Latest Archives - Page 271 of 274

Magda Romanska on Dramaturgy and Opera

Posted by Magda Romanska | 28th Jan 2014 | Dramaturgy, Interview, Theatre and Opera, United States of America

BLO: What is a dramaturg? MR: In its broadest and earliest definition, dramaturgy means a...

Poland’s Teatr “Cinema”: Over 20 Years of Surrealist Collage

Posted by Dara Weinberg | 28th Jan 2014 | Essay, Poland, Review

The group of visual artists and actors who comprise the surrealist dance-theater Teatr...

“Black Diggers” Memorializes Indigenous WWI Soldiers

Posted by David Williams | 25th Jan 2014 | Australia, Festivals, Review, Sydney

In August 2012, I was invited by the Sydney Festival to work with Wesley Enoch, Artistic Director...

Intercultural Exchanges In “Chi Udaka” At Sydney Festival

Posted by Amanda Card | 20th Jan 2014 | Festivals, Review, Sydney, Transcultural Collaborations

There is speculation that the taiko drum was first used by soldiers in battle. At its best, Chi...

Workcenter of Grotowski and Richards’ Open Program in NYC

Posted by The Theatre Times | 18th Jan 2014 | News, United States of America

This winter, the Open Program team of the legendary Workcenter of Jerzy Grotowski and Thomas...

Cocteau’s “La Voix Humaine” Telephone Melodrama

Posted by Julian Murphet | 15th Jan 2014 | Australia, Festivals, Netherlands, Review, Sydney

An unnamed woman alone in an apartment conducts an increasingly panicked conversation on the...

Olivier Frljić and The Cancellation of His “Un-Divine Comedy”

Posted by Pawel Soszynski | 11th Dec 2013 | Collaborating Across Cultures, Interview, Poland, Theatre and Politics

Divine Kraków, Un-Divine Comedy: A talk with Croatian Director Oliver Frljić of Un-Divine Comedy...

Madrid’s Microtheatre Revitalizes Local Scene

Posted by Beatriz Cabur | 10th Dec 2013 | Immersive Theatre, News, Spain

On a Saturday night, Madrid’s Microtheatre performs 54 mini-shows back to back in the...

The Theatre and Democracy Project in Valencia

Posted by Hannah Wolf | 9th Dec 2013 | Spain, Theatre and Politics, Transcultural Collaborations

This post was written by the director, dramaturg, and educator, Hannah Wolf, who is currently in...

Review: “Super Discount” By Back To Back Theatre

Posted by Helena Grehan and Peter Eckersall | 20th Nov 2013 | Australia, Review, Theatre and Disability

Super Discount – currently playing at Melbourne’s Malthouse Theatre – is the latest work by...

Tchaikovsky’s “Nutcracker” Cutting Edge On London Ice

Posted by Tatiana Rubleva | 2nd Nov 2013 | Review, Russia, Theatre and Dance

Anglo-Russian dance sensation marries ice-skating and theater in their production of Nutcracker on...

“Black Monk” Talks In Tongues

Posted by John Freedman | 30th Oct 2013 | Directing, Kama Ginkas Black Monk, Review, Russia

Of all the theatrical languages that coexist in Moscow, director Kama Ginkas is an intonation unto himself. You can hear it in his actors’ speech. “They often speak not as they do in life or even on stage for another...

Special Theatres Give The Disabled Self-Expression

Posted by Georgy Manaev | 24th Sep 2013 | Essay, Russia, Theatre and Disability

For people with physical or intellectual disabilities, the art of theatre is the powerful mode of...

Part Of A Living Tradition: Russian Drama In London

Posted by Phoebe Taplin | 21st Sep 2013 | Essay, Russia, Transcultural Collaborations

Some of London’s most innovative theatres and theatre companies are inspired by Russia but in very...

Japan’s Kera Meets Chekhov

Posted by Nobuko Tanaka | 12th Sep 2013 | Japan, Review, Russia, Transcultural Collaborations

“I have rarely seen a great production of any Chekhov play in Japan. Sometimes, I’ve even wanted...

Alexander Ostrovsky: Russia’s Shakespeare?

Posted by Alisa Orlova | 3rd Aug 2013 | Essay, Playwriting, Russia

It is impossible to imagine the Russian stage without the works of Alexander Ostrovsky – they are...

Bolshoi Theater Reveals Program For Next Season

Posted by Paul Duvernet | 28th Jun 2013 | News, Russia, Theatre and Dance

The Bolshoi Theater’s new season opens Sept. 17. It will include seven new productions...

“Bogusław Schaeffer: An Anthology”

Posted by Alena Aniskiewicz | 25th Jun 2013 | Books, Poland, Translation

This beautiful new volume, a collection of three plays translated by Magda Romanska, is an...

Behind The Curtains Of The New Mariinsky

Posted by Pauline Tillmann | 6th Jun 2013 | Essay, Russia, Theatre and Opera

The new Mariinsky Theatre is a site of pilgrimage in St. Petersburg. Ballet and opera enthusiasts...

American Actor In Moscow Admires Russia’s Intellectual Side

Posted by Ekaterina Vlasova and Moskovskie Novosti | 2nd Jun 2013 | Interview, Russia, Transcultural Collaborations

Cazimir Liske, an American actor at the Praktika Theatre, talks about Russia’s literary...

Latest

Magda Romanska on Dramaturgy and Opera

Poland’s Teatr “Cinema”: Over 20 Years of Surrealist Collage

“Black Diggers” Memorializes Indigenous WWI Soldiers

Intercultural Exchanges In “Chi Udaka” At Sydney Festival

Workcenter of Grotowski and Richards’ Open Program in NYC

Cocteau’s “La Voix Humaine” Telephone Melodrama

Olivier Frljić and The Cancellation of His “Un-Divine Comedy”

Madrid’s Microtheatre Revitalizes Local Scene

The Theatre and Democracy Project in Valencia

Review: “Super Discount” By Back To Back Theatre

Tchaikovsky’s “Nutcracker” Cutting Edge On London Ice

“Black Monk” Talks In Tongues

Special Theatres Give The Disabled Self-Expression

Part Of A Living Tradition: Russian Drama In London

Alexander Ostrovsky: Russia’s Shakespeare?

Bolshoi Theater Reveals Program For Next Season

“Bogusław Schaeffer: An Anthology”

Behind The Curtains Of The New Mariinsky

American Actor In Moscow Admires Russia’s Intellectual Side

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