Review Archives - Page 85 of 138

Gilded in Glitter, How Much Jukebox Inferno Can “The Cher Show” Take?

Posted by Michael Appler | 2nd Feb 2019 | Musical Theatre, New York, Review, United States of America

Cher, the Academy, Grammy and Emmy Award winning superstar, could never be contained in a Broadway...

The Inner Monster Of Steve Jobs Comes Alive On An Iranian Stage With Mehrān Ranjbar’s Tale

Posted by Somayeh Khani | 1st Feb 2019 | Iran, Review

Written, directed, and played by Mehrān Ranjbar, Steve Jobs was staged from October 18 to December...

“Hercules” At Abrons Arts Center

Posted by Jack Wernick | 31st Jan 2019 | Review, Theatre and Politics, United States of America

The historic Abrons Arts Center on New York’s Lower East Side is the setting of a dynamic...

Martin Crimp’s “When We Have Sufficiently Tortured Each Other” At The National Theatre

Posted by Aleks Sierz | 30th Jan 2019 | London, Review, Theatre and Gender, United Kingdom

The most hyped play of the year is here. Because of the huge demand for seats, and the relative...

Dancenorth’s “Dust” Is Ambitious Theatre In An Age Of Uncertainty

Posted by Justine Shih Pearson | 30th Jan 2019 | Australia, Festivals, Review, Sydney

What kind of world are we leaving for our children? So goes our conversation everywhere these...

Top Twelve Indian Plays Of 2018

Posted by Akarsh Khurana | 30th Jan 2019 | India, Review

I begin 2019 with the same paragraph I ended 2017 with. Over the last few years, it has become...

Complexity Abounds In Antaeus Theatre Company’s “The Cripple Of Inishmaan”-Glendale, CA

Posted by Christine Deitner | 30th Jan 2019 | Los Angeles, Review, Theatre and Art, United States of America

Situated on their two-year-old permanent home on Broadway in Glendale, CA, Antaeus Theatre Company...

“Where Did We Sit on The Bus?” at City Theatre, Pittsburgh PA

Posted by Wendy Arons | 29th Jan 2019 | Pittsburgh, Review, The Pittsburgh Tatler, United States of America

Playwright/poet/performer Brian Quijada has hope for the future. That’s not an easy orientation to...

“The Unreturning” at The Theatre Royal Stratford East

Posted by Aleks Sierz | 29th Jan 2019 | London, Review, Theatre and Gender, United Kingdom

Nadia Fall is a good thing. Her appointment as the artistic director of this venue, with her first...

“Ripcord”: Disturbingly Outrageous Popular Theatre Where Comedy And Tragedy Intersect

Posted by Alvina Ruprecht | 28th Jan 2019 | Canada, Review

David Lindsay-Abaire in his earlier works was a master of television style sit-coms and Ripcord...

“After The Fire’s” Wit And Rage Is Incendiary

Posted by Kate Croome | 27th Jan 2019 | Canada, Review

Kate Croome reviews After The Fire by Matthew MacKenzie, a Punctuate! Theatre and Alberta...

Ishy Din’s “Approaching Empty” at The Kiln Theatre

Posted by Aleks Sierz | 27th Jan 2019 | London, Review, Theatre and Politics, United Kingdom

Write what you know, says the adage, and that’s exactly what playwright Ishy Din has done with his...

Joseph Keckler’s “Train With No Midnight

Posted by Janelle Lawrence | 26th Jan 2019 | New York, Prototype 2019, Review, Theatre and Opera, United States of America

Walking into the lower theatre at HERE for Train With No Midnight you may have thought you were...

Gabriel Gbadamosi’s “Stop And Search” at The Arcola Theatre

Posted by Aleks Sierz | 25th Jan 2019 | Ireland, London, Nigeria, Review, United Kingdom

Police stop and search activities—the harassment of young, usually black, men in the streets of...

“Deer Woman” Is A Work Of Immense Power And Artistry

Posted by Caroline Wake | 25th Jan 2019 | Australia, Canada, Festivals, Review, Theatre and Gender

One of the most exhilarating things about Wesley Enoch’s tenure as Artistic Director of the Sydney...

Bringing Shadows To Life: Manual Cinema’s “The End Of TV” At ArtsEmerson

Posted by Matthew McMahan | 24th Jan 2019 | Puppetry, Review, Theatre and Film, United States of America

ArtsEmerson, Boston’s hub for international, experimental, and cutting-edge theatre, has invited...

Mark Ravenhill’s “The Cane” at The Royal Court

Posted by Aleks Sierz | 23rd Jan 2019 | London, Review, United Kingdom

Playwright Mark Ravenhill, who shot to fame in 1996 with his in-yer-face shocker Shopping And...

Danai Gurira’s “The Convert” at The Young Vic: Religion and Colonialism

Posted by Aleks Sierz | 22nd Jan 2019 | London, Review, Theatre and Decolonization, Theatre and Religion, United Kingdom

Wow! First, the Black Panther team took cinema by storm; now, they have conquered theatre as well....

“Minding Frankie”: A Canadian Premiere Of An Irish Adaptation Goes Straight To The Heart!

Posted by Alvina Ruprecht | 22nd Jan 2019 | Adaptation, Canada, Review

The narrative voices of Irish novelist and playwright Maeve Binchy that emerge in Minding Frankie...

“Time Is Love/Tiempo Es Amore” at The Finborough Theatre

Posted by Aleks Sierz | 21st Jan 2019 | London, Review, United Kingdom

Mainstream theatre is often a huge treasure chest, blazing with jewels and flashing lights, while...

Review

Gilded in Glitter, How Much Jukebox Inferno Can “The Cher Show” Take?

The Inner Monster Of Steve Jobs Comes Alive On An Iranian Stage With Mehrān Ranjbar’s Tale

“Hercules” At Abrons Arts Center

Martin Crimp’s “When We Have Sufficiently Tortured Each Other” At The National Theatre

Dancenorth’s “Dust” Is Ambitious Theatre In An Age Of Uncertainty

Top Twelve Indian Plays Of 2018

Complexity Abounds In Antaeus Theatre Company’s “The Cripple Of Inishmaan”-Glendale, CA

“Where Did We Sit on The Bus?” at City Theatre, Pittsburgh PA

“The Unreturning” at The Theatre Royal Stratford East

“Ripcord”: Disturbingly Outrageous Popular Theatre Where Comedy And Tragedy Intersect

“After The Fire’s” Wit And Rage Is Incendiary

Ishy Din’s “Approaching Empty” at The Kiln Theatre

Joseph Keckler’s “Train With No Midnight

Gabriel Gbadamosi’s “Stop And Search” at The Arcola Theatre

“Deer Woman” Is A Work Of Immense Power And Artistry

Bringing Shadows To Life: Manual Cinema’s “The End Of TV” At ArtsEmerson

Mark Ravenhill’s “The Cane” at The Royal Court

Danai Gurira’s “The Convert” at The Young Vic: Religion and Colonialism

“Minding Frankie”: A Canadian Premiere Of An Irish Adaptation Goes Straight To The Heart!

“Time Is Love/Tiempo Es Amore” at The Finborough Theatre

Like Us On Facebook

Most Popular Posts

Recent Posts

SEARCH OUR ARCHIVES

Pin It on Pinterest