Arthur Miller – “The Crucible,” Croatian People’s Theatre, Split
Arthur Miller’s The Crucible had its premiere last spring at the Croatian People’s Theatre...
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Acting
Community Theatre Is Not Amateurish – Rashida Namulondo
The name ‘Rashida Namulondo’ will easily roll off any random tongue in the performing arts...
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La Vie Sanatorienne: Cezary Tomaszewski’s “My Stay Is Almost Done and I Don’t Belong to Anyone”
My Stay Is Almost Done and I Don’t Belong to Anyone is the story of a desperate search for love...
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“Darkie” is a Brave One-Man, One-Act Production
Darkie which features Katlego Letsholonyane (who has just recently started appearing on the local...
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Theatre is What You Say: An Interview with Ali Hardiman, Dublin Actor, Writer, Producer and Theatre-Make
It’s been a busy twelve months for Dublin actor, writer, producer and theatre-maker Ali Hardiman....
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Martin Sherman’s “Rose” in Athens
She is in her eighties when we meet her and shares with the audience the story of her life which began in a tiny Russian village, took her to Warsaw’s ghettos and a ship called The Exodus, and finally to the boardwalks of Atlantic City, the Arizona canyons and salsa-flavored nights in Miami beach.
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“5 O’clock Bells:” The Story of Lenny Breau
5 O’clock Bells, written and performed by Pierre Brault brings the artist back to the Gladstone...
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Petar Miloshevski’s Remarkable Solo – Being Beautiful, Passionate, in Love
An interview with Petar Miloshevski – A London-based actor, performer, theatre artist. Petar...
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“Hoot” – Featuring the Inimitable and Versatile Matthew Ribnick is a Rib-Cracking Comedic Masterpiece!
Matthew Ribnick is not your average actor and his performance in the highly acclaimed Hoot is...
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Doyen of Marathi Theatre Shriram Lagoo Left Behind A Mark Few Could Rival
A staged legacy: Doyen of Marathi theatre, Shriram Lagoo gave life to political plays, worked in...
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Alexandra Wood’s “The Tyler Sisters” at the Hampstead Theatre: The Future Is Female In Epic Family Saga
What has Saint Augustine of Hippo got to do with new writing? At first sight, not very much. That...
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Between Freedom and Manipulation: The Situation of Actors in “Factory 2
Since I will be recalling many other voices, I will start, somewhat pretentiously, with my own, in...
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The Puppets Are Changing: “The Weak Year” at The Academy of Theatre Arts in Wrocław
The play begins with an entrance exam. Clad in suit jackets, a group of women and men sit onstage...
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“We Need to Make Kathakali More Egalitarian”: Interview with Peesappilly Rajeevan
Peesappilly Rajeevan talks about his artistic journey, the state of Kathakali today and what needs...
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“Trace”: The Impact of Identity and Family Through Time.
“We are women who do what must be done” so says the cigarette-puffing, mahjong-addicted...
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Krysta Rodriguez on Her Latest Stage Role in “Seared” and Her Collaboration with Theresa Rebeck
If you’re a culture vulture and are interested in TV and theater, most likely, you know a...
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“Happy Days” at Theatre Kingston
The works of modern Irish playwright Samuel Beckett, largely absurdist and tragicomic in scope,...
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“Games” at Soho Playhouse
Henry Naylor’s Games, now at the SoHo Playhouse, highlights those human activities that are...
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Vignesh Ratnam’s “Pattambi”
Vignesh Ratnam’s play, Pattambi, written by Ratnam Koothapiran, is certainly of a different kind....
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Khekhe On His Journey And Future In Zimbabwean Theatre
The theatre vibe in Zimbabwe is really subdued at the moment. The vanguards have reached their...
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