Danny Robins’s “2:22 A Ghost Story” at The Apollo Theatre: Populist Shocker Is Pretty Chill Free
Can you enjoy a ghost story during summer? Usually the idea of a haunted house suggests images of...
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Review
“KPOP” On Broadway: A Multisensory Feast of HEUNG
KPOP is a new musical, with a book by Jason Kim and music by Helen Park and Max Vernon. It...
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About Vortex
Last Saturday, I went to the Excelsior Studios in Park Royal to see a performance of the Russell...
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“Geometry of the Soul”, “Frozen Songs” and “Clowns’ Houses” at Novi Sad Theatre Festival
The second Novi Sad Theater Festival again provided an exciting seven-day festival repertoire for...
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“Rangchor:” Story Of A Visually Impaired Girl Who Makes A Demon Like Colors
Gillo Repertory Theatre presented the play, Rangchor, Ek Rakshas Ki Anokhi Kahani (The Colour...
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Bombastic Intimacies: Sophie McIntosh’s “cityscrape”
Empty Gregory’s coffee cups and PureLeaf bottles reside on a table, Trader Joe’s bags are against...
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“The Arabian Nights” in Taiwan: Deserted in the Oriental Dream
Originally a collection of West Asian folktales, The Arabian Nights may be the series of...
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“FLY” – Sidney Leoni
An imaginary trip with the god of dance While he was often called le dieu de la danse, Vaslav...
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“Drive Your Plow Over The Bones Of The Dead” at the Barbican Theatre
Imagine yourself in a remote place: it could be a mountaintop, or a lost village, or the Amazon....
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Vinnie Heaven’s “Faun” at Theatre 503: queer show is both joyful and thought-provoking
We are watching history being made: after decades of being in the shadows, queer drama is now...
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“Young Barbarians”: Non-serious Seriousness and Hungarian Drive
Young Barbarians – director: Attila Vidnyánszky Jr. They say the best way to get to know each...
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Sydney Theater Company’s “Julia” Powerfully Imagines the Life and Emotions of the Woman Behind the “Misogyny Speech”
Just over 10 years ago, then-Prime Minister Julia Gillard stood up in the House of Representatives...
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“Sea Creatures,” Hampstead Theatre
Is it possible to successfully challenge naturalism in British theatre today? At a time when...
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Brian Friel’s “Dancing at Lughnasa” at the National Theatre: Josie Rourke’s Spirited Revival of This 1990 Classic Is More Fun than Subtle
Brian Friel’s classic play about the blending of Paganism and Christianity in 1930s Ireland is...
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“Report to an Academy”: To Be or Not to Be Human?
No matter how trends, themes, agendas and moods of society change, the focus of the study of art...
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“Nora”: Present Continuous Hell
Get inside a woman’s head and, by understanding her, unravel the mystery of how the world...
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Easy Reading (or not): Cristina Morales’s “Lectura fácil” on the Stage
There is nothing easy about Alberto San Juan’s Lectura fácil. His adaptation of Cristina Morales’...
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Miriam Battye’s “Little Scratch” at the New Diorama Theatre: Restaged Adaptation of Rebecca Watson’s Novel Is Powerfully Theatrical
The popularity of plays that feature trauma is certainly a trend in British theatre today. But is...
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The Brilliance of Nuria Espert: Secrets, Lies and “La Isla Del Aire”
Alejandro Palomas has transformed his acclaimed 2005 novel La isla del aire (The Island of Air)...
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The Sphinx’s Riddle Remains Unsolved. Scattering Chinese Art with “The First-Ever Metaverse Theatre Festival”
Even though for the last decade there have been numerous attempts to unleash Chinese theatre’s...
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