Bogusław Schaeffer: Poland’s Renaissance Man
Polish theatre has gained world renown thanks to its innovative and bold experimental style. In...
Read MorePosted by Magda Romanska | 19th Feb 2012 | Essay, Poland, Transmedia
Polish theatre has gained world renown thanks to its innovative and bold experimental style. In...
Read MorePosted by Piotr Gruszczynski | 22nd Jan 2012 | Poland, Review, Theatre and Politics
Artur Żmijewski did something seemingly simple, something which should’ve been done a long time...
Read MorePosted by Margaret Araneo | 17th Jan 2012 | Books, Poland, Polish Theatre Abroad
When Helena Modjeska, Countess of Bożenta made her American debut at the California Theatre in San...
Read MorePosted by Dara Weinberg | 28th Dec 2011 | Essay, Poland, Theatre and Dance
Theatre Association, based in Łodź, which runs a theatre and education center offering a series of...
Read MorePosted by Ewelina Godlewska-Byliniak | 7th Nov 2011 | Directing, Poland, Review
Does the end mean a promise of fulfillment? Or is it just its illusion, a delusive prospect of...
Read MorePosted by Dara Weinberg | 7th Nov 2011 | Directing, Musical Theatre, Poland, Review
“I want to create a new kind of chorus theatre,” says Marta Górnicka. If Tu Mówi Chór…...
Read MorePosted by Marta Bryś | 7th Nov 2011 | Directing, Poland, Review
In his latest premiere, Koprofagi, Jan Klata abandons all the strategies that secured him his...
Read MorePosted by Pawel Soszynski | 22nd Sep 2011 | Directing, Poland, Review
What Lupa staged in Wrocław was simply a bad play. Waiting Room.0 is an intentional formal and...
Read MorePosted by Pawel Ploski | 7th Jun 2011 | Adaptation, Poland, Review
The National Audiovisual Institute released a new DVD publishing with The Card Index directed by...
Read MorePosted by Pawel Soszynski | 7th Apr 2011 | Directing, News, Participatory Theatre, Poland, Polish Theatre Abroad, Theatre and Film
In her debut film, Małgorzata Dziewulska takes on a challenging task: revising Grotowski’s...
Read MorePosted by Paul Bargetto | 22nd Feb 2011 | Directing, Interview, Playwriting, Poland, Polish Theatre Abroad
I feel there’s a straight line from Mrożek to Dorota. She’d probably kill me if she heard me say...
Read MorePosted by Joanna Wichowska | 5th Feb 2011 | Adaptation, Poland, Review
In the theatrical adaptation of The King Bows And Kills, the authors have chosen the technique of...
Read MorePosted by John Biweekly | 6th Dec 2010 | Interview, Playwriting, Poland
In this section, we introduce Polish artists, places, and new phenomena. We always ask the person...
Read MorePosted by The Theatre Times | 9th Nov 2010 | Benin, Review
On October 27, 28 & 29, 2010 at 8pm AfricAvenir presented the world premiere of the theatre...
Read MorePosted by Agata Diduszko-Zyglewska | 30th Aug 2010 | Interview, Poland, Theatre and Opera
I didn’t really know Xenakis before, but it turned out that he touches the precise parts of my...
Read MorePosted by Tomasz Cyz | 14th Aug 2010 | Essay, Poland, Theatre and Opera
Jan Kott wrote that in Shakespeare’s Macbeth, history is shown as a nightmare, something that...
Read MorePosted by biweekly.pl | 14th Aug 2010 | Acting, Interview, Poland
I’m an outsider everywhere. I was an outsider in my family. I was an outsider where I grew up. I’m...
Read MorePosted by Magda Fertacz | 14th Jul 2010 | Interview, Playwriting, Poland
Theatre is this section’s subject matter. For we love the stage and its (r)evolution. In this...
Read MorePosted by Tomasz Cyz | 19th Jun 2010 | Directing, Interview, Poland
I’m also sometimes afraid of music in moments of depression. I feel that even very good music can...
Read MorePosted by Alicja Rosé | 18th Jun 2010 | Directing, Essay, Poland
Beckett would have been unhappy. Hamm’s feet sticking out from under the blanket, and in white...
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