#Wikiturgy Edit-A-Thon
Last year, on February 17, the online theater world exploded following candid remarks regarding...
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Florin Piersic Jr’s “Freak Show” Reviewed By Camelia Ciobanu
Humanity is by no means short of afflictions and artists never tire of exposing them. One of these...
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Is It A “Birdman”? Is It A Play? It’s Super Meta-Textuality!
What do Shakespeare’s Hamlet, The Simpsons, and Alejandro G. Iñárritu’s film Birdman have in...
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A Better-Than-Traditional Woyzeck
I don’t actually like Woyzeck very much, so I am not sure why I bought tickets to two different...
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The Threepenny Non-Opera
Brecht and Weill’s Threepenny Opera is much more of a musical than an opera. But it decidedly...
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Q And A With Author Of “The Tribe”: Michael Mohammed Ahmad
This week, as part of Sydney Festival’s Bankstown: Live program, Michael Mohammed Ahmad will...
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Every Detail Counts In “Wot? No Fish!!” At Sydney Festival
During an artist talk just an hour before performing Wot? No Fish!! on Saturday at the Sydney...
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Moscow’s Oddest Puppet Theater: Ambulances, Shakespeare Menus, And Lilikans
At the Ten’ (Shadow’) puppet theater in Moscow, audiences can watch plays in miniature or...
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Jan Kott Our Contemporary: Contexts, Legacies, New Perspectives–Reviewed By Valenka Navea
“Shamanistic charlatanism!” “A pernicious influence on Peter Brook!” Like...
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Japan’s Theater Scene Begins to Decentralize
Tokyo has long been the center of Japan’s theatre world, but in 2014, that began to change,...
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50 Years with Ariane Mnouchkine’s Théâtre du Soleil
American playwright, translator, and journalist Amelia Parenteau is currently in residence in...
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Interview with Spanish Scenic Designer Jose Luis Raymond
José Luis Raymond is a multi award-winning Spanish Stage Designer, Director, Plastic Artist, and...
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Tena Štivičić’s “3 Winters” At The Royal National Theatre, Reviewed By Evgeniya Yarkova
3 Winters at the Royal National Theatre tells the 60-year story of a Croatian family living in...
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Where Are the Women in French Theater?
American playwright, translator, and journalist Amelia Parenteau is currently in residence in...
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Ridley Scott’s Casting Of White Actors Is Symptomatic Of Larger Problems
Director Ridley Scott recently set off a firestorm when he dismissed those who criticized him for...
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Staging Power: David Williamson’s Portrait Of Citizen Murdoch
The Melbourne Theatre Company’s (MTC) production of David Williamson’s 2013 play Rupert has...
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“Venus in Furs” at The Budapest English Theatre
Venus in Fur, the collaborative performance of the Budapest English Theatre and the Prague...
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Strange Fates of Shakespeare’s First Folio
The Shakespeare First Folio (1623), the first collected edition of his plays and the sole source...
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“Dangerous Acts Starring The Unstable Elements Of Belarus”: Review By Jesse Kirkwood
“Belarus is not sexy. Sexy countries have oil, gas, diamonds, sea, mountains … Belarus has...
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The Profound Effect of Russian Plays on Nicola McCartney
This is the second installment in John Freedman’s TheaterPlus video blog, which now appears...
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