Koleka Putuma’s “No Easter Sunday for Queers”
No Easter Sunday for Queers, which just completed a hugely successful run at the Market Theatre in...
Read MorePosted by Tonderai Chiyindiko | 6th Oct 2019 | LGBTQ+ Theatre, Review, South Africa
No Easter Sunday for Queers, which just completed a hugely successful run at the Market Theatre in...
Read MorePosted by Abigail Weil | 5th Oct 2019 | LGBTQ+ Theatre, New York, Review, United States of America
I wasn’t prepared for Victor, Edgar Oliver’s latest one-man show, directed by his longtime...
Read MorePosted by Aleks Sierz | 5th Oct 2019 | LGBTQ+ Theatre, London, Review, Theatre and Gender, United Kingdom
Once there were radically innovative playwrights; then came university courses about radically...
Read MorePosted by Abigail Weil | 19th Sep 2019 | Immersive Theatre, LGBTQ+ Theatre, New York, Review, Theatre and Politics, Theatre and Religion, United States of America
The dramatis personae of Novenas for a Lost Hospital is wide-ranging. There are doctors and nurses...
Read MorePosted by Vikram Phukan | 5th Aug 2019 | India, LGBTQ+ Theatre, Review
Hidden within the body of work playwright Mahesh Dattani is usually cited for, is an underrated...
Read MorePosted by Fan Yiying | 26th Jun 2019 | China, LGBTQ+ Theatre, Review, Theatre and Gender
ZHEJIANG, East China — On a theater stage in the city of Hangzhou, a male character reflects on...
Read MorePosted by Rem Myers | 10th Jun 2019 | Boston, LGBTQ+ Theatre, Musical Theatre, United Kingdom
Pushing through the colored streamers that shield the doorway of the Plaza Theatre at the Boston...
Read MorePosted by Maeve Campbell | 30th May 2019 | LGBTQ+ Theatre, London, Review, United Kingdom
Drag auteur, Peaches Christ, has made their name as an adaptor of cult movies, directing the great...
Read MorePosted by Jonathan Kalb | 26th May 2019 | LGBTQ+ Theatre, New York, Review, United States of America
The critical responses to Taylor Mac’s debut, Gary: A Sequel to Titus Andronicus, have been...
Read MorePosted by Colin Hambrook | 11th May 2019 | LGBTQ+ Theatre, News, Theatre and Disability, United Kingdom
Lesbian Pirates! is a musical based on the untold true story of the ruthless, maverick and lesbian...
Read MorePosted by Abigail Weil | 3rd May 2019 | Immersive Theatre, LGBTQ+ Theatre, Musical Theatre, New York, Review, United States of America
Let Paul Swan seduce you. Why wouldn’t you? He is, after all, the most beautiful man in the world....
Read MorePosted by Alexandra Guzeva - Russia Beyond the Headlines | 1st May 2019 | Essay, LGBTQ+ Theatre, Russia, Theatre and Dance
He was first in every sense: the first Soviet performer to refuse to return from an international...
Read MorePosted by Farinaz Kavianifar | 14th Apr 2019 | Interview, Iran, LGBTQ+ Theatre, Theatre and Gender
February 15, 2019, Café Markov, Tehran, Iran Sāmān Arasṭoo is an Iranian actor and theatre...
Read MorePosted by Christine Deitner | 5th Apr 2019 | LGBTQ+ Theatre, Los Angeles, Review, Theatre and Gender, United States of America
The Center Theatre Group’s second Block Party show at the Kirk Douglas Theatre in Century City is...
Read MorePosted by Maria Jovita Zárate | 3rd Apr 2019 | LGBTQ+ Theatre, Musical Theatre, Philippines, Review, Theatre and Politics
“CHAROT” is gay slang, one of the many fluid terms generated by popular lingo, often used as an...
Read MorePosted by Abigail Weil | 29th Mar 2019 | LGBTQ+ Theatre, New York, Review, Theatre and Gender, United States of America
Is Sasha Velour a drag queen? It’s debatable. She’s certainly a drag royalty, having won the ninth...
Read MorePosted by Julian Meyrick | 29th Mar 2019 | Australia, Festivals, LGBTQ+ Theatre, Review, Switzerland
Review: La Reprise: Histoire(s) du théâtre, Adelaide Festival By chance, I happened to overhear a...
Read MorePosted by Aleks Sierz | 28th Mar 2019 | LGBTQ+ Theatre, London, Review, United Kingdom
There is a classic conflict in many gay plays: between characters who identify as gay (in the...
Read MorePosted by Jonathan Kalb | 9th Mar 2019 | LGBTQ+ Theatre, New York, Review, United States of America
The English author Samuel Butler once quipped grimly that the death of a father was “a new lease...
Read MorePosted by Judith Greenaway | 26th Feb 2019 | Australia, Interview, LGBTQ+ Theatre, Transcultural Collaborations
For Mardi Gras 2019, Shaun Parker & Company will present the world premiere of KING, an...
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