The Toronto Theatre Laboratory
Art Babayants, of Armenian origin, has a doctorate in theatre performance, he taught acting in the...
Read MorePosted by Alvina Ruprecht | 13th Jun 2019 | Canada, News, Theatre and Politics
Art Babayants, of Armenian origin, has a doctorate in theatre performance, he taught acting in the...
Read MorePosted by Satyasundar Barik | 11th Jun 2019 | Essay, India, Theatre and Politics
Members of theatre group Natya Chetana travel to villages teasing out stories from the everyday...
Read MorePosted by Romy König | 10th Jun 2019 | Germany, News, Theatre and Politics
With its three transformable stages, the “Schaubühne at Lehniner Platz” is the largest theatre in...
Read MorePosted by Liam Rees | 7th Jun 2019 | Belgium, Review, Theatre and Politics
A bust of Aristotle stares out at the audience. A vaguely Romantic-style landscape depicting men...
Read MorePosted by Aleks Sierz | 5th Jun 2019 | London, Review, Theatre and Politics, United Kingdom
Stasiland is a fascinating mental space. As a historical location, the former East Germany, or...
Read MorePosted by Eylül Fidan Akıncı | 2nd Jun 2019 | Belgium, Review, Theatre and Politics
I can give two accounts of Sachli Gholamalizad’s solo performance Let us believe in the beginning...
Read MorePosted by Aleks Sierz | 1st Jun 2019 | London, Review, Theatre and Politics, United Kingdom
The rewriting of Ancient Greek myth offers a way of creating contemporary stories that have a deep...
Read MorePosted by Duška Radosavljević | 1st Jun 2019 | London, Review, Theatre and Gender, Theatre and Politics, United Kingdom
A hit of the Edinburgh Fringe 2017, Selina Thompson’s one-woman show salt is on at the Royal Court...
Read MorePosted by Rem Myers | 27th May 2019 | Boston, Musical Theatre, Review, Theatre and Politics, United States of America
We Live in Cairo, a new musical written by brothers Daniel Lazour & Patrick Lazour, directed...
Read MorePosted by Kathy Foley | 26th May 2019 | Israel, Palestine, Review, Theatre and Politics, Transcultural Collaborations, United Kingdom, United States of America
Scenes from 71* Years is a play of remembrance showing a diasporic perspective on the Palestinian...
Read MorePosted by Mert Dilek | 26th May 2019 | London, Review, Theatre and Politics, United Kingdom
Something is tantalizingly amiss at the National’s Dorfman Theatre. There is a headset attached to...
Read MorePosted by Stephen Chinna | 24th May 2019 | Australia, Review, Theatre and Politics
Review: Water, Black Swan, Perth. Water, written by Jane Bodie and directed by Emily McLean, was...
Read MorePosted by Farinaz Kavianifar | 23rd May 2019 | Directing, Iran, Review, Theatre and Politics
Read Farinaz Kavianifar’s interview with Rūhollah J’afari. On the evening of August 3, 2018,...
Read MorePosted by Reza Ashofteh | 23rd May 2019 | Interview, Iran, Theatre and Politics
Also, about this production, read “Russia Meets Iran: J’afari, Vișniec, and Meyerhold,...
Read MorePosted by Daniel Schenker | 19th May 2019 | Brazil, Festivals, News, Portugal, Theatre and Dance, Theatre and Politics
FITEI – International Festival of Iberian Expression Theater, taking place in Porto, Portugal,...
Read MorePosted by Sozita Goudouna | 14th May 2019 | Greece, News, Theatre and Art, Theatre and Politics
In the theatre, the front curtain is drawn open from both sides of the proscenium to reveal a...
Read MorePosted by Jonathan Kalb | 10th May 2019 | New York, Review, Theatre and Politics, United States of America
Lately, whenever people ask for advice on what theater to see in New York, the show I’ve mentioned...
Read MorePosted by Devang Pathak | 8th May 2019 | India, Review, Theatre and Politics
As political humor becomes more accessible, so do the repercussions of having an opinion in the...
Read MorePosted by Samuel Ravengai | 5th May 2019 | Essay, Theatre and Politics, Zimbabwe
In the last nine years, at various forums initiated either by government agents such as National...
Read MorePosted by Aleks Sierz | 20th Apr 2019 | London, Review, Theatre and Politics, United Kingdom
Theatre can give a voice to the voiceless — but at what cost? Abhishek Majumdar, who debuted at...
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James Graham’s “Punch” at the Apollo Theatre:… by Aleks Sierz 30th September 2025 

“Lale Lili Marleen:” The Promising… by Daniel Meyer-Dinkgräfe 10th October 2025
Debating Identity: Is It Time to Rename Cairo’s… by Ati Metwaly 26th September 2025 

“Tired” Of Consuming Postdramatic… by Ivanka Apostolova Baskar 31st August 2025 