Theatre Review: Chekhov’s “The Seagull” (Hemar Theatre) At Ognisko Polskie
Ognisko Polskie, the Polish Hearth Club, is an exquisite venue: glistening chandeliers please the...
Read More
Review
The Things We Carry: Geoff Sobelle’s “The Object Lesson”
“Do your things spark joy?” That (to some, risibly) simple question, and her runaway 2014...
Read More
Theatre Review: Chekhov’s “Three Sisters” At The Union Theatre
Simplified Production Deserves The Benefit Of The Doubt. Tracy Letts’ adaptation of Chekhov’s 1900...
Read More
Last Spring, Dementia Made It to Broadway! Part 2
Last spring, dementia made it to Broadway! Let me be clear: I am an Avant-garde type and I am wary...
Read More
“Peter Pan Goes Wrong” But Gets Comedy Right
The antithesis of some of the slick, accomplished television premieres of the festive season was...
Read More
Life Is a Kitchen: A Review of the Iranian Adaptation of Arnold Wesker’s “The Kitchen”
The Kitchen, a one-hour, forty-minute play directed by Mohammad Hassan Ma’jooni, was staged in...
Read More
Contemporary Dance in Belarus in the Early 21st Century: “Waiting for Godot”
During the last decade, two interconnected processes of legalization and professionalization have...
Read More
From “The Hypocrite” to “Hamilton”: Six Must-See Theatre Shows to Book in London
The Hypocrite Could this be the new One Man, Two Guvnors? Richard Bean is back, with a riotous new...
Read More
August Wilson’s “Jitney” on Broadway
A brief—dashed, if you will—argument for the relevance, humanness, and endearment of themes in...
Read More
Chelfitsch’s “Current Location” – A Mirror To Reality After The March 2011 Earthquake
Current Location (Genzaichi in Japanese), written and directed by Okada Toshiki, founder of the...
Read More
“Fuenteovejuna” From Margin to Centerstage
TNT El Vacie is one of the most unique theatre companies in Spain. This group of Gypsy illiterate...
Read More
A Meditation for Holocaust Memorial Day: “Viennese Kaddish”
Born in Kharkov on 12 November 1937, Mikhail Berman-Tsikinovsky is a Russian-speaking émigré who...
Read More
“Hedda Gabbler” Adaptation Has Too Much Direction
Theatre conventions are a funny thing. Nowadays, it’s actually quite difficult to see a modern...
Read More
“Mount Tackle” by Heike Langsdorf / RADICAL_HOPE
In this time of superdiversity, with different cultures and strata of the population living...
Read More
“NIMBY” From Chilean-French Company Colectivo Zoológico at Iberoamerikanisches Theaterfestival
On July 4th, 1999, almost 1700 low-income families in Peñalolén, Santiago de Chile illegally...
Read More
“Wish List” Is A Poor Portrayal Of The Welfare System
You could call it the Corbynisation of new writing. In the past couple of years, a series of plays...
Read More
Pith and Pathos In “Mata Hari” – A New Opera at HERE
There is no doubting the ambitions of Mata Hari, enjoying its world premiere at HERE, in New...
Read More
Dementia: The Theater Season’s “In” Disease Part 1
Not so long ago characters didn’t lose their memories onstage, even if on rare occasion actors...
Read More
The Delicate Side of Heavy Metal: Philippe Quesne’s “La Mélancolie des Dragons”
Striking visual images from French director Philippe Quesne’s “La Mélancolie des Dragons,” presented by The Public Theater’s Under The Radar Festival.
Read More
Panchajanya: A Bold Interpretation of the Noble Feats of Lord Krishna on Stage
Nandikar is a theatre-group of Bengal, which has almost four decades of experience to cash in on,...
Read MoreLike Us On Facebook
Most Popular Posts
Rock Opera and Musical Theatre. An exclusive… 7th July 2025 - “Tired” Of Consuming Postdramatic… 31st August 2025
- Edinburgh Festival Fringe 2025 in 22 Shows 28th August 2025
- Mozart! The Gem of European Musical Theatre 8th October 2024
- Shakespeare In The Park At The New Delacorte… 30th August 2025
