Cleansed Through Chaos: “God Bless Iceland” at The Reykjavik City Theatre
The economic crisis in Iceland was messy, merciless and brought an entire nation completely...
Read MorePosted by Sigríður Jónsdóttir | 16th Nov 2017 | Iceland, Musical Theatre, Review, Theatre and Politics
The economic crisis in Iceland was messy, merciless and brought an entire nation completely...
Read MorePosted by Barbara Hatley | 15th Nov 2017 | Australia, Festivals, Indonesia, Melbourne, News, Participatory Theatre, Theatre and Politics, Transcultural Collaborations
This is the second in a two-part series by Barbara Hatley. Read Part 1 here. Reflections on...
Read MorePosted by Jane Baldwin | 12th Nov 2017 | Boston, Review, Theatre and Gender, Theatre and Politics, United States of America
The Nora Theatre Company at the Central Square Theatre in Cambridge, MA is currently...
Read MorePosted by Duška Radosavljević | 11th Nov 2017 | London, Review, Theatre and Politics, United Kingdom
Every soldier has a story to tell–sometimes a joke, sometimes a parable, often a tragedy. The...
Read MorePosted by Diane de Beer | 10th Nov 2017 | Adaptation, Review, South Africa, Theatre and Politics
The audience members were vocal in their approval from start to finish with Es’kia...
Read MorePosted by Aleks Sierz | 9th Nov 2017 | London, Playwriting, Review, Theatre and Politics, United Kingdom
Given the rather uneven record of the National Theatre at the moment, there’s already a certain...
Read MorePosted by Julia Prest | 9th Nov 2017 | Essay, Theatre and Politics
When news of Rapture Theatre’s 2017 production of Tennessee Williams’ classic play A Streetcar...
Read MorePosted by Aleks Sierz | 9th Nov 2017 | Adaptation, Immersive Theatre, London, Review, Theatre and Politics, United Kingdom
Some site-specific theatre feels like a really good fit. You could say, in this case, that it...
Read MorePosted by Gemma Nash | 7th Nov 2017 | Interview, Theatre and Disability, Theatre and Politics, United Kingdom
Jackie Hagan: In Skem (Skelmersdale) there’s no class system, just people with slightly nicer...
Read MorePosted by Rajdeep Konar | 6th Nov 2017 | India, Theatre and Politics
Draupadi was performed by Kalakshetra, Imphal, at Gyan Mancha, Kolkata, on 30 August 2017. Midway...
Read MorePosted by Sir Anril Pineda Tiatco | 3rd Nov 2017 | Festivals, Philippines, Review, Theatre and Politics
On September 21, 1972, then President Ferdinand Marcos declared Martial Law via Presidential...
Read MorePosted by Jürgen Berger | 2nd Nov 2017 | Germany, Theatre and Politics
The programmes of the 2017/2018 season are still defined by the theme complex “Migrant Life in...
Read MorePosted by Jamie Portman | 1st Nov 2017 | Canada, LGBTQ+ Theatre, Review, Theatre and Politics
There are moments in TotoToo’s production of Bent that are as good as anything that this...
Read MorePosted by Iain Hollingshead | 30th Oct 2017 | London, Musical Theatre, Review, Theatre and Politics, United Kingdom
Last month, 1,601 people were left disappointed by the news that Hamilton, the American musical...
Read MorePosted by S. Ravi | 30th Oct 2017 | Adaptation, India, Review, Theatre and Politics
Based on a short story of Khwaja Ahmad Abbas, Lokesh Jain’s Kala Sooraj Safed Sayee brings the...
Read MorePosted by Daily Sabah | 29th Oct 2017 | Lebanon, Review, Syria, Theatre and Politics
A play about Syria’s war, told through one family’s tragedy, made its Lebanon debut on...
Read MorePosted by Tracey Saunders | 29th Oct 2017 | Adaptation, Review, South Africa, Theatre and Politics
We are surrounded by violence and our country is beset by an ongoing cycle with little ebb and...
Read MorePosted by James Montaño | 26th Oct 2017 | Boston, Review, Theatre and Politics, United States of America
When the dying King Berenger the First petulantly exclaims “Let everything die, if my death won’t...
Read MorePosted by Adam Sherwin | 16th Oct 2017 | London, Review, Theatre and Politics, United Kingdom
Sir David Hare will return to the National Theatre with the latest addition to a wave of plays...
Read MorePosted by Edélcio Mostaço | 13th Oct 2017 | Brazil, Theatre and Politics, Uruguay
Uruguayan playwright Sérgio Blanco is well known in Latin America and other countries. He is one...
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The Queen of Versailles Musical or the Funeral of… by Lisa Monde 29th October 2025
“Trilogia Cadela Força – Capítulo II:… by Jenny Strataki 6th August 2025
FITPTI – International Festival For Young… by Teodora Medeleanu 31st October 2025 


“Aşınma” (“Corrosion”): A… by Seda Ilter 23rd November 2025 
The Filmed Performance “Woodland Bird… by Martin Blaszk 9th November 2025 