“Wonnangatta” Review: Australian Theatre Writing At Its Provocative And Powerful Best
Review: Wonnangatta by Angus Cerini, directed by Jessica Arthur, Sydney Theatre Company Theatre is...
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Toyooka Theater Festival Brings French Flair to Japan’s Theater Scene
Performing arts festivals and opportunities to enjoy live entertainment have been few and far...
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Plots Behind the Closed Curtains: Naguib Mahfouz’s “Wedding Song” on Cairo Stage
Basing his work on Naguib Mahfouz’s 1981 polyphonic novel Afrah Al-Qobba’s Wedding...
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“Fela and the Kalakuta Queens” Goes Online
African musical theatre seems to be growing by leaps and bounds. In the last couple of years,...
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4 Lessons from the NBA Bubble for the Future of Live Arts Performance
“I’m so glad I saw it live!” That’s what I said after the nerve-wracking Game 6 of the NBA...
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“An Evening With an Immigrant” at The Bridge Theatre
When the history of British theatre’s response to COVID-19 comes to be written, the names of two...
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The Best of All Possible Costumes: An Interview with Costume Designer Judith Dolan
In March 2020, Colden Lamb had the opportunity to sit down with award-winning costume designer...
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About “We Are Shadows: Brick Lane”
Do you know the Urdu word for story? No? Well, look it up. Okay, this might prove a bit tricky, so...
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Translating Central and Eastern Europe’s Drama: Interview with Andrei Moskwin
In the post-Soviet area, the play’s path to the stage has always been a thorny one, so the drama...
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Fariña: Cocaine Coast Docks in Madrid
Madrid is the European capital worst hit by COVID-19. There nevertheless remains more theatrical...
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Classes d’Art du Festival d’Avignon Online: SEASON # 1
Starting September 2020, Festival Experiences, a subsidiary company of the Festival...
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“The House of Sorrow” – Jisun Kim
Consciousness, cognition, and perception have fascinated Jisun Kim and The House of Sorrow is a...
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Paresh Rawal to Head National School of Drama
Actor and former BJP MP Paresh Rawal has been appointed as the chairperson of the National School...
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From Social Theatricality To Stage Theatricality: A Continuous Pandemic Script
The pandemic, like the tragedy of the 21st century, has a theatrical mode, and the social response...
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Dzigan and Shumacher: Before “Cabaret” and “Schindler’s List.” An Interview with Diego Rotman
My family is not Jewish and therefore I never celebrated Jewish holidays at home. However, I have...
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Self-Organizing Systems, Stickiness and Mental Resistance… An Interview with Mette Ingvartsen on Moving in Concert (2019)
SEEDS Bojana Cvejić: In your solo 21 Pornographies, the last scene, in which you are relentlessly...
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Designing “Soldiergirls”: When Truth is More Compelling than Fiction
On Monday, August 31st, 2020, Rattlestick Playwrights Theater presented a benefit concert...
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Where to Go During the Pandemic? Asian Leadership Roundtable on the Performing Arts
On August 27th, China Daily in Hong Kong held the fifth webinar of a series called “Creative...
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The Kupałaŭski’s Century
100 years ago the first-ever professional theatre in the modern history of Belarus opened its...
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The Story Behind “LILIAN”: Interview with Kasia Głowicka
LILIAN, the debut radio play from award-winning composer Kasia Głowicka, will premiere Friday,...
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