August Wilson’s “Jitney” on Broadway
A brief—dashed, if you will—argument for the relevance, humanness, and endearment of themes in...
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Chelfitsch’s “Current Location” – A Mirror To Reality After The March 2011 Earthquake
Current Location (Genzaichi in Japanese), written and directed by Okada Toshiki, founder of the...
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“Fuenteovejuna” From Margin to Centerstage
TNT El Vacie is one of the most unique theatre companies in Spain. This group of Gypsy illiterate...
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A Meditation for Holocaust Memorial Day: “Viennese Kaddish”
Born in Kharkov on 12 November 1937, Mikhail Berman-Tsikinovsky is a Russian-speaking émigré who...
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“Hedda Gabbler” Adaptation Has Too Much Direction
Theatre conventions are a funny thing. Nowadays, it’s actually quite difficult to see a modern...
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The Need for Supertitles or Not
Two shows recently seen at the Under The Radar festival in New York gave me the opportunity to...
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The Year of Remembrance and Resistance: A Look at Polish Theatre in 2016. Part II
The year 2016 was marked by theatre artists resisting narratives imposed by the Polish government...
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Witnessing The Battle Scene
THE BATTLE SCENE SCORE The stage is a raft on water. On stage, there are remains of a shipwreck:...
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“Synaesthetics”: Gopala Davies’ Explorations In Intermediality
South African Indian actor and director Gopala Davies’s production of Les Cenci: A Story About...
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A Bird’s-eye View on Iranian Theatre in 2016
The highlights of Iranian theatre in the last 12 months (1394–1395 Persian calendar) include...
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A History Of The Transient In-Yer-Face Theatre
Whether or not it really is a foreign country, the past has a tendency to feel like it’s a long...
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The Magic Theatre of Emanuele Luzzati: A Documentary Exhibition at the Filatoio Rosso in Caraglio
Ten years ago, on 26 January 2007, Emanuele Luzzati died, in Genua. He was one of Italian...
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New Zealand Dramaturgy: A Maverick Undertaking in 2016 Part II
This is Part II of the series on dramaturgy in New Zealand. For Part I, click here. Dramaturgy is...
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Spaces of Agency: Conversation with Maya Zbib of Zoukak Theatre Collective and Cultural Association
Based in Beirut, Zoukak Theatre Collective and Cultural Association was established in 2006, and...
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Taiwan’s National Taichung Theater Celebrates Its Soft Launch through Epic, Ritualistic and Environmental Performances
As the darkness creeps in, the already crowded plaza in front of the National Taichung Theater...
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“Mount Tackle” by Heike Langsdorf / RADICAL_HOPE
In this time of superdiversity, with different cultures and strata of the population living...
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Howard Barker and The Curious Case of the Chinese Play With the All-white Cast
This week, In the Depths of Dead Love opened at The Print Room in London. The play, by Howard...
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AbOriginal Theatre’s “Fractures” – Nigerian Adaptation of Arthur Miller’s “A View from the Bridge”
AbOriginal Theatre, the theatre arm of AbOriginal Productions, returned with its latest theatrical...
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Musical About Fidel Castro Aims to Present Historical Complexity
The response to the death of Cuban revolutionary leader Fidel Castro has been striking for its...
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The Year of Remembrance and Resistance: A Look at Polish Theatre in 2016. Part I
The final Polish premiere of 2016 was Triumf Woli [The Triumph of the Will] prepared by the...
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