Review: Xameleon Theatre–Chekhov’s Vision Of “Love In A Nutshell”
Xameleon Theatre treats London audiences to a new insight into the life and works of Chekhov in...
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The Holocaust, Sacrificed: Nicholas Tolkein’s “Terezin”
In taking it upon him or herself to depict the horrors of the Holocaust, the artist assumes an...
Read MoreReview of Sansluxe Dance Performance
Sansluxe, meaning “without luxury” in French, is a collaborative space that Montreal dancers in the city’s renowned gay village can use for the small fee of $40.00 per year. In February, dancers from the Sansluxe collective...
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“The Foundation” by Susana Torres Molina: A Mask Hiding Inside Other Masks
Susana Torres Molina, with her own dramatic text and very successful direction, is currently...
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Kenyan Theatre: The Good, The Bad and the Ugly
Kenya National Theatre (KNT) was initially built as a recreational centre for British soldiers...
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“Brodsky/Baryshnikov”: The Art of Poetic Memory
From the cultural perspective, London is an extremely privileged city: the delights it enjoys are...
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“Cast Off All Shame” Brings Female Bhakti Poets to Present Day
Ulka Mayur’s Cast Off All Shame re-imagines four female bhakti poets in a modern-day avatar to...
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Ponyboy Curtis’ “Vs” at Yard Theatre
Ponyboy Curtis are a cult phenomenon. Chris Goode’s queer performance collective has won plaudits...
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Art And Disabilities In Cambodia: The Story Of Epic Arts
Last year, I was introduced to a Youtube parody video of Taylor Swift’s Shake it Off by a few...
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“School #3”: The Heartfelt Theatre-Based Documentary About the Kids of War-torn Donbass
School #3, a documentary about everyday life in war-struck eastern Ukraine, recently won a Grand...
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Earthy Nautanki Meets Classical Baithak in “Bandish 20-20000 Hz”
Playwright Purva Naresh has a prolific year ahead, starting with the premiere of Bandish 20-20000...
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“Voices From Chernobyl” – Adaptation of The Book by Nobel Winning Author Svetlana Alexievich
These people had already seen what for everyone else is still unknown. I felt like I was recording...
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Listening, Balance and Why It’s Everything: Talking Dramaturgy With Rosie Kellagher
A conversation about dramaturgy and New Writing with Rosie Kellagher, Literary Manager for the...
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Interview with the Playwright, Director, and Translator of “Sister Mok-Rahn”: How an Authentically Korean Story Crosses Over to New York
Eunsung Kim is a South Korean playwright and the Director of Dalnara Dongbakkot Company. He was...
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Celebrating Theatre: Polish Festivals 2017
The 2016/17 theatrical season in Poland is about to end and most of the theatres will close for...
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“WAGAS!” or Virgin Labfest 13 at the Cultural Center of the Philippines Opens on 28 June
The Cultural Center of the Philippines (CCP), in partnership with its resident theater company...
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Review of Martyna Majok’s “Cost Of Living”
Cost of Living is a vital new play from Polish-American playwright Martyna Majok. Following an...
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“Anatomy of a Suicide” at The Royal Court Theatre
Dorothy Parker’s take on suicide is called “Resumé”: it goes, “Razors pain you; Rivers are damp;...
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How Theatre Is Uniting The Youth of a War-torn Ukraine
On the front line between Russia and Ukraine, the small city of Popasna is a place deeply divided:...
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“Punts” Brings Up Questions Of Disability, Sexual Consent, And Parental Control
London fringe theatre is underfunded and under-resourced, but it often produces work that is more...
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