Egyptian Playwright Rasha Abd Elmonem: A Passion for Theatre
Rasha Abd Elmonem — a playwright, independent theatre activist, and head of the training program...
Read MorePosted by May Selim | 10th May 2022 | Egypt, Interview, Playwriting, Theatre and Politics
Rasha Abd Elmonem — a playwright, independent theatre activist, and head of the training program...
Read MorePosted by Borisav Matić | 8th May 2022 | Adaptation, Review, Serbia, Theatre and Politics, Theatre for Young Audiences
Youth Theatre, Novi Sad. Premiered February 27, 2022. A few days ago, a friend who is a teacher...
Read MorePosted by Emiliia Dementsova | 7th May 2022 | Adaptation, Review, Russia, Theatre and Politics
In a country at war, theatres continue to work… “(They) are so simple to offer war...
Read MorePosted by Florida Kastrati | 6th May 2022 | Devised Theatre, Kosovo, Review, Switzerland, Theatre and Politics
Teatri ODA, Prishtina, 17th March 2022 Two actresses, both speaking in German, start talking about...
Read MorePosted by Ananda Lal | 5th May 2022 | Essay, India, Playwriting, Theatre and Politics
The immediate trigger for the play was political and topical. West Bengal, in 1971, was passing...
Read MorePosted by Lucija Klarik | 4th May 2022 | Adaptation, Croatia, Review, Theatre and Politics, Theatre and Religion
Zagreb Youth Theater (ZKM), premiered on February 26, 2022 It is almost impossible to begin a...
Read MorePosted by Julian Meyrick | 3rd May 2022 | Australia, Playwriting, Review, Theatre and Politics
Why did 46.8% of Americans vote for Donald Trump in the 2020 election? Why did approximately 2,000...
Read MorePosted by Aleks Sierz | 2nd May 2022 | London, Playwriting, Review, Theatre and Politics, United Kingdom
Although the current government has blundered through both Brexit and the pandemic, and is now...
Read MorePosted by Ian Kiyingi Muddu | 29th Apr 2022 | Playwriting, Review, Theatre and Politics, Zimbabwe
There are two in one Tonderai Munyevus. I meet both of them on a snowy February evening at Brixton...
Read MorePosted by Aleks Sierz | 26th Apr 2022 | London, Playwriting, Review, Theatre and Politics, United Kingdom
What does it feel like to be British and black? Ryan Calais Cameron has recently emerged as the...
Read MorePosted by Mert Dilek | 25th Apr 2022 | London, Review, Theatre and Gender, Theatre and Politics, United Kingdom
Jackie Sibblies Drury is one of the most exciting voices working in American theatre today. The...
Read MorePosted by Natasha Tripney | 24th Apr 2022 | Interview, Romania, Theatre and Politics, Transcultural Collaborations
Founded in 2015, Theatre Arts Group (TAG) is an independent theatre company in Romania that trains...
Read MorePosted by Aleks Sierz | 23rd Apr 2022 | London, Playwriting, Review, Theatre and Politics, United Kingdom
When do you have to take a stand? What compels you to do it? And what are the costs involved?...
Read MorePosted by Borisav Matić | 20th Apr 2022 | Applied Theatre, Essay, Serbia, Theatre and Politics
Despite Serbia’s own environmental issues, work that explores ecological themes and the climate...
Read MorePosted by Lara Cox | 19th Apr 2022 | France, Playwriting, Review, Theatre and Decolonization, Theatre and Politics
One of France’s greatest prides is the network of African American artists who, in the...
Read MorePosted by Aleks Sierz | 18th Apr 2022 | Playwriting, Review, Theatre and Politics, United Kingdom
In 1987, Caryl Churchill — without doubt the best living playwright in Britain — premiered her...
Read MorePosted by Aleks Sierz | 14th Apr 2022 | London, Review, Theatre and Politics, United Kingdom
You can’t keep a great playwright down. Ron Hutchinson, whose award-winning stage plays, such as...
Read MorePosted by Aleks Sierz | 12th Apr 2022 | Applied Theatre, Essay, Theatre and Politics
When theatres closed during the pandemic, the first reaction was shock. Then was born, at least...
Read MorePosted by Paweł Schreiber | 9th Apr 2022 | Adaptation, Poland, Review, Theatre and Politics
Klaudia Hartung-Wójciak’s Ach, jeżeli przyjdę dać, tak okrutne, moje ostatnie pożegnanie (Ah, if I...
Read MorePosted by Julian Meyrick | 8th Apr 2022 | Australia, Directing, Essay, Theatre and Politics
In 1943, Dolia Ribush, a Russian-speaking Latvian theatre director of medium height and...
Read More

“L’amor venia amb taxi” (Love Arrived By… by Maria Delgado 28th December 2025 

“The Phantom Of The Opera” Returns To Mexico: A… by Lorena Meeser 12th December 2025 

The Theater of Metaverse by Hayel Ali Al-Mathabi 10th May 2025
Dostoevsky on Stage. “The Mutt” by Anoushka… by Vassili Schedrin 7th December 2025 