Staging Power: David Williamson’s Portrait Of Citizen Murdoch
The Melbourne Theatre Company’s (MTC) production of David Williamson’s 2013 play Rupert has...
Read More
Review
“Venus in Furs” at The Budapest English Theatre
Venus in Fur, the collaborative performance of the Budapest English Theatre and the Prague...
Read More
“Dangerous Acts Starring The Unstable Elements Of Belarus”: Review By Jesse Kirkwood
“Belarus is not sexy. Sexy countries have oil, gas, diamonds, sea, mountains … Belarus has...
Read More
Pinchgut’s “Iphigénie En Tauride”: A Work Of Pure Theatrical Magic
In any Opera History 101 course, Christoph Willibald Gluck (1714-1787) is cited as one of the...
Read More
China’s “Cherry Orchard”
“Medicine is my lawful wife and literature is my mistress,” said Anton Chekhov (1860-1904), “when...
Read More
Can Keene/Taylor’s New Play “Dreamers” Keep Us From Despair?
More than ten years after the last production by the Keene/Taylor Theatre Project (KTTP),...
Read More
Unifying Shakespeare: Globe Theatre’s Russian Tour Ends On Thrilling Note
Visit closes with Moscow performances of A Midsummer Night’s Dream. London’s Globe...
Read More
The Mariinsky Dramatizes Difference With A Wry Look At The “Two Camps”
St. Petersburg company returns to the UK with classic works contrasting Russian characters with...
Read More
Striking, Original Theatre: Heiner Goebbels At The Melbourne Festival
When the Mountain Changed its Clothing, the Heiner Goebbels-directed show currently on at the...
Read More
Big hART’s “Hipbone Sticking Out”: Truthful And Ambitious Theatre
Hipbone Sticking Out, the Big hART production now playing at the Melbourne Festival, begins in...
Read More
Vladimir Sorokin Takes The Stage
The premier of Telluria caused little controversy when it opened in St. Petersburg. Maybe Russian...
Read More
“The Complexity Of Belonging” At The Melbourne Festival–Reviewed
I’ve often lamented that choosing to study the most complex organisms on Earth was the dumbest...
Read More
“Black Diggers”: Out Of The Trenches At The Brisbane Festival
The performance space in which Wesley Enoch‘s play Black Diggers is being performed at the...
Read More
St. Petersburg’s Alexandrinsky Theater Opens New Stage With Production Of “Telluria”
The illustrious theater’s New Stage will present its season opener on September 26. The...
Read More
“I Am Me” Returns to Brooklyn After Russia
Raphael Schklowsky writes about Nicole Kontolefa, an American actress trained in Russia, who is...
Read More
“Soap”: A Sexy Night On The Tiles At The Brisbane Festival
Traditionally soap is made by rendering down lard. But in this tight show, Soap, playing at the...
Read More
A Static “Ivanov” At Theaterfestival Basel
“Alienation” drones Ivanov’s English-learning tape in the second act of the production. The...
Read More
Blood Orange Overplays Scottish Far Right At The Fringe
The Edinburgh Festival Fringe has, over the years, developed a reputation as a hotbed for...
Read More
Mayakovsky At Carriageworks: A Telegram From An Alien Future
“I’m a poet. That’s what makes me interesting.” So begins the autobiography of Vladimir...
Read More
Hugo Weaving Reveals Macbeth’s Weakness–And His Unhappiness
Sydney Theatre Company’s new production of Macbeth may draw attention for its star, Hugo Weaving,...
Read MoreLike Us On Facebook
Most Popular Posts
Waking Up in the Spotlight with “The Unusual… 24th March 2026 - From Shakespeare To Contemporary Montenegrin… 25th March 2026
- Isolation, Consumer Desire and the Human Spirit: A… 2nd March 2026
- “Digital Access To The Performing Arts”… 7th March 2026
- Marketing, Sales And Production Are Crucial For The… 16th March 2026
- “Is Love Energy Or Matter?” An Interview With Rok… 11th March 2026
- The 2026 International Ibsen Award: A Reflection On… 27th March 2026
