“Rita, Sue And Bob Too” at The Royal Court: The Revival for #MeToo Era
Vicky Featherstone, the artistic director of this new writing venue, is riding high. Very high. A...
Read MorePosted by Aleks Sierz | 30th Jan 2018 | London, Review, Theatre and Gender, United Kingdom
Vicky Featherstone, the artistic director of this new writing venue, is riding high. Very high. A...
Read MorePosted by Bryoni Trezise | 28th Jan 2018 | Australia, New York, Sydney, Theatre and Gender, United States of America
The moment was 1971, Labour Day’s eve. The context: a biting critique of feminism published by...
Read MorePosted by Vikram Phukan | 16th Jan 2018 | India, Review, Theatre and Gender
This week marks five years since the nationwide Nirbhaya protests sparked off in the country, with...
Read MorePosted by Michael Breslin | 6th Jan 2018 | LGBTQ+ Theatre, New York, Review, Russia, Russian Theatre Abroad, Theatre and Gender, United States of America
Twenty years after the Wooster Group’s seminal Three Sisters-inspired Brace Up!, contemporary New...
Read MorePosted by David O'Donnell | 29th Dec 2017 | LGBTQ+ Theatre, New Zealand, Review, Theatre and Gender
Since Sir Edmund Hillary and Tenzing Norgay became the first to climb Mount Everest in May 1953,...
Read MorePosted by Duška Radosavljević | 27th Dec 2017 | Review, Theatre and Gender, United Kingdom
There are some shows that can simply never be made by men. I don’t mean in the sense of subject...
Read MorePosted by David O'Donnell | 23rd Dec 2017 | Directing, New Zealand, Review, Theatre and Gender
Merriam-Webster has recently named “feminism” as the 2017 “word of the year” and feminist issues...
Read MorePosted by Sigríður Jónsdóttir | 20th Dec 2017 | Iceland, News, Theatre and Gender, Theatre and Politics
In his 1991 book Roman Theatre And Its Audience, Richard C. Beacham forms the theory that the...
Read MorePosted by Um Hyun-hee | 9th Dec 2017 | Documentary Theatre, LGBTQ+ Theatre, Review, South Korea, Theatre and Gender
Namsan Arts Center’s 2017 season opened with Censoring the Minority 2017 (written and directed by...
Read MorePosted by Shelley Liebembuk | 3rd Dec 2017 | Canada, Playwriting, Review, Theatre and Gender
In his debut as playwright, Jeff Ho presents a solo piece that explores his family history through...
Read MorePosted by Duška Radosavljević | 24th Nov 2017 | London, Review, Theatre and Gender, United Kingdom
Lizzie Clachan’s set is a simple stone floor slanting downwards towards the audience in a warm...
Read MorePosted by Hayley Malouin | 21st Nov 2017 | Canada, Review, Theatre and Art, Theatre and Gender, Theatre and Politics
Shelley Liebembuk reviews Cahoots Theatre and Obsidian Theatre’s world premiere of The Other Side...
Read MorePosted by Elle Kwan | 18th Nov 2017 | China, Review, Theatre and Dance, Theatre and Gender
The Legend Of White Snake isn’t old–it’s ancient. One of China’s Four Great Folktales (the other...
Read MorePosted by Karen Morash | 17th Nov 2017 | Essay, Management, Theatre and Gender, Theatre and Politics
The Old Vic has announced that it has received 20 personal testimonies of alleged inappropriate...
Read MorePosted by John Smythe | 12th Nov 2017 | New Zealand, Review, Theatre and Gender
POTENTLY RELEVANT Warning: I’m about to give the (well-known) ending away because the play can’t...
Read MorePosted by Soha Elsirgany | 12th Nov 2017 | Egypt, New York, Review, Theatre and Gender, United States of America
After starting in New York, the storytelling performance made its international debut in Cairo,...
Read MorePosted by Jane Baldwin | 12th Nov 2017 | Boston, Review, Theatre and Gender, Theatre and Politics, United States of America
The Nora Theatre Company at the Central Square Theatre in Cambridge, MA is currently...
Read MorePosted by Meredith Walker | 9th Nov 2017 | Australia, Musical Theatre, Review, Theatre and Gender, Transmedia
In true international award-winning Black Honey Company style, One The Bear bursts on the...
Read MorePosted by Katie Grant | 5th Nov 2017 | Theatre and Gender, Theatre and Opera, United Kingdom
It’s known as the world’s oldest profession yet, for the most part, sex work remains shrouded in...
Read MorePosted by Donald Brown | 28th Oct 2017 | New York, Review, Theatre and Gender, Translation, United States of America
Elfriede Jelinek’s Shadow. Eurydice Says is not much of a drama, if by that is meant a...
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 James Graham’s “Punch” at the Apollo Theatre:…  by Aleks Sierz  30th September 2025
James Graham’s “Punch” at the Apollo Theatre:…  by Aleks Sierz  30th September 2025 

 “Lale Lili Marleen:” The Promising…  by Daniel Meyer-Dinkgräfe  10th October 2025
“Lale Lili Marleen:” The Promising…  by Daniel Meyer-Dinkgräfe  10th October 2025 
 “Tired” Of Consuming Postdramatic…  by Ivanka Apostolova Baskar  31st August 2025
“Tired” Of Consuming Postdramatic…  by Ivanka Apostolova Baskar  31st August 2025 

 Debating Identity: Is It Time to Rename Cairo’s…  by Ati Metwaly  26th September 2025
Debating Identity: Is It Time to Rename Cairo’s…  by Ati Metwaly  26th September 2025  Decolonizing Iraqi Theatre: Why We Need to Stop…  by Amir Al-Azraki  3rd August 2025
Decolonizing Iraqi Theatre: Why We Need to Stop…  by Amir Al-Azraki  3rd August 2025 