Latest Archives - Page 222 of 278

“La Fiesta del Viejo”: A Fresh Perspective on a Classic Tale

Posted by Susan Berardini | 9th Jul 2017 | Argentina

It’s a beautiful Sunday morning in Buenos Aires, and while most tourists are rushing off to the...

“Ram ki Shakti Puja:” The Drama of Devotion and Justice

Posted by Namrata Chaturvedi | 8th Jul 2017 | Adaptation, India

Recently, Delhi hosted the dramatic production Ram ki Shakti Puja, by the Banaras-based theatre...

Secret Cinema’s “Moulin Rouge”: The Bohemian Revolution in Immersive Format

Posted by Aida Rocci | 7th Jul 2017 | Immersive Theatre, London, Review, Transmedia, United Kingdom

At the core of Secret Cinema, there is the promise of daring to be different. Combining the realms...

Hazem Shebl Appointed Vice President Of Prestigious International Theatre Organization

Posted by The Theatre Times | 6th Jul 2017 | Design, Egypt

The International Organisation of Scenographers, Theatre Architects and Technicians (OISTAT) has...

Rio 2017 – Theatre Jeopardized

Posted by Gustavo Guenzburger | 6th Jul 2017 | Brazil, Theatre and Politics

The city of Rio de Janeiro has been historically acclaimed as one of the main hubs of theatre...

Stage Adaptation of West African Novel Thrills Nairobi Audiences

Posted by Alexander Nderitu | 6th Jul 2017 | Adaptation, Kenya, Theatre and Gender

‘I am wife Number One…I am gold. And then silver, bronze, even charcoal came along!’ This lament...

Julius Caesar In Our Times

Posted by Jyotsna G. Singh | 5th Jul 2017 | New York, Theatre and Politics, United States of America

“All the world’s a stage,” Shakespeare once wrote. In recent weeks, that Shakespearean adage has...

“The Ridiculous Darkness” Is An Instruction Manual For Reality

Posted by The Theatre Times | 5th Jul 2017 | Brazil, Germany, Playwriting

For the first time, The Ridiculous Darkness by Wolfram Lotz will be staged twice in Brazil. For...

Why International Bias Has Caused Few Opportunities For Australian Musical Theatre Creators And Performers

Posted by Trevor Jones | 4th Jul 2017 | Australia, Musical Theatre

Last week’s nominations for the Helpmann Awards, which recognize the performing arts in Australia,...

Alternative Theatre Aims To Create A New Type Of Tourist Attraction In Tokyo

Posted by Nobuko Tanaka | 4th Jul 2017 | Japan, Producing

The neighborhood surrounding Yurakucho Station isn’t exactly starved for things to do. The Ginza...

“Ink” – Rupert Murdoch’s Tale of Success and Scandal, Now Playing at Almeida Theatre

Posted by Aleks Sierz | 3rd Jul 2017 | Documentary Theatre, London, Review, Theatre and Politics, United Kingdom

The recent general election result proves that the power of the rightwing press has diminished...

‘Who Knew the World Could be so Awful’: Alice Birch’s Apocalyptic Feminist Theatre

Posted by Sandra D'urso | 3rd Jul 2017 | Australia, Theatre and Gender

Alice Birch’s production, Revolt. She said. Revolt again., currently on at Melbourne’s Malthouse...

Mahatma Gandhi and His Spiritual Guru Depicted in New Hindu Play

Posted by Soma Basu | 3rd Jul 2017 | India

Theatre-goers in Madurai were treated to a relatively new Hindi play Yugpurush – Mahatma ke...

5 Things You Probably Didn’t Know About The Bolshoi Theater

Posted by Anna Galayda - Russia Beyond Headlines | 2nd Jul 2017 | Design, Essay, Russia

It’s easy to become so engrossed in a performance at the Bolshoi that fascinating details about...

Review: Ensemble Studio Theatre 1-Act Marathon, Series B

Posted by Jack Wernick | 2nd Jul 2017 | Festivals, New York, Playwriting, Review

Ensemble Studio Theatre’s annual Marathon of One-Act Plays is in full swing this month in New...

Dramatizing Argentina’s Dirty War: An Interview with Marisela Treviño Orta

Posted by Trevor Boffone | 2nd Jul 2017 | Interview, Playwriting, United States of America

While working on her MFA in Writing from the University of San Francisco, playwright Marisela...

Berlin Turkish Theater Festival Kicks Off

Posted by The Theatre Times | 1st Jul 2017 | Festivals, Germany, Turkey

The Berlin Turkish Theater Festival kicked off on July 1, 2017 in the German capital, Berlin....

The Current State of Theatre in Wales – A Brief Introduction

Posted by Christopher Harris | 1st Jul 2017 | United Kingdom

Wales. A nation of folklore…the Mabinogion, Prince Madog, King Arthur. Embracers of the...

Review: Xameleon Theatre–Chekhov’s Vision Of “Love In A Nutshell”

Posted by Margaret Drummond | 1st Jul 2017 | Adaptation, London, Playwriting, Review, Russia, Russian Theatre Abroad, Translation, United Kingdom

Xameleon Theatre treats London audiences to a new insight into the life and works of Chekhov in...

The Holocaust, Sacrificed: Nicholas Tolkein’s “Terezin”

Posted by Jessica Rizzo | 30th Jun 2017 | New York, Review, United States of America

In taking it upon him or herself to depict the horrors of the Holocaust, the artist assumes an...

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Latest

“La Fiesta del Viejo”: A Fresh Perspective on a Classic Tale

“Ram ki Shakti Puja:” The Drama of Devotion and Justice

Secret Cinema’s “Moulin Rouge”: The Bohemian Revolution in Immersive Format

Hazem Shebl Appointed Vice President Of Prestigious International Theatre Organization

Rio 2017 – Theatre Jeopardized

Stage Adaptation of West African Novel Thrills Nairobi Audiences

Julius Caesar In Our Times

“The Ridiculous Darkness” Is An Instruction Manual For Reality

Why International Bias Has Caused Few Opportunities For Australian Musical Theatre Creators And Performers

Alternative Theatre Aims To Create A New Type Of Tourist Attraction In Tokyo

“Ink” – Rupert Murdoch’s Tale of Success and Scandal, Now Playing at Almeida Theatre

‘Who Knew the World Could be so Awful’: Alice Birch’s Apocalyptic Feminist Theatre

Mahatma Gandhi and His Spiritual Guru Depicted in New Hindu Play

5 Things You Probably Didn’t Know About The Bolshoi Theater

Review: Ensemble Studio Theatre 1-Act Marathon, Series B

Dramatizing Argentina’s Dirty War: An Interview with Marisela Treviño Orta

Berlin Turkish Theater Festival Kicks Off

The Current State of Theatre in Wales – A Brief Introduction

Review: Xameleon Theatre–Chekhov’s Vision Of “Love In A Nutshell”

The Holocaust, Sacrificed: Nicholas Tolkein’s “Terezin”

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