“Typical” at The Soho Theatre
As the events of last year made clear, the police have a problem with race on both sides of the...
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Review
Pining for St Kilda Instead of Moscow: “The Cherry Orchard” Grapples With Our Cultural Inheritance
Review: The Cherry Orchard, directed by Clare Watson. Black Swan State Theatre Company for the...
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Feedback Loop: “No One’s Gonna Believe Me Anyway” at the Gniezno Theatre
“No one’s gonna believe me anyway,” says Barbara repeatedly. She knows there is no point in...
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Playing Richard
Though theatrical season 2020/2021 isn’t the most eventful, it has brought to the stage number of...
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Drawing Inspiration in a Pandemic — Breath Has Always Been Central to Theatre
Wrapped in COVID-Safe vigilance, Australian theatre has cautiously begun to welcome back...
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Satiric Re-staging of Colonial Battleground : “Company Kamupene” Written and Performed by Jamie McCaskill.
Company Kamupene Written and performed by Jamie McCaskill. Presented by Tikapa Productions and The...
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Radical Representation: “Hi, Are You Single” Engages and Triumphs
Hypnotically charming, exquisitely flamboyant and the very embodiment of wit, Ryan J. Haddad wrote...
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“Shook” by Samuel Bailey at Papatango
Film is the new theatre — this we know, but does the distance imposed by the change of medium...
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The Story Of Shakuntala And Dushyant Set In Contemporary Times Reaches Broadway
The Mahabharata’s Shakuntala and Dushyant find themselves in a modern-day setting, addressing the...
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A Point and Click Music Session With “Modulation”
I was mesmerized by Courtney Love, performing in Kansas City Choir Boy at Prototype in 2015....
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Who Let the “Lady of Pestilence” In?
The Jerzy Szaniawski Dramatic Theater in Wałbrzych opens the season with a play built on one of...
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Iceland’s “Wide Slumber for Lepidopterists” Undergoes Metamorphosis by Means of Metaphor
Composed by Valgeir Sigurðsson and directed by Sara Martí, Wide Slumber for Lepidopterists is an...
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Inside Virtual Rooms
In March 2020 in the midst of social isolation, Oskar Sadowski suggested to his friends that they...
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“A Strange Loop” by Michael R. Jackson
It’s rare when a musical wins the Pulitzer Prize for Drama. Most recently it was cultural...
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Review: Tarragon Theatre’s “Orestes” by Rick Roberts
Tarragon Theatre’s technological foray into the virtual reality of a Covid-19 lockdown begins with...
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About “Living Newspaper”: A Counter Narrative
Read all about it! Well, maybe not. Maybe more like: live the news and then watch it streamed....
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Cinematic Opera Unveiled: Philip Glass and Edgar Allan Poe’s “The Fall of the House of Usher”
Speaking to a class in Rome years ago, I heard Tito Schipa Jr. speak about how opera is simply too...
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Sydney Festival Review: “The Rise And Fall Of Saint George” Shows The Transformative Power Of Music
The Rise and Fall of Saint George is a story about place, belonging, and community that taps into...
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Sydney Festival Review: Circa’s “Humans 2.0” is a Visceral Delight
Review: Humans 2.0, directed by Yaron Lifschitz, Circa at Sydney Festival The black circular stage...
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Sydney Festival Review: Politics of Care in Force Majeure’s “The Last Season”
Review: The Last Season, directed and choreographed by Danielle Micich, Force Majeure at Sydney...
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