“Russia Is My Country, Who Better Than Me to Clean Up the Ruins of Our Humanity”: Interview with Elena Kovalskaya – Part I
Russia is my country, who better than me to clean up the ruins of our humanity. – Elena...
Read MorePosted by Yana Meerzon | 12th May 2022 | Interview, Management, Russia, Theatre and Politics
Russia is my country, who better than me to clean up the ruins of our humanity. – Elena...
Read MorePosted by May Selim | 10th May 2022 | Egypt, Interview, Playwriting, Theatre and Politics
Rasha Abd Elmonem — a playwright, independent theatre activist, and head of the training program...
Read MorePosted by Borisav Matić | 8th May 2022 | Adaptation, Review, Serbia, Theatre and Politics, Theatre for Young Audiences
Youth Theatre, Novi Sad. Premiered February 27, 2022. A few days ago, a friend who is a teacher...
Read MorePosted by Emiliia Dementsova | 7th May 2022 | Adaptation, Review, Russia, Theatre and Politics
In a country at war, theatres continue to work… “(They) are so simple to offer war...
Read MorePosted by Florida Kastrati | 6th May 2022 | Devised Theatre, Kosovo, Review, Switzerland, Theatre and Politics
Teatri ODA, Prishtina, 17th March 2022 Two actresses, both speaking in German, start talking about...
Read MorePosted by Ananda Lal | 5th May 2022 | Essay, India, Playwriting, Theatre and Politics
The immediate trigger for the play was political and topical. West Bengal, in 1971, was passing...
Read MorePosted by Lucija Klarik | 4th May 2022 | Adaptation, Croatia, Review, Theatre and Politics, Theatre and Religion
Zagreb Youth Theater (ZKM), premiered on February 26, 2022 It is almost impossible to begin a...
Read MorePosted by Julian Meyrick | 3rd May 2022 | Australia, Playwriting, Review, Theatre and Politics
Why did 46.8% of Americans vote for Donald Trump in the 2020 election? Why did approximately 2,000...
Read MorePosted by Aleks Sierz | 2nd May 2022 | London, Playwriting, Review, Theatre and Politics, United Kingdom
Although the current government has blundered through both Brexit and the pandemic, and is now...
Read MorePosted by Ian Kiyingi Muddu | 29th Apr 2022 | Playwriting, Review, Theatre and Politics, Zimbabwe
There are two in one Tonderai Munyevus. I meet both of them on a snowy February evening at Brixton...
Read MorePosted by Aleks Sierz | 26th Apr 2022 | London, Playwriting, Review, Theatre and Politics, United Kingdom
What does it feel like to be British and black? Ryan Calais Cameron has recently emerged as the...
Read MorePosted by Mert Dilek | 25th Apr 2022 | London, Review, Theatre and Gender, Theatre and Politics, United Kingdom
Jackie Sibblies Drury is one of the most exciting voices working in American theatre today. The...
Read MorePosted by Natasha Tripney | 24th Apr 2022 | Interview, Romania, Theatre and Politics, Transcultural Collaborations
Founded in 2015, Theatre Arts Group (TAG) is an independent theatre company in Romania that trains...
Read MorePosted by Aleks Sierz | 23rd Apr 2022 | London, Playwriting, Review, Theatre and Politics, United Kingdom
When do you have to take a stand? What compels you to do it? And what are the costs involved?...
Read MorePosted by Borisav Matić | 20th Apr 2022 | Applied Theatre, Essay, Serbia, Theatre and Politics
Despite Serbia’s own environmental issues, work that explores ecological themes and the climate...
Read MorePosted by Lara Cox | 19th Apr 2022 | France, Playwriting, Review, Theatre and Decolonization, Theatre and Politics
One of France’s greatest prides is the network of African American artists who, in the...
Read MorePosted by Aleks Sierz | 18th Apr 2022 | Playwriting, Review, Theatre and Politics, United Kingdom
In 1987, Caryl Churchill — without doubt the best living playwright in Britain — premiered her...
Read MorePosted by Aleks Sierz | 14th Apr 2022 | London, Review, Theatre and Politics, United Kingdom
You can’t keep a great playwright down. Ron Hutchinson, whose award-winning stage plays, such as...
Read MorePosted by Aleks Sierz | 12th Apr 2022 | Applied Theatre, Essay, Theatre and Politics
When theatres closed during the pandemic, the first reaction was shock. Then was born, at least...
Read MorePosted by Paweł Schreiber | 9th Apr 2022 | Adaptation, Poland, Review, Theatre and Politics
Klaudia Hartung-Wójciak’s Ach, jeżeli przyjdę dać, tak okrutne, moje ostatnie pożegnanie (Ah, if I...
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