Brian Friel’s “Translations” At The National Theatre: Four Stars
Since the Northern Irish playwright’s death in 2015, Brian Friel’s work is rarely sighted in...
Read MorePosted by Aleks Sierz | 2nd Jun 2018 | Acting, London, Northern Ireland, Playwriting, Review, United Kingdom
Since the Northern Irish playwright’s death in 2015, Brian Friel’s work is rarely sighted in...
Read MorePosted by The Theatre Times | 29th May 2018 | Interview, LGBTQ+ Theatre, Playwriting, United States of America
Boston-based playwright Ken Urban has written the first major play about gay divorce, using the...
Read MorePosted by Valdas Vasiliauskas | 27th May 2018 | Directing, Essay, Lithuania, Playwriting
Eimuntas Nekrošius and Lithuania’s Youth Theatre May 2018 marks thirty years since an event of...
Read MorePosted by Aleks Sierz | 18th May 2018 | London, Playwriting, Review, Theatre and Gender, United Kingdom
Neil McPherson, the long-serving head of this London fringe theatre, has a brilliant record of...
Read MorePosted by Aleks Sierz | 16th May 2018 | Acting, London, Playwriting, Review, United Kingdom
The good news about so-called black drama on British stages is that it has broken out of its...
Read MorePosted by Aleks Sierz | 14th May 2018 | Acting, LGBTQ+ Theatre, London, Playwriting, Review, Theatre and Politics, United Kingdom
Rodney Ackland must be the most well-known forgotten man in postwar British theatre. His legend...
Read MorePosted by Vikram Phukan | 6th May 2018 | India, Playwriting, Review, South Africa, Theatre and Gender
At a staging in Kerala in January, Sara Matchett’s Walk: South Africa proved to be a harrowing but...
Read MorePosted by Christine Deitner | 5th May 2018 | Los Angeles, Playwriting, Poland, Polish Theatre Abroad, Review
In 2017, Los Angeles’ Center Theatre Group launched a new, and frankly exciting, idea known as...
Read MorePosted by Jonathan Kalb | 4th May 2018 | New York, Playwriting, Review, Theatre and Age, United States of America
My reaction to Edward Albee’s Three Tall Women when it first arrived in New York in 1994 was...
Read MorePosted by Álvaro Vicente | 3rd May 2018 | Interview, Playwriting, Spain, Transcultural Collaborations, Uruguay
The acclaimed Franco-Uruguayan playwright Sergio Blanco was in Madrid to stage his play Ostia at...
Read MorePosted by David Vernon | 2nd May 2018 | New York, Playwriting, Review, United States of America
Tennessee Rising is a theatre piece that requires yet easily commands your full attention. The...
Read MorePosted by Soha Elsirgany | 1st May 2018 | Egypt, Festivals, Playwriting, Transcultural Collaborations
Possession was performed twice during D-Caf festival, and is directed by Tom Bailey. English...
Read MorePosted by Laurie Fyffe | 23rd Apr 2018 | Canada, Festivals, News, Playwriting, Theatre and Gender
In 2017, I came across the Ergo Arts Pink Festival with a mandate as follows: “Ergo Pink Fest is a...
Read MorePosted by Maria Pia Pagani | 6th Apr 2018 | Festivals, Italy, News, Playwriting
Since 2007, the year of the 300th anniversary of the birth of Carlo Goldoni (1707–1793), Ghislieri...
Read MorePosted by Hayley Malouin | 30th Mar 2018 | Canada, Interview, Playwriting
Alt.theatre web editor Hayley Malouin interviews playwright Hannah Moscovitch about female...
Read MorePosted by Barbara Adams | 28th Mar 2018 | Playwriting, Review, United States of America
If you’re fortunate, you have at least one friend who’s a creative and adventurous cook—and who...
Read MorePosted by Jessica Rizzo | 17th Mar 2018 | Acting, Interview, Playwriting, United States of America
David Greenspan keeps busy. Just two weeks after closing his monumental solo rendition of Eugene...
Read MorePosted by Aleks Sierz | 13th Mar 2018 | Adaptation, London, Playwriting, Review, United Kingdom
Electra is the protagonist in two Ancient Greek tragedies, one by Sophocles and the other by...
Read MorePosted by S. Ravi | 6th Mar 2018 | Essay, India, Playwriting
Staged at the ongoing 8th Theatre Olympics, Sabir Khan’s Doodhan mirrors the hardships of...
Read MorePosted by Aleks Sierz | 26th Feb 2018 | London, Playwriting, Review, United Kingdom
First the goats, and now the sheep—has this venue become an urban farm? Rural life, which was once...
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