug 2017 | China, Review, Theatre and Politics
A giant statue overlooks the stage, faceless yet easily recognizable as the Great Helmsman, Mao...
Read MorePosted by Marta Keil | 3rd Aug 2017 | News, Poland, Theatre and Politics
“Auto-theatre” that I have described recently and that remains at the core of new political...
Read MorePosted by Emiliia Dementsova | 28th Jul 2017 | Essay, Russia, Theatre and Politics
They say in Russia: “If he beats you, it means he loves you.” This attitude, which may strike a...
Read MorePosted by Yana Meerzon | 24th Jul 2017 | Festivals, France, Theatre and Politics
Memories of Sarajevo and Dans les ruines d’Athènes are the two concluding parts of the tetralogy...
Read MorePosted by Lola Proaño Gomez | 22nd Jul 2017 | Argentina, Theatre and Politics
Fanny and the Admiral, written by Luis Longhi, premiered in 2016 at La Máscara Theatre, Buenos...
Read MorePosted by John Smythe | 18th Jul 2017 | New Zealand, Theatre and Politics
Revisited 27 years later, Weed plays as an astute critique of neo-liberal economics.
Read MorePosted by Aleks Sierz | 17th Jul 2017 | Review, Theatre and Politics, United Kingdom
We’re familiar, perhaps too familiar, with the image of Dad’s Army, gamely tramping down the...
Read MorePosted by Marta Keil | 15th Jul 2017 | Festivals, News, Poland, Producing, Theatre and Politics
Festivals are today, without a doubt, some of the most important institutions in the performing...
Read MorePosted by Marta Keil | 9th Jul 2017 | News, Poland, Theatre and Politics
Let us consider that the evolution of institutional criticism has been conducted in relation to...
Read MorePosted by Gustavo Guenzburger | 6th Jul 2017 | Brazil, Theatre and Politics
The city of Rio de Janeiro has been historically acclaimed as one of the main hubs of theatre...
Read MorePosted by Jyotsna G. Singh | 5th Jul 2017 | New York, Theatre and Politics, United States of America
“All the world’s a stage,” Shakespeare once wrote. In recent weeks, that Shakespearean adage has...
Read MorePosted by Aleks Sierz | 3rd Jul 2017 | Documentary Theatre, London, Review, Theatre and Politics, United Kingdom
The recent general election result proves that the power of the rightwing press has diminished...
Read MorePosted by Molly Flynn | 26th Jun 2017 | Documentary Theatre, Theatre and Politics, Ukraine
School #3, a documentary about everyday life in war-struck eastern Ukraine, recently won a Grand...
Read MorePosted by The Theatre Times | 25th Jun 2017 | Adaptation, Belarus, Theatre and Politics
These people had already seen what for everyone else is still unknown. I felt like I was recording...
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