Acting Archives - Page 5 of 11

These Online Improv Formats Have Clicked With Bengaluru Audiences

Posted by Sravasti Datta - The Hindu.com | 9th Jun 2020 | Acting, Covid-19, Essay, India

Improv artistes Balasree Viswanathan and Laxmi Priya talk about the creative spin they have given...

Italian Resilience Against COVID-19: Vocal Performances for Museums and Monuments

Posted by Maria Pia Pagani | 30th May 2020 | Acting, Covid-19, Italy, News

Because of COVID-19, Italian actors’ work had abruptly stopped but digital resources offer them...

Arthur Miller – “The Crucible,” Croatian People’s Theatre, Split

Posted by Mila Bulimbasic Botteri | 28th Apr 2020 | Acting, Croatia, Review

Arthur Miller’s The Crucible had its premiere last spring at the Croatian People’s Theatre...

Community Theatre Is Not Amateurish – Rashida Namulondo

Posted by Ian Kiyingi Muddu | 23rd Apr 2020 | Acting, Interview, Uganda

The name ‘Rashida Namulondo’ will easily roll off any random tongue in the performing arts...

La Vie Sanatorienne: Cezary Tomaszewski’s “My Stay Is Almost Done and I Don’t Belong to Anyone”

Posted by Natalia Brajner | 15th Apr 2020 | Acting, Poland, Review

My Stay Is Almost Done and I Don’t Belong to Anyone is the story of a desperate search for love...

“Darkie” is a Brave One-Man, One-Act Production

Posted by Tonderai Chiyindiko | 20th Mar 2020 | Acting, Review, South Africa

Darkie which features Katlego Letsholonyane (who has just recently started appearing on the local...

Theatre is What You Say: An Interview with Ali Hardiman, Dublin Actor, Writer, Producer and Theatre-Make

Posted by Síofra Ní Shluaghadháin | 28th Feb 2020 | Acting, Interview, Ireland

It’s been a busy twelve months for Dublin actor, writer, producer and theatre-maker Ali Hardiman....

Martin Sherman’s “Rose” in Athens

Posted by Antigoni Gaitana | 21st Feb 2020 | Acting, Greece, Review

She is in her eighties when we meet her and shares with the audience the story of her life which began in a tiny Russian village, took her to Warsaw’s ghettos and a ship called The Exodus, and finally to the boardwalks of Atlantic City, the Arizona canyons and salsa-flavored nights in Miami beach.

“5 O’clock Bells:” The Story of Lenny Breau

Posted by Alvina Ruprecht | 19th Feb 2020 | Acting, Canada, Review

5 O’clock Bells, written and performed by Pierre Brault brings the artist back to the Gladstone...

Petar Miloshevski’s Remarkable Solo – Being Beautiful, Passionate, in Love

Posted by Ivanka Apostolova Baskar | 16th Feb 2020 | Acting, Interview, London, Macedonia, United Kingdom

An interview with Petar Miloshevski – A London-based actor, performer, theatre artist. Petar...

“Hoot” – Featuring the Inimitable and Versatile Matthew Ribnick is a Rib-Cracking Comedic Masterpiece!

Posted by Tonderai Chiyindiko | 8th Feb 2020 | Acting, Africa, Review, South Africa

Matthew Ribnick is not your average actor and his performance in the highly acclaimed Hoot is...

Doyen of Marathi Theatre Shriram Lagoo Left Behind A Mark Few Could Rival

Posted by Vikram Phukan | 27th Jan 2020 | Acting, Essay, India

A staged legacy: Doyen of Marathi theatre, Shriram Lagoo gave life to political plays, worked in...

Alexandra Wood’s “The Tyler Sisters” at the Hampstead Theatre: The Future Is Female In Epic Family Saga

Posted by Aleks Sierz | 16th Jan 2020 | Acting, Playwriting, Review, Theatre and Gender, United Kingdom

What has Saint Augustine of Hippo got to do with new writing? At first sight, not very much. That...

Between Freedom and Manipulation: The Situation of Actors in “Factory 2

Posted by Monika Kwaśniewska | 8th Jan 2020 | Acting, Essay, Poland

Since I will be recalling many other voices, I will start, somewhat pretentiously, with my own, in...

The Puppets Are Changing: “The Weak Year” at The Academy of Theatre Arts in Wrocław

Posted by Katarzyna Waligóra | 25th Dec 2019 | Acting, Poland, Puppetry, Review

The play begins with an entrance exam. Clad in suit jackets, a group of women and men sit onstage...

“We Need to Make Kathakali More Egalitarian”: Interview with Peesappilly Rajeevan

Posted by Achuthan T K | 24th Dec 2019 | Acting, India, Interview

Peesappilly Rajeevan talks about his artistic journey, the state of Kathakali today and what needs...

“Trace”: The Impact of Identity and Family Through Time.

Posted by Patrick Langston | 17th Dec 2019 | Acting, Canada, Review

“We are women who do what must be done” so says the cigarette-puffing, mahjong-addicted...

Krysta Rodriguez on Her Latest Stage Role in “Seared” and Her Collaboration with Theresa Rebeck

Posted by Holly Rosen Fink | 14th Dec 2019 | Acting, Interview, New York, United States of America

If you’re a culture vulture and are interested in TV and theater, most likely, you know a...

“Happy Days” at Theatre Kingston

Posted by Natasha Lomonossoff | 19th Nov 2019 | Acting, Canada, Review

The works of modern Irish playwright Samuel Beckett, largely absurdist and tragicomic in scope,...

“Games” at Soho Playhouse

Posted by Abigail Weil | 20th Oct 2019 | Acting, New York, Review, Theatre and Politics, United States of America

Henry Naylor’s Games, now at the SoHo Playhouse, highlights those human activities that are...

Acting

These Online Improv Formats Have Clicked With Bengaluru Audiences

Italian Resilience Against COVID-19: Vocal Performances for Museums and Monuments

Arthur Miller – “The Crucible,” Croatian People’s Theatre, Split

Community Theatre Is Not Amateurish – Rashida Namulondo

La Vie Sanatorienne: Cezary Tomaszewski’s “My Stay Is Almost Done and I Don’t Belong to Anyone”

“Darkie” is a Brave One-Man, One-Act Production

Theatre is What You Say: An Interview with Ali Hardiman, Dublin Actor, Writer, Producer and Theatre-Make

Martin Sherman’s “Rose” in Athens

“5 O’clock Bells:” The Story of Lenny Breau

Petar Miloshevski’s Remarkable Solo – Being Beautiful, Passionate, in Love

“Hoot” – Featuring the Inimitable and Versatile Matthew Ribnick is a Rib-Cracking Comedic Masterpiece!

Doyen of Marathi Theatre Shriram Lagoo Left Behind A Mark Few Could Rival

Alexandra Wood’s “The Tyler Sisters” at the Hampstead Theatre: The Future Is Female In Epic Family Saga

Between Freedom and Manipulation: The Situation of Actors in “Factory 2

The Puppets Are Changing: “The Weak Year” at The Academy of Theatre Arts in Wrocław

“We Need to Make Kathakali More Egalitarian”: Interview with Peesappilly Rajeevan

“Trace”: The Impact of Identity and Family Through Time.

Krysta Rodriguez on Her Latest Stage Role in “Seared” and Her Collaboration with Theresa Rebeck

“Happy Days” at Theatre Kingston

“Games” at Soho Playhouse

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