Review: “The Nose” At The Royal Opera House
Olfactory perception – Shostakovich conkers? Whilst I am in the moron category regarding love of...
Read MorePosted by James Butterwick | 13th Nov 2016 | Review, Russia, Theatre and Opera
Olfactory perception – Shostakovich conkers? Whilst I am in the moron category regarding love of...
Read MorePosted by Carrie Mannino | 12th Nov 2016 | Review, Theatre and Politics, United States of America
Analogy/Dora: Tramontane, Oct. 20-21, 2016, August Wilson Center, Pittsburgh Sixty years after the...
Read MorePosted by John Smythe | 7th Nov 2016 | Devised Theatre, New Zealand, Review
Adapted by The Playground Collective From the graphic novel by Nick Hayes Based on the epic poem...
Read MorePosted by Jonathan Kalb | 6th Nov 2016 | New York, Poland, Polish Theatre Abroad, Review, United States of America
It’s hard to think of a play more diabolically suited to the era of reality TV, vanished privacy...
Read MorePosted by Kee-Yoon Nahm | 2nd Nov 2016 | Germany, Review, South Korea, Theatre and Politics, Transcultural Collaborations
Walls–Iphigenia in Exile, the result of a four-year collaboration between South Korean and German...
Read MorePosted by John Smythe | 1st Nov 2016 | New Zealand, Review, Theatre and Politics
Unnervingly astute political satire When The President opened in Hamilton then Palmerston North...
Read MorePosted by Diwan Singh Bajeli | 31st Oct 2016 | India, Review
Recipient of this year’s Sangeet Natak Akademi’s Award for theatre, director Mushtaq Kak’s...
Read MorePosted by Mary Barnard | 31st Oct 2016 | Peru, Review, Theatre and Politics
Cusco’s Grupo Impulso de Teatro remembers twenty years of political violence in Peru with ‘De pie sobre el espejo’ (2005).
Read MorePosted by Jessica Rizzo | 28th Oct 2016 | Adaptation, New York, Review, Theatre and Gender, United States of America
The Maids, September 29-October 23, The INTAR Theatre, New York City Invoking the...
Read MorePosted by The Theatre Times | 27th Oct 2016 | India, Review, Theatre and Gender
Kimartham Draupathy, Aswathy Vijayan’s Sanskrit play, is about predicaments that women face even...
Read MorePosted by Rachel E. Diken | 26th Oct 2016 | Review, Theatre and Politics, United States of America
The Paper Mill Playhouse’s revival of Broadway hit The Producers received the 2016 Regional...
Read MorePosted by Margarita Vargas | 24th Oct 2016 | Mexico, Review
Los minutos se vierten (Minutes Flow), an experimental theater/dance piece, is showing at Teatro...
Read MorePosted by Sarah Balkin | 22nd Oct 2016 | Canada, Directing, Review
Robert Lepage’s autobiographical show at the Melbourne Festival, 887, is named for his childhood...
Read MorePosted by Paula Erizanu | 20th Oct 2016 | Czech Republic, Review, Theatre and Politics, Translation
The play Poker Face by acclaimed Czech playwright Petr Kolečko–in Eva Daníčková’s translation and...
Read MorePosted by David O'Donnell | 20th Oct 2016 | New Zealand, Review
Environmental and economic concerns are at the heart of New Zealand playwright Dave Armstrong’s...
Read MorePosted by Nahed Nasr | 16th Oct 2016 | Directing, Iraq, Review, Sweden, Theatre and Politics
Pillars of Blood is a performance focusing on memories of the Iraqi crisis as captured by Anmar...
Read MoreKyoto Experiment, or the Kyoto International Performing Arts Festival, will be held for the...
Read MorePosted by Malini Nair | 16th Oct 2016 | India, Review
After two decades, the fascinating ceremony of a 41-day Sanskrit play performed as a ritual...
Read MorePosted by Hugh Montgomery | 15th Oct 2016 | London, Review, United Kingdom
Shopping and Fucking was the most iconic play of the 1990s. As it is revived, 20 years on, we look...
Read MorePosted by The Theatre Times | 14th Oct 2016 | New York, News, Review, Theatre and Gender, United States of America
The Seedling Project is an original play inspired by the true stories of women and men as they...
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