Daring And Visually Stunning: Robert Wilson’s Take On “Pushkin”
The world premiere of a groundbreaking new production by Robert Wilson took place at Moscow’s...
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Review
British Director Brings Rock ‘N’ Roll Version Of “La Traviata” To Mariinsky
The troupe of the Mariinsky Theater will present a new version of Giuseppe Verdi’s La...
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“An Audience With Jimmy Savile”–This Is A Vital Play
In October 2012 ITV broadcast The Other Side Of Jimmy Savile, in which several women alleged that...
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“The Waiting Room,” IVF And The Sanctity Of Sex–Review
Kylie Trounson is a writer and playwright–and the daughter of Melbourne IVF pioneer Alan Trounson....
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Review: “The Merchant Of Venice,” Shakespeare’s Comedy Of Cruelty
The Merchant Of Venice (first published in 1600) boasts a problematic and sometimes controversial...
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“Beauty And The Beast” Promises And Fails At The Adelaide Festival
Beauty And The Beast is the quintessential story of a young beautiful daughter who has to live...
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Western Sydney Meets The City In Nakkiah Lui’s “Kill The Messenger”
Last week I went to the theatre. Unusual? No. But I say this because this event was real theatre...
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Sebastian Kreyer’s Staging of “Ghosts”
I’ve complained a lot in previous reviews about directors staging tragedies as comedies. But...
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Florin Piersic Jr’s “Freak Show” Reviewed By Camelia Ciobanu
Humanity is by no means short of afflictions and artists never tire of exposing them. One of these...
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A Better-Than-Traditional Woyzeck
I don’t actually like Woyzeck very much, so I am not sure why I bought tickets to two different...
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The Threepenny Non-Opera
Brecht and Weill’s Threepenny Opera is much more of a musical than an opera. But it decidedly...
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Every Detail Counts In “Wot? No Fish!!” At Sydney Festival
During an artist talk just an hour before performing Wot? No Fish!! on Saturday at the Sydney...
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Moscow’s Oddest Puppet Theater: Ambulances, Shakespeare Menus, And Lilikans
At the Ten’ (Shadow’) puppet theater in Moscow, audiences can watch plays in miniature or...
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Tena Štivičić’s “3 Winters” At The Royal National Theatre, Reviewed By Evgeniya Yarkova
3 Winters at the Royal National Theatre tells the 60-year story of a Croatian family living in...
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Staging Power: David Williamson’s Portrait Of Citizen Murdoch
The Melbourne Theatre Company’s (MTC) production of David Williamson’s 2013 play Rupert has...
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“Venus in Furs” at The Budapest English Theatre
Venus in Fur, the collaborative performance of the Budapest English Theatre and the Prague...
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“Dangerous Acts Starring The Unstable Elements Of Belarus”: Review By Jesse Kirkwood
“Belarus is not sexy. Sexy countries have oil, gas, diamonds, sea, mountains … Belarus has...
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Pinchgut’s “Iphigénie En Tauride”: A Work Of Pure Theatrical Magic
In any Opera History 101 course, Christoph Willibald Gluck (1714-1787) is cited as one of the...
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China’s “Cherry Orchard”
“Medicine is my lawful wife and literature is my mistress,” said Anton Chekhov (1860-1904), “when...
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Can Keene/Taylor’s New Play “Dreamers” Keep Us From Despair?
More than ten years after the last production by the Keene/Taylor Theatre Project (KTTP),...
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