Avignon Part 10. Dance Poem by Radhouane El Meddeb
Face à la mer, pour que les larmes deviennent des éclats de rire. Concept, dramaturgy,...
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Lynn Nottage’s “Intimate Apparel”: A Revival of Nuance
To revive a play by Lynn Nottage is to revive nuance. Under the direction of Daniela Varon,...
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What Is the Relationship Between Acting and Transmedia? Part II
This is the second blog post looking at acting and transmedia. It identifies several key...
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What is the Relationship Between the Spectator, Theatre, and the State?
They say in Russia: “If he beats you, it means he loves you.” This attitude, which may strike a...
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From Propaganda Ballets to Dance for the People
Once a Cultural Revolution dancer, Wen Hui has become a pioneer of choreography that focuses on...
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LACMA’s “Chagall: Fantasies for the Stage”
Marc Chagall’s theatrical designs (costumes and set designs) demonstrate his love of music and sheer joy in bringing to life the fantastical creatures that live in our imaginations.
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Avignon Part 9: “Kalakuta Republik” – An Exploration of Music, Space and Movement Based on The Life of Fela Kuti
Kalkuta Republik Choreography Serge Aimé Coulibaly; music Yvan Talbot; inspired by the political...
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Avignon Part 8: “Grensgeval (Borderline)” – A Theatrical Exploration of The Refugee Crisis.
Grensgeval (Borderline). Based on Les Suppliants by Elfriede Jelinek. Directed by Guy Cassiers,...
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Avignon Part 7: Ibsen Reinvented – Simon Stone’s “La Maison d’Ibsen”
Ibsen Huis (La Maison d’Ibsen) Directed by Simon Stone, dramaturgy and translation by Peter van...
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Theatre Translation Forum launches ‘Adapting Translation for the Stage’
In 2013-14, an innovative, cross-disciplinary research project explored the interactions of...
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Bridging the Divide at the International Theatre Festival in Kolkata
The maiden edition of International Theatre Festival organised by S.B. Park Sarbajanin presents...
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Avignon Part 6: Frank Castorf’s “Die Kabale der Scheinheiligen. Das Leben des Herrn de Molière”
Based on 136 play The Cabal of Hypocrites by Mikhail Bulgakov, with additional texts by Pierre...
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Avignon: Symphonies of Pain Part 5 – “Memories of Sarajevo” and “Dans les Ruines d’Athènes”
Memories of Sarajevo and Dans les ruines d’Athènes are the two concluding parts of the tetralogy...
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Prelude to Performance Performs “Suor Angelica” and “Gianni Schicchi”
Suor Angelica and Gianni Schicchi are the second and third operas of the Il trittico, a trilogy of...
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Avignon: Symphonies of Pain Part 4 – Caroline Guiela Nguyen’s “Saigon”
In Saigon, Caroline Guiela Nguyen has created a four-hour theatrical tale based on the history of...
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Avignon: Symphonies of Pain Part 3 – Satoshi Miyagi’s “Antigone”
Antigone by Sophocles, directed by Satoshi Miyagi; music by Hiroko Tanakawa; scenography by...
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“Pity in History”: The Potomac Theatre Project Wrestles with Howard Barker
Near the end of the Potomac Theatre Project’s production of Pity in History, with England...
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Avignon: Symphonies of Pain Part 2 – Lemi Ponifasio’s “Standing in Time”
Standing in Time. texts by Rasha Abbas. Direction, scenography by Lemi Ponifasio; sound design...
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“Fiddler On The Roof” at The Chichester Festival Theatre
If the choice of a female Doctor Who still has the power to shock and challenge, then we have not...
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Avignon: Symphonies of Pain Part I – Dorothée Munyaneza’s “Unwanted”
My journey through the Festival d’Avignon this year (20171) has just begun, but I have already...
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