Sin Muros: Interview With “Living Sculpture” Playwright Mando Alvarado
While native Texas playwright Mando Alvarado now lives in Los Angeles working in theatre,...
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Playwriting
Robert O’Hara’s “Mankind”: Desperately Trying to Get in Trouble
I want the experience for the audience to be a sort of speeding train that gets completely and...
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Sin Muros: Interview With “Purple Eyes” Playwright Josh Inocéncio
Born and raised in Houston, Josh Inocéncio is a playwright and performer who focuses on queer and...
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“887”: A Shared Collective History About the Nature of Memory Itself
Like pinpoints of light scattered across the map of shows, I have attended over thirty years,...
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The “Very Last Wedding” At The Divine Comedy Festival
Traditionally, the veil of a Polish bride—removed at the end of the ceremony to mark her passage...
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Sin Muros: Interview with “Neighbors” Playwright Bernardo Cubría
This February, playwright Bernardo Cubría’s Neighbors: A Fair Trade Agreement will receive a...
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‘Les Incorrigibles’: The Publishing House Championing Spanish Theatre in France
Despite Spain being a near neighbor, Spanish theatre has enjoyed relatively little exposure in...
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In Photos: “Forsa Saeeda” Play Opens At Cairo’s El-Salam Theatre
The latest play by the Modern Theatre troupe, titled Forsa Saeeda (Nice To Meet You), has opened...
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“Akhmatova. Poem Without A Hero”- Akhmatova for a New Generation At Moscow’s Gogol Center
Akhmatova. Poema Bez Geroia (Akhmatova. Poem Without A Hero) has been nominated for a 2017 Golden...
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Lucy Kirkwood’s “The Children” – The Environmental Disaster and Ethics
Annoying as it is, I have to start with a spoiler alert. That’s because what’s most interesting to...
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Monster Mashup: Mabou Mines Takes On Tennessee Williams
The ghost of Mary Shelley keeps rudely interrupting Mabou Mines’s Glass Guignol: The Brother And...
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In “Hamilton,” Lin-Manuel Miranda Turned The Story Of A Forgotten Founding Father Into A Modern Musical Classic
It begins “How does a bastard, orphan, son of a whore/And a Scotsman/ dropped in the middle of a...
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Traumatic Dramatics: Iraqi Addicts, Criminals, And Survivors Use Theatre As Therapy
An Iraqi man is using drama therapy to help local drug addicts, juvenile offenders and victims of...
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Playwriting Education In South Korea: In Conversation With Ko Yeon-ok, Part III
Award-winning South Korean playwright and educator Ko Yeon-ok reflects about her teaching practice...
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Playwriting Education In South Korea: In Conversation With Ko Yeon-ok, Part II
Award-winning South Korean playwright and educator Ko Yeon-ok reflects about her teaching practice...
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Playwriting Education In South Korea: In Conversation With Ko Yeon-ok, Part I
Award-winning South Korean playwright and educator Ko Yeon-ok reflects on her teaching practice in...
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A Mexican Rendition Of Schmitt’s “Enigma Variations”
After a successful run at the Teatro Jorge Negrete since February 2017, Variaciones Enigmaticas is...
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British New Writing In An Age Of Austerity
Friday, May 7, 2010; Brixton, south London; darkest night. Early dawn touches a Victorian terraced...
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Tracing With Body And Music In Jeff Ho’s “Trace”
In his debut as playwright, Jeff Ho presents a solo piece that explores his family history through...
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David Eldridge’s “Beginning” at The National Theatre
One defining characteristic of Englishness is social awkwardness, and its emotional register is an...
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