LGBTQ+ Theatre Archives - Page 6 of 7

“Still Point Turning” is a Vital Affirmation of Trans People Through the Story of Catherine McGregor

Posted by Noah Riseman | 13th May 2018 | Australia, LGBTQ+ Theatre, Review, Theatre and Gender

“The unifying trans experience is rejection and repudiation.” So says Cate McGregor’s character in...

Composer-in-Residence Clint Borzoni

Posted by David Vernon | 11th May 2018 | Interview, LGBTQ+ Theatre, Theatre and Opera, United States of America

Clint Borzoni is the current Composer-in-Residence for Musica Marin, a non-profit organization...

“Fun Home” By The Musical Stage Company As Part Of The Off Mirvish Series

Posted by Joe Szekeres | 29th Apr 2018 | Canada, LGBTQ+ Theatre, Review

Emotionally moving for its’ superlative vocal work and outstanding individual performances The...

“Vincent River” at The Park Theatre: In-yer-Face Theatre at Its Cruel Best

Posted by Aleks Sierz | 10th Apr 2018 | LGBTQ+ Theatre, London, Review, United Kingdom

Every great playwright has to have both an identifiable style and the ability to innovate and...

“Kumar50”: The Star of the Singapore Drag Scene

Posted by Eugene Tan | 29th Mar 2018 | LGBTQ+ Theatre, Review, Singapore, Theatre and Politics, Transcultural Collaborations

Marking Kumar’s 50th year alive, and the start of Dream Academy’s 2018 season at the Capitol...

A Place To Be Seen: Global Queer Plays At The Arcola Theatre

Posted by William Gregory | 24th Mar 2018 | Festivals, LGBTQ+ Theatre, London, News, Producing, Translation, United Kingdom

On March 3 and 4 2018, the Arcola Theatre in East London presented Global Queer Plays, a series of...

Divine Comedy Festival 2017 Review: “Cezary Goes To War”

Posted by KaiChieh Tu | 24th Mar 2018 | Divine Comedy Festival 2017, LGBTQ+ Theatre, Poland, Review, Theatre and Politics

Cezary Goes To War [Cezary Idzie Na Wojnę], an autobiographical piece directed by Cezary...

Still Unsettling: The Continuing Power of Larry Kramer’s “The Normal Heart”

Posted by Jamie Portman | 14th Mar 2018 | Canada, LGBTQ+ Theatre, Review, United States of America

Larry Kramer’s The Normal Heart is a play fueled by anger. Anger at the political, medical and...

I Wanted To Remove The Language Of Gender: Hindi Adaptation of Lorca’s “Yerma”

Posted by Vikram Phukan | 13th Mar 2018 | Adaptation, India, Interview, LGBTQ+ Theatre, Theatre and Gender

Mahesh Dattani explores the symbolism, futurism and surreal influences of Spanish dramatist...

Look How Far We’ve Come: Dan Gillespie Sells On LGBTQ History Month UK

Posted by Dan Gillespie Sells | 4th Mar 2018 | LGBTQ+ Theatre, News, United Kingdom

February was the LGBT History Month UK. It’s 30 Years since the passing of Section 28, the...

Queer Collective–Reflections Of The World

Posted by Rach Skyer | 27th Feb 2018 | LGBTQ+ Theatre, London, News, United Kingdom

A blog by Rach Skyer for UK Theatre to mark LGBT History Month. Producer and Actor Rach Skyer is a...

The Focus Is On The Power Of Those On The Margins: 33 Performances, Representing 14 Countries

Posted by Renu Ramanath | 12th Feb 2018 | Festivals, India, LGBTQ+ Theatre, News, Theatre and Disability, Theatre and Gender, Theatre and Politics

The 10th edition of ITFoK touches upon diverse themes such as gender, identity, displacement, and...

“As One” – A New Biographical Opera About Transgender Experience Premiers in Boston

Posted by Katrina Holden-Buckley | 11th Feb 2018 | Boston, LGBTQ+ Theatre, Review, Theatre and Opera

Saturday night at Longy School of Music’s Pickman Hall, As One had its Boston Premiere in the...

“Millions Of Seconds” by Diego Casado Rubio: On Being Transgender in Argentina

Posted by Lola Proaño Gomez | 23rd Jan 2018 | Argentina, LGBTQ+ Theatre, Review

The desired body vis a vis tradition, and institutional normative sedimentation. ...

The Pointed Irreverence Of Konstantin Bogomolov’s “An Ideal Husband: Comedy”

Posted by Chip Crane | 10th Jan 2018 | LGBTQ+ Theatre, Review, Russia, Russian Theatre - Featured

June 12 is Russia Day, a day of patriotic celebration that is the rough equivalent of America’s...

Subjects For Some Short Stories: Acting Character In Postdramatic Chekhov

Posted by Michael Breslin | 6th Jan 2018 | LGBTQ+ Theatre, New York, Review, Russia, Russian Theatre Abroad, Theatre and Gender, United States of America

Twenty years after the Wooster Group’s seminal Three Sisters-inspired Brace Up!, contemporary New...

A Mountain of One’s Own: “Taking the High Ground” by Jan Bolwell

Posted by David O'Donnell | 29th Dec 2017 | LGBTQ+ Theatre, New Zealand, Review, Theatre and Gender

Since Sir Edmund Hillary and Tenzing Norgay became the first to climb Mount Everest in May 1953,...

Why Do We Hate?: Censoring the Minority 2017

Posted by Um Hyun-hee | 9th Dec 2017 | Documentary Theatre, LGBTQ+ Theatre, Review, South Korea, Theatre and Gender

Namsan Arts Center’s 2017 season opened with Censoring the Minority 2017 (written and directed by...

A Living Mockery: The Ridiculous Theatrical Company At Fifty

Posted by Jessica Rizzo | 16th Nov 2017 | LGBTQ+ Theatre, New York, Review, United States of America

In 1967, not one but two productions of Charles Ludlam’s deliciously demented Conquest Of The...

Family, Latinidad, and Queerness Coalesce In Marga Gomez’s “Latin Standards”

Posted by Trevor Boffone | 2nd Nov 2017 | LGBTQ+ Theatre, Playwriting, Review, United States of America

Marga Gomez began her career in San Francisco’s gay comedy clubs in the mid-1980s, including the...

LGBTQ+ Theatre

“Still Point Turning” is a Vital Affirmation of Trans People Through the Story of Catherine McGregor

Composer-in-Residence Clint Borzoni

“Fun Home” By The Musical Stage Company As Part Of The Off Mirvish Series

“Vincent River” at The Park Theatre: In-yer-Face Theatre at Its Cruel Best

“Kumar50”: The Star of the Singapore Drag Scene

A Place To Be Seen: Global Queer Plays At The Arcola Theatre

Divine Comedy Festival 2017 Review: “Cezary Goes To War”

Still Unsettling: The Continuing Power of Larry Kramer’s “The Normal Heart”

I Wanted To Remove The Language Of Gender: Hindi Adaptation of Lorca’s “Yerma”

Look How Far We’ve Come: Dan Gillespie Sells On LGBTQ History Month UK

Queer Collective–Reflections Of The World

The Focus Is On The Power Of Those On The Margins: 33 Performances, Representing 14 Countries

“As One” – A New Biographical Opera About Transgender Experience Premiers in Boston

“Millions Of Seconds” by Diego Casado Rubio: On Being Transgender in Argentina

The Pointed Irreverence Of Konstantin Bogomolov’s “An Ideal Husband: Comedy”

Subjects For Some Short Stories: Acting Character In Postdramatic Chekhov

A Mountain of One’s Own: “Taking the High Ground” by Jan Bolwell

Why Do We Hate?: Censoring the Minority 2017

A Living Mockery: The Ridiculous Theatrical Company At Fifty

Family, Latinidad, and Queerness Coalesce In Marga Gomez’s “Latin Standards”

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