“Saviour Samuel” At Pittsburgh Playwrights Company In Pittsburgh, PA
Set on the Kansas prairie in the late 19thcentury, Mark Clayton Southers’ Saviour Samuel might...
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Review
“Eden” at The Hampstead Theatre: Building a Luxury Golf Course
In the medieval Mappa Mundi, which hangs in Hereford cathedral, the Garden of Eden is pictured at...
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“An Octoroon” At Kinetic Theatre Company In Pittsburgh, PA
The Octoroon is a 19th-century melodrama by Irish playwright Dion Boucicault that tells the story...
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In Stephen Sewell’s Charming “Arbus and West,” Feminism Boils to the Surface
In the world premiere production of Arbus and West, Playwright Stephen Sewell appears to be...
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At SoHo Playhouse, “Fiercely Independent” Demystifies Divorce
In 1977, Margaret Trudeau somewhat famously told People Magazine that “it takes two to destroy a...
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“The Animals And Children Took To The Streets” at The Lyric Hammersmith
Whenever I hear the word “cosmopolitan” I think of Europe in the 1920s: German Expressionism,...
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French Playwright Florian Zeller’s “The Son” at The Kiln Theatre
Well, you have to hand it to French playwright Florian Zeller — he’s certainly cracked the problem...
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Who’s His Daddy?: Jeremy Harris’ “Daddy” at Signature Theatre Center
The English author Samuel Butler once quipped grimly that the death of a father was “a new lease...
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Invigorated By A New Cast, “My Fair Lady” Continues to Enchant Broadway
Lincoln Center has reissued its mandate for Lerner and Loewe’s 1956 classic, casting off whatever creative anxiety earlier dogged the production and staging a decidedly lighter, exuberant My Fair Lady.
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Creating Opportunities For “Inclusive Dance” With Stopgap Dance Company
“I believe people with almost any kind of physique can do contemporary dance. Yet though...
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Peter Shaffer’s “Equus” at Theatre Royal Stratford East
There is no doubt that Peter Shaffer’s Equus is a modern classic. But does that justify reviving...
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Warring Siblings: Bárbara Lennie And Irene Escolar In Pascal Rambert’s Sell Out Madrid Run Of “Sisters”
Tickets for French writer-director Pascal Rambert’s Hermanas (Bárbara And Irene) (English title...
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“Superhoe” at The Royal Court: Nicôle Lecky’s One-Woman Debut
Titles matter: they send out messages. So, in the current #MeToo climate, isn’t it a bit...
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In “Kwongkan,” Indian And Australian Performers Convey An Urgent Climate Change Message
Review: Kwongkan, Perth Festival 2019 “Kwongkan” means sand in the language of the Nyoongar...
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“Bodies” at The Southwark Playhouse
James Saunders is one of British theatre’s forgotten playwrights. Although he wrote some 70 plays...
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“Ajijaak On Turtle Island”: New York Stories Old And New
On a recent Sunday afternoon, at the New Victory Theater, timelines collided. The New Vic, founded...
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“How To Rule The World” Is A Biting And Urgent Satire Of Australian Politics–That Feels All Too Real
How To Rule The World is Indigenous playwright Nakkiah Lui’s critical riposte to the intellectual...
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At Roundabout, Can “Merrily” Still Roll Along, Reimagined?
Fiasco Theater has dared to tempt fate yet again with Merrily, staging a buoyant, light-on-its-feet reimagining that’s stripped the musical of its original clutter, aiming, instead, for the story’s thematic heart.
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Robert Lepage’s “887” at the Hong Kong Arts Festival
Theatre as a memory vessel is nothing new to contemporary theatre. There is a reason why types of...
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“The Gun Show (Can We Talk About This?)” At Quantum Theatre In Pittsburgh, PA
While there are several guns conjured to the imagination in EM Lewis’s one-person play The Gun...
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