About “Saving Britney”: Prologue
Uncertainty can sometimes provoke creativity. When the opening of Shereen Roushbaiani’s one-woman...
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Featured
A Play Adapted From Paul Zacharia’s “Ithanente Peru” Puts Nathuram Godse Under The Spotlight
Chennai-based theatre director Prasanna Ramaswamy’s new play, This Is My Name, is an adaptation of...
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Immersive Opera “Laila” at the 50th Hong Kong Arts Festival
Laila, a special co-production by the Hong Kong Arts Festival (HKAF) and the Finnish National...
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The Women Making Waves in Theatre in Africa Part 2
In most parts of Traditional Africa, theatre was a prerogative of the woman. Women were the...
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“We Wish We’d Had This Show When We Were Kids”: Interview With “The Glitter Garden” Playwrights George Fowler and Lori Leigh
The Glitter Garden by George Fowler and Lori Leigh. Directed by Lori Leigh. Circa Theatre,...
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Australia’s Settler and First Nations Histories Meet in The Wild of The Bush in “Dogged”
Review: Dogged, directed by Declan Greene. Griffin Theatre Company in association with Force...
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About “The Separation”
The camera can take you to places where the naked eye rarely goes. Like close. Very close. Close...
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The Pandemic Made Their Women’s Suffrage Play Impossible. But the Show Went On — Virtually
Leaders of the women’s suffrage movement relied on public performance to promote their cause. They...
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A Conversation with Director Ashley Tata
Ashley Tata is a Brooklyn-based director and maker of multimedia works. I had the pleasure of...
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“The Empire Builders:” A Bold Experiment in Alternative Theatre
An intimate listening party of The Empire Builders, an immersive audio production performed by the...
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Nyokabi Macharia: Marching to the Beat of Her Own Drum
Nyokabi Macharia is a Kenyan, performer and all-around lover of life. You know those people who in...
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“Pass Over” – A Sobering and Unflinching Take on African-American Life in America
Performed as part of the Market Theatre’s annual Black History Month Celebrations, which have been...
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By Putting Tensions on Stage, Colleges Aim to Change Campus Culture
The new professor had a choice. He arrived early to a meeting to discover a senior faculty member...
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New Zealand Covid Response Dramatized in Moving Verbatim Play: “Transmission” by Stuart McKenzie
Transmission written by Stuart McKenzie. Directed by Miranda Harcourt and Stuart McKenzie. 20...
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Interview with Ramzi Choukair on Making the Detainees’ Stories Visible on the Stage
Ramzi Choukair is a Syrian-French actor and theater director. After obtaining his degree at the...
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Unchartered Territory: Dancers in Isolation, the Eryc Taylor Dance Company
In five years, in ten years, in twenty, we will remember what it felt like to live through the...
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Adishakti Theatre Arts’ Latest Musical Turns the Lens on Sexual Assault and Power Politics at the Workplace
Adishakti Theatre Arts’ latest musical, Bhoomi, is adapted from Sarah Joseph’s Malayalam play...
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Theatre “Production Jam” Risks Creating a Lost Generation of Young Artists, European Directors Warn
Leading theatre directors in Europe are warning that the pandemic shutdowns are not only...
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The Blurred Line Between Film and Theatre: An Experience of Simon Stone’s “Medea” at the Time of Pandemic
Simon Stone made a contemporary version of Medea by radically adapting Euripides’s Greek tragedy...
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Dancing the Emotions of the Professional Kitchen
The kitchen has long been a significant trope in our civilization. This began in ancient fires and...
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