“Betroffenheit:” An Emotional Spectacle Which Transforms The Power Of Dance
Betroffenheit, a creation by renowned Canadian choreographer Crystal Pite and writer Jonathon...
Read MorePosted by Natasha Lomonossoff | 11th Apr 2018 | Canada, Review, Theatre and Dance
Betroffenheit, a creation by renowned Canadian choreographer Crystal Pite and writer Jonathon...
Read MorePosted by Aleks Sierz | 10th Apr 2018 | LGBTQ+ Theatre, London, Review, United Kingdom
Every great playwright has to have both an identifiable style and the ability to innovate and...
Read MorePosted by Aleks Sierz | 9th Apr 2018 | London, Review, Theatre and Gender, United Kingdom
Love may well be the strongest four-letter word, but what is the latest news from the front line...
Read MorePosted by Rachel E. Diken | 9th Apr 2018 | Immersive Theatre, New York, Review, United States of America
Wow. In & Of Itself, written and performed by Derek DelGaudio for long runs with numerous...
Read MorePosted by Katrina Holden-Buckley | 8th Apr 2018 | Boston, Review, Theatre and Opera, Theatre and Politics, United States of America
On Friday, March 23rd, Boston Lyric Opera continued its run of The Threepenny Opera to a sold-out...
Read MorePosted by Jonathan Kalb | 7th Apr 2018 | Adaptation, New York, Review, United States of America
Last Monday, about forty minutes into the final preview of Yerma at the Park Avenue Armory—Simon...
Read MorePosted by Song Minsook | 7th Apr 2018 | Musical Theatre, Review, South Korea
I went to the Seoul Donhwamun Traditional Theatre in early November, the night of the first full...
Read MorePosted by David O'Donnell | 5th Apr 2018 | New Zealand, Review, Theatre and Politics
Bless the Child by Hone Kouka. Co-produced by the New Zealand Festival, Auckland Arts Festival and...
Read MorePosted by The Theatre Times | 4th Apr 2018 | Millennial Perspectives, Musical Theatre, New York, Review, United States of America
With downtown theatre audiences, the never-ending challenge is how to push boundaries and create...
Read MorePosted by María Agustina Pardini | 3rd Apr 2018 | London, Review, United Kingdom
Dysfunctional families do not know about time or place. We may all know too well that reading...
Read MorePosted by Aleks Sierz | 3rd Apr 2018 | Documentary Theatre, London, Review, United Kingdom
Until very recently British theatre has been pretty poor at representing the stories of Chinese...
Read MorePosted by Jamie Portman | 2nd Apr 2018 | Canada, Review
carried away on the crest of a wave By David Yee, Directed by Kim Collier. A NAC English Theatre...
Read MorePosted by Aleks Sierz | 1st Apr 2018 | London, Review, United Kingdom
In the same week that Arinzé Kene’s Misty, a play that passionately questions the clichés of...
Read MorePosted by Massimo Malavasi | 1st Apr 2018 | Italy, Review, Theatre and Opera
On February 18th, 2018, Giuseppe Verdi’s La Traviata was staged at the Teatro Sociale in...
Read MorePosted by Diwan Singh Bajeli | 31st Mar 2018 | Festivals, India, Review
At the ongoing Theatre Olympics, Kishore Sengupta’s play Nuraldiner Sarajiban highlighted...
Read MorePosted by Marcina Zaccaria | 31st Mar 2018 | New York, Review, Theatre and Dance, Theatre and Opera, United States of America
BAM’s Harvey Theater always feels like a mammoth work in progress. Walls to the larger opera house...
Read MorePosted by Vikram Phukan | 31st Mar 2018 | Festivals, India, Review
The Mumbai tour will be its final leg, with the closing ceremony slated for April 8 at Worli’s...
Read MorePosted by Jonathan Karstadt | 29th Mar 2018 | Adaptation, Kama Ginkas Black Monk, Review, Russia
Of all the great Russian writers of the second half of the nineteenth century, none perfected the...
Read MorePosted by Eugene Tan | 29th Mar 2018 | LGBTQ+ Theatre, Review, Singapore, Theatre and Politics, Transcultural Collaborations
Marking Kumar’s 50th year alive, and the start of Dream Academy’s 2018 season at the Capitol...
Read MorePosted by Lisa Harper Campbell | 29th Mar 2018 | Australia, Review, Theatre and Gender
A new play by award-winning playwright Patricia Cornelius tackles the prevalence of sexual...
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James Graham’s “Punch” at the Apollo Theatre:… by Aleks Sierz 30th September 2025 


“Lale Lili Marleen:” The Promising… by Daniel Meyer-Dinkgräfe 10th October 2025
“Tired” Of Consuming Postdramatic… by Ivanka Apostolova Baskar 31st August 2025
Debating Identity: Is It Time to Rename Cairo’s… by Ati Metwaly 26th September 2025 

