“Dissidents” At ARC
The Story: In this English language world premiere of Quebec playwright Philippe Ducros, a man,...
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Review
“Nine Night” at The National Theatre: The Play About Grief
The good news about so-called black drama on British stages is that it has broken out of its...
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“Five Easy Pieces”: Milo Rau’s Extraordinary Work About Child Murderer
It’s not often that a children’s theatre features a piece about a pedophile and child...
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“Assembled Identity”: World Premiere
There is a rather iconic scene in The Devil Wears Prada where Miranda (played by Meryl Streep)...
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“BANG BANG” Is Equal Parts Disarming And Disturbing
Toronto, Ontario alt.theatre web editor Hayley Malouin reviews the world premiere of Kat...
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“Absolute Hell” at The National Theatre
Rodney Ackland must be the most well-known forgotten man in postwar British theatre. His legend...
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“Still Point Turning” is a Vital Affirmation of Trans People Through the Story of Catherine McGregor
“The unifying trans experience is rejection and repudiation.” So says Cate McGregor’s character in...
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“The Women Who Mapped The Stars”: The Struggle to be Acknowledged
The Women Who Mapped the Stars is a new work by Joyce Van Dyke, a rising dramatist with several...
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Natasha Marshall’s “Half Breed” at The Soho Theatre
In the 2000s one of the many glories of new writing for British stages was the linguistically...
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Anthony Neilson’s “The Prudes” at The Royal Court
Playwright Anthony Neilson has always been fascinated by sex. I mean, who isn’t? But he has made...
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The Cambridge Chamber Ensemble’s “Cendrillon” Showcases Talent But Misses Its Mark
The Cambridge Chamber Ensemble debuted their reimagined production of Pauline Viardot-Garcia’s...
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Angels (And Demons) Of History In EgoPo’s “Lydie Breeze” Trilogy
Jessica Rizzo sees the 10-hour, marathon performance of EgoPo Theater’s Lydie Breeze trilogy...
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Electra Takes Revenge into Her Own Hands
In Han Tae-sook’s Electra (LG Arts Center, April 26–May 5, 2018), the mourning daughter doesn’t...
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The Problem Of The Unmarried Woman In “Old, New, Borrowed, Blue”
Metrowest Opera had a full audience in the BCA’s smaller space on Saturday evening for their...
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“Summer: The Donna Summer Musical” – Setting The Record Straight
As we’ve settled into the 21st century, pop-culture vestiges of the 20th century have fallen by...
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“Potong” By Teater Ekamatra: Of Kin And Skin
We’ve been seeing a variety of theatre revolving around dementia and its effects on families in...
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“Gracie” At The GCTC Is A Terrific Theatrical Experience
Gracie By Joan Macleod, directed by Eric Coates A GCTC Production Gracie is like many...
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Tagore’s Enduring Political Allegory
More than a dozen years after it first opened in Mumbai, as part of a Heisnam Kanhailal...
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Compelling Performance And Complex Metaphor In “King Arthur’s Night” Make For Remarkable Theatre (PuSh Festival)
Vancouver, British Columbia Jocelyn Pitsch reviews King Arthur’s Night, Neworld Theatre’s...
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Foster On Aging: Amusing But Often Tasteless
Jones And Barry In The Home by Norm Foster; a 3P Productions, Directed by Derek Ritschel As we...
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