Dispelling The Myths Of Circus
“Sweet is the lore which Nature brings; Our meddling intellect Mis-shapes the beauteous form of...
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From “The Hypocrite” to “Hamilton”: Six Must-See Theatre Shows to Book in London
The Hypocrite Could this be the new One Man, Two Guvnors? Richard Bean is back, with a riotous new...
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More Than 31,000 People Enjoy the Magic of the First International Festival of Live Arts Loja
On November 17–27, 2016, Loja, considered the cultural capital of Ecuador because of its long...
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Moscow Theater Performance of “Anna Karenina” to Play at a Cinema Near You
The Vakhtangov Theatre’s interpretation of Leo Tolstoy’s famous novel, Anna Karenina, is...
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August Wilson’s “Jitney” on Broadway
A brief—dashed, if you will—argument for the relevance, humanness, and endearment of themes in...
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Chelfitsch’s “Current Location” – A Mirror To Reality After The March 2011 Earthquake
Current Location (Genzaichi in Japanese), written and directed by Okada Toshiki, founder of the...
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“Fuenteovejuna” From Margin to Centerstage
TNT El Vacie is one of the most unique theatre companies in Spain. This group of Gypsy illiterate...
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A Meditation for Holocaust Memorial Day: “Viennese Kaddish”
Born in Kharkov on 12 November 1937, Mikhail Berman-Tsikinovsky is a Russian-speaking émigré who...
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“Hedda Gabbler” Adaptation Has Too Much Direction
Theatre conventions are a funny thing. Nowadays, it’s actually quite difficult to see a modern...
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The Need for Supertitles or Not
Two shows recently seen at the Under The Radar festival in New York gave me the opportunity to...
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The Year of Remembrance and Resistance: A Look at Polish Theatre in 2016. Part II
The year 2016 was marked by theatre artists resisting narratives imposed by the Polish government...
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Witnessing The Battle Scene
THE BATTLE SCENE SCORE The stage is a raft on water. On stage, there are remains of a shipwreck:...
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“Synaesthetics”: Gopala Davies’ Explorations In Intermediality
South African Indian actor and director Gopala Davies’s production of Les Cenci: A Story About...
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A Bird’s-eye View on Iranian Theatre in 2016
The highlights of Iranian theatre in the last 12 months (1394–1395 Persian calendar) include...
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A History Of The Transient In-Yer-Face Theatre
Whether or not it really is a foreign country, the past has a tendency to feel like it’s a long...
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The Magic Theatre of Emanuele Luzzati: A Documentary Exhibition at the Filatoio Rosso in Caraglio
Ten years ago, on 26 January 2007, Emanuele Luzzati died, in Genua. He was one of Italian...
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New Zealand Dramaturgy: A Maverick Undertaking in 2016 Part II
This is Part II of the series on dramaturgy in New Zealand. For Part I, click here. Dramaturgy is...
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Spaces of Agency: Conversation with Maya Zbib of Zoukak Theatre Collective and Cultural Association
Based in Beirut, Zoukak Theatre Collective and Cultural Association was established in 2006, and...
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Taiwan’s National Taichung Theater Celebrates Its Soft Launch through Epic, Ritualistic and Environmental Performances
As the darkness creeps in, the already crowded plaza in front of the National Taichung Theater...
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“Mount Tackle” by Heike Langsdorf / RADICAL_HOPE
In this time of superdiversity, with different cultures and strata of the population living...
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