Obituary: Nehad Selaiha, Renowned Theatre Scholar And Activist Dies
On January 6th, the Egyptian culture scene lost one its highest pillars, Nehad Selaiha, a woman...
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Tribute to 25 Years of Theatre of the Andes
The idea of celebrating the 25 years of Theatre of the Andes (Teatro de los Andes) was born from...
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“In What Time Do We Live?” Time and Distance in the Work of Toshiki Okada
In May 2016, Japanese writer and director Toshiki Okada presented his latest production, Time’s...
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“NIMBY” From Chilean-French Company Colectivo Zoológico at Iberoamerikanisches Theaterfestival
On July 4th, 1999, almost 1700 low-income families in Peñalolén, Santiago de Chile illegally...
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Adapting a Theatre Myth into a Popular Myth: the case of Don Juan’s “Statue of the Commander” in Naples
The origin of the figure of Don Juan and, at the same time, of the related Statue of the Commander...
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Building Bridges: A Transcultural Collaboration Between Spain and the UK
Rodrigo Arribas (from Span’s Fundación Siglo de Oro) describes the transnational collaborative process that gave rise to his company, which has been the first to present a non-English speaking author at the Shakespeare Globe. Reflecting on the models that have arisen from the collaboration between Spain and the UK, he reflects on what differentiates and unites us in theatre.
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“Wish List” Is A Poor Portrayal Of The Welfare System
You could call it the Corbynisation of new writing. In the past couple of years, a series of plays...
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Feedback, Ladders and Outside Eyes: Talking Dramaturgy with Michael John O’Neill
Dosed up on caffeine on another rainy day in Glasgow. Ideal conditions to talk about dramaturgy...
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Daring to See Red: Theater Company Gorae’s “Red Poem”
Theatre Company Gorae’s Red Poem, written and directed by company founder Lee Hae-Sung, recently...
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Boska Komedia: Krakow’s Divine Comedy Festival
The Boska Komedia festival (“Divine Comedy”) in Krakow is one of the highlights of Polish theatre...
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The Union of Sicilian Puppetry and Contemporary Dance: Virgilio Sieni and Mimmo Cuticchio in Palermo
Virgilio Sieni is one of the most important Italian dancers and choreographers, and Mimmo...
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Pith and Pathos In “Mata Hari” – A New Opera at HERE
There is no doubting the ambitions of Mata Hari, enjoying its world premiere at HERE, in New...
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New Zealand Dramaturgy: A Maverick Undertaking in 2016, Part I
Playwright and dramaturge Gary Henderson points out that classic rugby analogies, although...
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In Today’s Popular Shows, Shakespeare’s Iconic Characters Live On
Though Shakespeare’s death didn’t attract much attention in 1616, it’s big news today. To mark its...
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Dementia: The Theater Season’s “In” Disease Part 1
Not so long ago characters didn’t lose their memories onstage, even if on rare occasion actors...
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Censorship and Collaboration: A Look at Korean Theatre in 2016
At this moment, 2017 promises to be a challenging year for Korean theatre, as it carries over the...
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Streaming Opera and Media: “Secondary Dominance” at PROTOTYPE
PROTOTYPE captures the opera lover’s attention again this year, with offerings that...
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A Golden Age of Theater for Japan’s Seniors
At the age of 91, Saitama resident Izumi Noguchi is speaking at his first press conference — at...
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German Children’s And Young People’s Theatre Prizes Aim To Promote Theatre For Young Audiences
Since 1996, the German Children’s Theatre Prize and the German Young People’s Theatre Prize are...
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Dramaturgy of the Duels in Lin-Manuel Miranda’s “Hamilton”
Pistol Dueling in the Early United States as Presented on the Broadway Stage Two men face off in...
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