“Shadow Boxing” at Baxter Masambe Theatre
SHADOW BOXING. Director/Choreographer: Mdu Kweyama. Cast: Daniel Newton. Masambe Theatre at the...
Read MorePosted by Beverley Brommert | 28th Jun 2022 | Acting, LGBTQ+ Theatre, Review, South Africa
SHADOW BOXING. Director/Choreographer: Mdu Kweyama. Cast: Daniel Newton. Masambe Theatre at the...
Read MorePosted by Jonathan Kalb | 2nd Jun 2022 | LGBTQ+ Theatre, Playwriting, Review, United States of America
Walking out of the spiffy new production of Richard Greenberg’s Take Me Out, my canny friend Tom,...
Read MorePosted by Niro Kandasamy | 17th May 2022 | Australia, LGBTQ+ Theatre, Review
Review: Stay Woke, by Aran Thangaratnam, directed by Bridget Balodis. The lingering smell of...
Read MorePosted by Konrad Zielinski | 15th Apr 2022 | LGBTQ+ Theatre, Playwriting, Review, United Kingdom
Engaging with narratives that draw on the subject of male queerness can be precarious. Two major...
Read MorePosted by William Peterson | 5th Apr 2022 | Australia, LGBTQ+ Theatre, Musical Theatre, Review
Review: Watershed: The Death of Dr. Duncan, directed by Neil Armfield for the Adelaide Festival....
Read MorePosted by Donald Brown | 8th Mar 2022 | LGBTQ+ Theatre, Review, United States of America
At TheaterWorks Hartford, Connecticut, This Bitter Earth, Harrison David Rivers’ drama of love,...
Read MorePosted by Trevor Boffone | 24th May 2021 | LGBTQ+ Theatre, Review, Transmedia, United States of America
“Waking up in the morning, thinking about so many things, I just wish things would get...
Read MorePosted by David O'Donnell | 14th May 2021 | Interview, LGBTQ+ Theatre, New Zealand, Playwriting, Theatre and Gender, Theatre for Young Audiences
The Glitter Garden by George Fowler and Lori Leigh. Directed by Lori Leigh. Circa Theatre,...
Read MorePosted by Taurie Kinoshita | 24th Feb 2021 | Hawaii, LGBTQ+ Theatre, Review, Theatre and Disability, United States of America
Hypnotically charming, exquisitely flamboyant and the very embodiment of wit, Ryan J. Haddad wrote...
Read MorePosted by Wang Xuandi and Fan Yiying | 1st Feb 2021 | China, LGBTQ+ Theatre, News, Theatre and Dance
Ballroom culture is quietly flourishing in China’s cities, creating a safe space for young LGBT...
Read MorePosted by Timothy L'Ecuyer | 6th Jan 2021 | Interview, LGBTQ+ Theatre, Transmedia, United States of America
Lights up. Enter a troll. Literally. Circle Jerk, returning to stream on demand January 1 –...
Read MorePosted by Huw Griffiths | 24th Dec 2020 | Australia, LGBTQ+ Theatre, Review, Sydney
Review: Sydney Theatre Company’s The Picture of Dorian Gray, directed by Kip Williams Australian...
Read MorePosted by Jack Wernick | 26th Oct 2020 | LGBTQ+ Theatre, New York, Review, Theatre and Politics, United States of America
Camp is very much in season in Circle Jerk, a pitched-to-the-rafters romp from new media and...
Read MorePosted by Rhiannon Ling | 6th Sep 2020 | Covid-19, LGBTQ+ Theatre, New York, Review, Transmedia, United States of America
Beginning with the erecting of a green screen and ending with its dismantling, Different Stars: A...
Read MorePosted by James Montaño | 13th Aug 2020 | Interview, LGBTQ+ Theatre, Theatre and Gender, United States of America
On August 15, 2020 composer and performer Karl Saint Lucy, director Raquel Cion, and ChamberQueer...
Read MorePosted by David O'Donnell | 29th Mar 2020 | LGBTQ+ Theatre, New Zealand, Review, Theatre and Gender
Princess Boy Wonder, performed by George Fowler (aka Hugo Grrrl), Directed by Lori Leigh, BATS...
Read MorePosted by Borisav Matić | 17th Feb 2020 | LGBTQ+ Theatre, News, Serbia
“The Queer Café: Hear Our Voices from the Balkans, the project I’ve been working on as a dramaturg and translator, with the US playwright, director and activist Joan Lipkin, has been a precious experience. It has also energized the local community that’s gathered around the Pride Info Center in Belgrade, where the show premiered.” – Borisav Matić
Read MorePosted by Jonathan Kalb | 23rd Jan 2020 | LGBTQ+ Theatre, New York, Review, Theatre and Politics, United States of America
An oddity of this theatrical season to ponder as we bid farewell to 2019: In two current New York...
Read MorePosted by Aprameya Manthena | 5th Jan 2020 | India, LGBTQ+ Theatre, Review, Theatre and Dance
Single Performance: Queen-Size, by Sandbox Collective, a dance-performance at Spaces, Chennai,...
Read MorePosted by David O'Donnell | 3rd Jan 2020 | Adaptation, LGBTQ+ Theatre, New Zealand, Review
Uma Lava by Victor Rodger, Circa Theatre, Wellington. 23 November – 7 December 2019. Directed by...
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