Latest Archives - Page 270 of 278

Pinchgut’s “Iphigénie En Tauride”: A Work Of Pure Theatrical Magic

Posted by Michael Halliwell | 3rd Dec 2014 | Australia, Review, Theatre and Opera

In any Opera History 101 course, Christoph Willibald Gluck (1714-1787) is cited as one of the...

Comparing New York and Parisian Theatre

Posted by Amelia Parenteau | 3rd Dec 2014 | Essay, France, Management, New York, United States of America

American playwright, translator, and journalist Amelia Parenteau is currently in residence in...

Sasha Dugdale Recalls the Origins of New Drama in Russia

Posted by John Freedman | 17th Nov 2014 | Essay, Interview, Playwriting, Russia, Translation

Back when I used to publish a blog called TheaterPlus on the website of The Moscow Times, I would...

China’s “Cherry Orchard”

Posted by Anne Manyara | 17th Nov 2014 | Africa, China, Review, Russian Theatre Abroad

“Medicine is my lawful wife and literature is my mistress,” said Anton Chekhov (1860-1904), “when...

A Singing General

Posted by Iryna Chuzhynova | 10th Nov 2014 | News, Russia, Theatre and Opera

The premiere of the opera Coriolanus based on a play by Shakespeare and staged by Vlad Troitsky is...

Can Keene/Taylor’s New Play “Dreamers” Keep Us From Despair?

Posted by Robert Reid | 9th Nov 2014 | Australia, Review, Theatre and Politics

More than ten years after the last production by the Keene/Taylor Theatre Project (KTTP),...

Interview With the Creative Team of “Notes from Underground”

Posted by Emily McGovern | 7th Nov 2014 | Adaptation, France, Interview, Russia, Transcultural Collaborations, United Kingdom

British actor Harry Lloyd and French director Gérald Garutti’s stage adaptation of the Fyodor...

Unifying Shakespeare: Globe Theatre’s Russian Tour Ends On Thrilling Note

Posted by Alena Karas | 7th Nov 2014 | Review, Russia, Transcultural Collaborations

Visit closes with Moscow performances of A Midsummer Night’s Dream. London’s Globe...

Intermittence Du Spectacle

Posted by Amelia Parenteau | 3rd Nov 2014 | Essay, France

Since moving back to Paris this fall, I’ve been making my rounds at the theater, sampling this...

Colombian Patricia Ariza Receives International Theatre Award

Posted by Beatriz Cabur | 1st Nov 2014 | Colombia, News

Colombian playwright, director, producer, dramaturg and actor, Patricia Ariza receives the 2014...

Jeff Burchfield’s “Dream Come True” in Berlin

Posted by Marcina Zaccaria | 1st Nov 2014 | Germany, News, Theatre and Opera

Theatre and Opera Editor Marcina Zaccaria spoke with actor Jeff Burchfield in 2014, who was...

The Mariinsky Dramatizes Difference With A Wry Look At The “Two Camps”

Posted by Yaroslav Timoféyev | 31st Oct 2014 | Review, Russia, Theatre and Opera

St. Petersburg company returns to the UK with classic works contrasting Russian characters with...

Tom Stoppard Backs Moscow’s Teatr.doc

Posted by Interfax | 29th Oct 2014 | Management, News, Russia

British playwright, director, and screenwriter Tom Stoppard has written an open letter in support...

Striking, Original Theatre: Heiner Goebbels At The Melbourne Festival

Posted by Janine Forbes-Rolfe | 23rd Oct 2014 | Australia, Festivals, Review

When the Mountain Changed its Clothing, the Heiner Goebbels-directed show currently on at the...

Big hART’s “Hipbone Sticking Out”: Truthful And Ambitious Theatre

Posted by Diana Bossio | 20th Oct 2014 | Australia, Review, Theatre and Politics

Hipbone Sticking Out, the Big hART production now playing at the Melbourne Festival, begins in...

Vladimir Sorokin Takes The Stage

Posted by RBTH and Dmitriy Romendik | 19th Oct 2014 | Adaptation, Review, Russia

The premier of Telluria caused little controversy when it opened in St. Petersburg. Maybe Russian...

Mikhailovsky Theater Ready For Its Turn In The Spotlight

Posted by Pauline Naryshkina | 16th Oct 2014 | News, Russia, Theatre and Dance

While not as well known as the Bolshoi or the Mariinsky, the Mikhailovsky Theater’s leadership...

“The Complexity Of Belonging” At The Melbourne Festival–Reviewed

Posted by Jay Brinker | 9th Oct 2014 | Australia, Festivals, Review

I’ve often lamented that choosing to study the most complex organisms on Earth was the dumbest...

Ulrike Syha Interviews Dominique Dolmieu

Posted by The Theatre Times | 9th Oct 2014 | Europe, Interview, Playwriting, Translation

Ulrike Syha: When was Eurodram, a network for drama in translation, founded? What was the initial...

Yury Lyubimov, For whom History was a Home

Posted by John Freedman | 7th Oct 2014 | Directing, Essay, Russia

The death of Yury Lyubimov in Moscow on Sunday morning, October 5, 2014, at the age of 97, puts...

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Latest

Pinchgut’s “Iphigénie En Tauride”: A Work Of Pure Theatrical Magic

Comparing New York and Parisian Theatre

Sasha Dugdale Recalls the Origins of New Drama in Russia

China’s “Cherry Orchard”

A Singing General

Can Keene/Taylor’s New Play “Dreamers” Keep Us From Despair?

Interview With the Creative Team of “Notes from Underground”

Unifying Shakespeare: Globe Theatre’s Russian Tour Ends On Thrilling Note

Intermittence Du Spectacle

Jeff Burchfield’s “Dream Come True” in Berlin

The Mariinsky Dramatizes Difference With A Wry Look At The “Two Camps”

Tom Stoppard Backs Moscow’s Teatr.doc

Striking, Original Theatre: Heiner Goebbels At The Melbourne Festival

Big hART’s “Hipbone Sticking Out”: Truthful And Ambitious Theatre

Vladimir Sorokin Takes The Stage

Mikhailovsky Theater Ready For Its Turn In The Spotlight

“The Complexity Of Belonging” At The Melbourne Festival–Reviewed

Ulrike Syha Interviews Dominique Dolmieu

Yury Lyubimov, For whom History was a Home

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