Playwriting Archives - Page 13 of 18

Alan Bennett’s Next Play Is Set In A Hospital–And It’s Threatened With Closure Thanks To Cuts

Posted by Conrad Landin | 24th Feb 2018 | London, News, Playwriting, United Kingdom

Alan Bennett’s next play will focus on an NHS hospital threatened with closure thanks to...

“Privacy:” The Impact Of The Digital Revolution On Private Life

Posted by Lorena Meeser | 14th Feb 2018 | Immersive Theatre, Mexico, Playwriting, Review, Transmedia, United Kingdom

Inspired by the Edward Snowden case, James Graham’s Privacy shows us the consequences of...

“Forked” Privilege Gets Served

Posted by Richard Chung | 14th Feb 2018 | Playwriting, Review, Singapore

Jo Tan’s playwriting debut offers a simple yet familiar story of one Singaporean girl with big...

The Great Australian Plays: “The Cake Man” And The Indigenous Mission Experience

Posted by Julian Meyrick | 13th Feb 2018 | Australia, Essay, Playwriting

In the introduction to her seminal book Creating Frames: Contemporary Indigenous Theatre, Mary...

“Imaginationship” at The Finborough Theatre Explores a Divided Nation

Posted by Aleks Sierz | 12th Feb 2018 | London, Playwriting, Review, United Kingdom

It’s the 150th anniversary of the opening of the Finborough Arms pub, so Neil McPherson, artistic...

Sin Muros: Interview With “Living Sculpture” Playwright Mando Alvarado

Posted by Trevor Boffone | 31st Jan 2018 | Festivals, Interview, Playwriting, United States of America

While native Texas playwright Mando Alvarado now lives in Los Angeles working in theatre,...

Robert O’Hara’s “Mankind”: Desperately Trying to Get in Trouble

Posted by Jonathan Kalb | 29th Jan 2018 | New York, Playwriting, Review, United States of America

I want the experience for the audience to be a sort of speeding train that gets completely and...

Sin Muros: Interview With “Purple Eyes” Playwright Josh Inocéncio

Posted by Trevor Boffone | 28th Jan 2018 | Festivals, Interview, Playwriting, United States of America

Born and raised in Houston, Josh Inocéncio is a playwright and performer who focuses on queer and...

“887”: A Shared Collective History About the Nature of Memory Itself

Posted by Laurie Fyffe | 28th Jan 2018 | Canada, Playwriting, Review

Like pinpoints of light scattered across the map of shows, I have attended over thirty years,...

The “Very Last Wedding” At The Divine Comedy Festival

Posted by Lauren Dubowski | 27th Jan 2018 | Divine Comedy Festival 2017, Festivals, Playwriting, Poland, Review

Traditionally, the veil of a Polish bride—removed at the end of the ceremony to mark her passage...

Sin Muros: Interview with “Neighbors” Playwright Bernardo Cubría

Posted by Trevor Boffone | 19th Jan 2018 | Festivals, Interview, Playwriting, United States of America

This February, playwright Bernardo Cubría’s Neighbors: A Fair Trade Agreement will receive a...

‘Les Incorrigibles’: The Publishing House Championing Spanish Theatre in France

Posted by William Gregory | 16th Jan 2018 | France, News, Playwriting, Spain, Translation

Despite Spain being a near neighbor, Spanish theatre has enjoyed relatively little exposure in...

In Photos: “Forsa Saeeda” Play Opens At Cairo’s El-Salam Theatre

Posted by Ahram Online | 14th Jan 2018 | Egypt, News, Playwriting

The latest play by the Modern Theatre troupe, titled Forsa Saeeda (Nice To Meet You), has opened...

“Akhmatova. Poem Without A Hero”- Akhmatova for a New Generation At Moscow’s Gogol Center

Posted by Molly T. Blasing | 9th Jan 2018 | Playwriting, Review, Russia, Russian Theatre - Featured, Theatre and Politics

Akhmatova. Poema Bez Geroia (Akhmatova. Poem Without A Hero) has been nominated for a 2017 Golden...

Lucy Kirkwood’s “The Children” – The Environmental Disaster and Ethics

Posted by Jonathan Kalb | 5th Jan 2018 | London, Playwriting, Review, United Kingdom

Annoying as it is, I have to start with a spoiler alert. That’s because what’s most interesting to...

Monster Mashup: Mabou Mines Takes On Tennessee Williams

Posted by Jessica Rizzo | 3rd Jan 2018 | New York, Playwriting, Review, Theatre and Age, United States of America

The ghost of Mary Shelley keeps rudely interrupting Mabou Mines’s Glass Guignol: The Brother And...

In “Hamilton,” Lin-Manuel Miranda Turned The Story Of A Forgotten Founding Father Into A Modern Musical Classic

Posted by Sarah Churchwell | 25th Dec 2017 | Essay, Playwriting, Theatre and Politics, United Kingdom, United States of America

It begins “How does a bastard, orphan, son of a whore/And a Scotsman/ dropped in the middle of a...

Traumatic Dramatics: Iraqi Addicts, Criminals, And Survivors Use Theatre As Therapy

Posted by Sara al-Qaher | 24th Dec 2017 | Acting, Iraq, News, Playwriting, Theatre and Politics

An Iraqi man is using drama therapy to help local drug addicts, juvenile offenders and victims of...

Playwriting Education In South Korea: In Conversation With Ko Yeon-ok, Part III

Posted by Kee-Yoon Nahm | 22nd Dec 2017 | Education, Interview, Playwriting, South Korea

Award-winning South Korean playwright and educator Ko Yeon-ok reflects about her teaching practice...

Playwriting Education In South Korea: In Conversation With Ko Yeon-ok, Part II

Posted by Kee-Yoon Nahm | 22nd Dec 2017 | Education, Interview, Playwriting, South Korea

Award-winning South Korean playwright and educator Ko Yeon-ok reflects about her teaching practice...

Playwriting

Alan Bennett’s Next Play Is Set In A Hospital–And It’s Threatened With Closure Thanks To Cuts

“Privacy:” The Impact Of The Digital Revolution On Private Life

“Forked” Privilege Gets Served

The Great Australian Plays: “The Cake Man” And The Indigenous Mission Experience

“Imaginationship” at The Finborough Theatre Explores a Divided Nation

Sin Muros: Interview With “Living Sculpture” Playwright Mando Alvarado

Robert O’Hara’s “Mankind”: Desperately Trying to Get in Trouble

Sin Muros: Interview With “Purple Eyes” Playwright Josh Inocéncio

“887”: A Shared Collective History About the Nature of Memory Itself

The “Very Last Wedding” At The Divine Comedy Festival

Sin Muros: Interview with “Neighbors” Playwright Bernardo Cubría

‘Les Incorrigibles’: The Publishing House Championing Spanish Theatre in France

In Photos: “Forsa Saeeda” Play Opens At Cairo’s El-Salam Theatre

“Akhmatova. Poem Without A Hero”- Akhmatova for a New Generation At Moscow’s Gogol Center

Lucy Kirkwood’s “The Children” – The Environmental Disaster and Ethics

Monster Mashup: Mabou Mines Takes On Tennessee Williams

In “Hamilton,” Lin-Manuel Miranda Turned The Story Of A Forgotten Founding Father Into A Modern Musical Classic

Traumatic Dramatics: Iraqi Addicts, Criminals, And Survivors Use Theatre As Therapy

Playwriting Education In South Korea: In Conversation With Ko Yeon-ok, Part III

Playwriting Education In South Korea: In Conversation With Ko Yeon-ok, Part II

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