In “887,” Robert Lepage Has Built a Memory Palace Out of Theatre
Robert Lepage’s autobiographical show at the Melbourne Festival, 887, is named for his childhood...
Read MorePosted by Sarah Balkin | 22nd Oct 2016 | Canada, Directing, Review
Robert Lepage’s autobiographical show at the Melbourne Festival, 887, is named for his childhood...
Read MorePosted by Paula Erizanu | 20th Oct 2016 | Czech Republic, Review, Theatre and Politics, Translation
The play Poker Face by acclaimed Czech playwright Petr Kolečko–in Eva Daníčková’s translation and...
Read MorePosted by David O'Donnell | 20th Oct 2016 | New Zealand, Review
Environmental and economic concerns are at the heart of New Zealand playwright Dave Armstrong’s...
Read MorePosted by Nahed Nasr | 16th Oct 2016 | Directing, Iraq, Review, Sweden, Theatre and Politics
Pillars of Blood is a performance focusing on memories of the Iraqi crisis as captured by Anmar...
Read MoreKyoto Experiment, or the Kyoto International Performing Arts Festival, will be held for the...
Read MorePosted by Malini Nair | 16th Oct 2016 | India, Review
After two decades, the fascinating ceremony of a 41-day Sanskrit play performed as a ritual...
Read MorePosted by Hugh Montgomery | 15th Oct 2016 | London, Review, United Kingdom
Shopping and Fucking was the most iconic play of the 1990s. As it is revived, 20 years on, we look...
Read MorePosted by The Theatre Times | 14th Oct 2016 | New York, News, Review, Theatre and Gender, United States of America
The Seedling Project is an original play inspired by the true stories of women and men as they...
Read MorePosted by Cátia Faísco | 14th Oct 2016 | Portugal, Review
Grandma Cândida died some months ago, and her grandson, the Portuguese playwright Tiago Rodrigues,...
Read MorePosted by Sébastien Hendrickx | 10th Oct 2016 | Belgium, Directing, Review
On Mount Olympus (Jan Fabre/Troubleyn): To glorify the cult of tragedy ‘Breathe, just breathe....
Read MorePosted by Jonathan Kalb | 8th Oct 2016 | New York, Review, Theatre and Politics, United States of America
Richard Gilman, an old teacher of mine and a terrific critic, used to say that whenever he read...
Read MorePosted by Manu Remakant | 8th Oct 2016 | India, Review
Avataar, staged by Nireeksha Women’s Theatre, delves into a virtual world of shifting identities,...
Read MorePosted by Sravasti Datta - The Hindu.com | 7th Oct 2016 | India, Review
Who discovered black holes? It was an Indian-American, Noble prize winning astrophysicist. His...
Read MorePosted by Shelley Liebembuk | 6th Oct 2016 | Canada, Review
Concord Floral opened the 2016-2017 Canadian Stage season, yes, the same season whose programming...
Read MorePosted by Nesma Youssef Idris | 5th Oct 2016 | Egypt, Festivals, Review, Theatre and Dance, Theatre and Gender
The 23rd Cairo International Festival for Contemporary and Experimental Theatre opened Tuesday,...
Read MorePosted by Ana Fradique | 1st Oct 2016 | Review, Transcultural Collaborations
The great Theatre of Oklahoma is calling you! It is calling you today only! If you miss this...
Read MorePosted by Bianca Fileborn | 30th Sep 2016 | Australia, Review, Theatre and Gender
Young men’s use of pornography has been the focus of considerable debate, if not anxiety and moral...
Read MorePosted by Nobuko Tanaka | 27th Sep 2016 | Interview, Japan, Review, Theatre and Politics
“When the opportunity came to work at Theatre Cocoon in Tokyo, I was so excited about the great...
Read MorePosted by Faith Bailey | 27th Sep 2016 | Kosovo, Review
“A Play with Four Actors and Some Pigs and Some Cows and Some Horses and a Prime Minister and a...
Read MorePosted by Marjan Moosavi | 27th Sep 2016 | Iran, Playwriting, Review
Playwright Nassim Soleimanpour grabbed the attention of international theatre community by his...
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