Keiko Miyata To Mark Departure From The New National Theatre, Tokyo, With Piece By Up-And-Coming Playwright
After eight years as artistic director for drama at the New National Theatre, Tokyo, Keiko Miyata,...
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Playwriting
When The Cultural Cringe Abated: Australian Drama In The 1970s
In our Great Australian Plays series, we nominate the best of Australian drama. If Australian...
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The Power Of “La Pilarcita”: María Marull’s Opera Prima Celebrates Its Fourth Season In Buenos Aires
Pilgrimages have long served as expressions of both collective and individual faith, as well as...
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Afro-Latinx Theatre, Front And Center: An Interview With Guadalís Del Carmen
Born and raised in Chicago by Dominican parents, Guadalís Del Carmen is a playwright, actress, and...
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Acclimatization: Feminist Iranian Theatre Acclimatizes To Diaspora
Acclimatization refers to the process by which an individual organism adjusts to a change in its...
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Modern Man’s Predicament: Nobel Laureate Gao Xingjian As A Tragic Playwright
The place of dramatic tragedy in the twentieth century was one of extreme ambiguity and...
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“On The Block” And “Glammuh” Series: One Play And One Visual Artist’s Impressions On The Life Of Black Youth In Contemporary Barbados-Part I
“Don’t afraid to be different. Conformity is practically a death sentence to an artist. In other...
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“Leave Taking” at The Bush Theatre
Winsome Pinnock has for decades been a central figure in the promotion of BAME drama not just as a...
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Between The Mirror And The Window
Written by Jayant Dalvi, Savitri explores different perspectives of marriage and its relevance in...
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When Playwriting Becomes Activism: An Interview With Nelson Diaz-Marcano
New York City-based Puerto Rican playwright Nelson Diaz-Marcano first came to the world of...
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Brian Friel’s “Translations” At The National Theatre: Four Stars
Since the Northern Irish playwright’s death in 2015, Brian Friel’s work is rarely sighted in...
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Playwright Puts Gay Divorce In The Spotlight: Conversation with Ken Urban
Boston-based playwright Ken Urban has written the first major play about gay divorce, using the...
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The Drama Of Independence
Eimuntas Nekrošius and Lithuania’s Youth Theatre May 2018 marks thirty years since an event of...
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“Masterpieces” at The Finborough Theatre
Neil McPherson, the long-serving head of this London fringe theatre, has a brilliant record of...
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“Nine Night” at The National Theatre: The Play About Grief
The good news about so-called black drama on British stages is that it has broken out of its...
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“Absolute Hell” at The National Theatre
Rodney Ackland must be the most well-known forgotten man in postwar British theatre. His legend...
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Battle Cries For Liberation
At a staging in Kerala in January, Sara Matchett’s Walk: South Africa proved to be a harrowing but...
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“Ameryka”- Critical Mass And Block Party 2018
In 2017, Los Angeles’ Center Theatre Group launched a new, and frankly exciting, idea known as...
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Edward Albee’s “Three Tall Women”: A Dissent
My reaction to Edward Albee’s Three Tall Women when it first arrived in New York in 1994 was...
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Interview With Sergio Blanco: “A Creator Must Know The Times In Which He Lives”
The acclaimed Franco-Uruguayan playwright Sergio Blanco was in Madrid to stage his play Ostia at...
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