Jackie Sibblies Drury’s “Marys Seacole” at the Donmar Warehouse
Jackie Sibblies Drury is one of the most exciting voices working in American theatre today. The...
Read MorePosted by Mert Dilek | 25th Apr 2022 | London, Review, Theatre and Gender, Theatre and Politics, United Kingdom
Jackie Sibblies Drury is one of the most exciting voices working in American theatre today. The...
Read MorePosted by Natasha Tripney | 24th Apr 2022 | Interview, Romania, Theatre and Politics, Transcultural Collaborations
Founded in 2015, Theatre Arts Group (TAG) is an independent theatre company in Romania that trains...
Read MorePosted by Aleks Sierz | 23rd Apr 2022 | London, Playwriting, Review, Theatre and Politics, United Kingdom
When do you have to take a stand? What compels you to do it? And what are the costs involved?...
Read MorePosted by Borisav Matić | 20th Apr 2022 | Applied Theatre, Essay, Serbia, Theatre and Politics
Despite Serbia’s own environmental issues, work that explores ecological themes and the climate...
Read MorePosted by Lara Cox | 19th Apr 2022 | France, Playwriting, Review, Theatre and Decolonization, Theatre and Politics
One of France’s greatest prides is the network of African American artists who, in the...
Read MorePosted by Aleks Sierz | 18th Apr 2022 | Playwriting, Review, Theatre and Politics, United Kingdom
In 1987, Caryl Churchill — without doubt the best living playwright in Britain — premiered her...
Read MorePosted by Aleks Sierz | 14th Apr 2022 | London, Review, Theatre and Politics, United Kingdom
You can’t keep a great playwright down. Ron Hutchinson, whose award-winning stage plays, such as...
Read MorePosted by Aleks Sierz | 12th Apr 2022 | Applied Theatre, Essay, Theatre and Politics
When theatres closed during the pandemic, the first reaction was shock. Then was born, at least...
Read MorePosted by Paweł Schreiber | 9th Apr 2022 | Adaptation, Poland, Review, Theatre and Politics
Klaudia Hartung-Wójciak’s Ach, jeżeli przyjdę dać, tak okrutne, moje ostatnie pożegnanie (Ah, if I...
Read MorePosted by Julian Meyrick | 8th Apr 2022 | Australia, Directing, Essay, Theatre and Politics
In 1943, Dolia Ribush, a Russian-speaking Latvian theatre director of medium height and...
Read MorePosted by Kasia Lech | 29th Mar 2022 | Essay, Poland, Puppetry, Theatre and Politics, Ukraine
The World Theatre Day Message from the Polish Centre of the ITI was delivered by Dramatyczny...
Read MorePosted by Dramatyczny Kolektyw | 28th Mar 2022 | News, Poland, Theatre and Politics, Transcultural Collaborations
Dramatyczny Kolektyw: Agata Adamiecka, Małgorzata Błasińska, Jagoda Dutkiewicz, Monika Dziekan,...
Read MorePosted by Donald Brown | 24th Mar 2022 | Playwriting, Review, Theatre and Politics, United States of America
Review of Eliana Pipes’ Dream Hou$e, Long Wharf Theatre The question of heritage gets...
Read MorePosted by Aleks Sierz | 23rd Mar 2022 | Directing, London, Review, Theatre and Politics, United Kingdom
Football stories are never just about a game — they are also about life and how to live it. In...
Read MorePosted by Borisav Matić | 19th Mar 2022 | Interview, Theatre and Politics, Translation, Ukraine
On the first day of the Russian invasion, the ProEnglish Theatre in Kyiv, the only...
Read MorePosted by Tony Valdovinos | 16th Mar 2022 | Musical Theatre, New York, Theatre and Politics, United States of America
Sadly, social justice for DREAMers <DREAMers are undocumented individuals who were brought into...
Read MorePosted by Evelin Bizjak | 15th Mar 2022 | Review, Slovenia, Theatre and Politics
Mladinsko Theatre, premiered on 12th October 2021 At the beginning of the second decade of the...
Read MorePosted by Tanya Vasylkevych | 13th Mar 2022 | Interview, Musical Theatre, Theatre and Politics, Ukraine
Kiev National Academic Operetta’s Theater actors are speaking from the epicenter of war in...
Read MorePosted by Tanya Vasylkevych | 7th Mar 2022 | Interview, Musical Theatre, Theatre and Politics, Ukraine
This conversation with Mariana Bodnar – Ukrainian singer (soprano), musical theater...
Read MorePosted by Tom Mustroph | 6th Mar 2022 | Interview, Moldova, Theatre and Politics
Moldovan playwright and director Nicoleta Esinencu is known for her provocative monologue FUCK...
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