“Woman, Life, Freedom: Theatre and Protest in Iran”: A Virtual Roundtable in Honor of World Theatre Day
Dear Friends, Roshan Institute for Persian Studies, The Theatre Times, and the University of...
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Prototype Festival: “Mary Motorhead/Trade” and “In Our Daughter’s Eyes”
It has been so challenging to write these reviews of three recent works presented as part of the...
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“Trouble In Butetown” at the Donmar Warehouse
With the fast-approaching anniversary of the latest war in Europe, our culture’s continued...
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Friendship And Its Discontents: Juan Mayorga’s “Amistad”
Juan Mayorga, one of Spain’s most decorated dramatists — a member of Spain’s Spanish Royal Academy...
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Sitting Down with Emerging Artist Thalia Ranjbar
The work of Thalia Ranjbar may be challenging– pushing beyond norms and expectations, but at its...
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“Much Ado About Nothing:” National Youth Theatre Gives Shakespeare the Love Island Treatment
“What’s your type on paper?” is frequently asked by contestants on the popular reality dating...
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Brecht, Kabarett, and Pussy Riot: The Impact of AnomalousCo’s “(beyond) Doomsday Scrolling”
Entering the theatre at HERE Arts, there is already a sense of broken ground. My companion and I...
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More Than 2,000 People from Wittenoom Died of Asbestos-Related Diseases. A Powerful and Compelling Requiem Brings Their Story to the Stage
Deep in the remote Pilbara region of Western Australia, the town of Wittenoom lies empty,...
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The Digital Spectator. Romanian Experiences During the Pandemic
The topic of the digital spectator and, implicitly, the one of the multi-stratified co-presence,...
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The House Where Phantom Lived—Part I: The Majestic Theatre, New York
Dedicated to the 35th anniversary of the Broadway musical “The Phantom of the Opera.” It is known...
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Laura Horton’s “Breathless” at the Soho Theatre: Slender but Heartfelt Account of Hoarding
The female monologue is a well-established contemporary theatre form, but often the content is...
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Josep Maria Pou Excels In a Minimalist Catalan-language Production of Florian Zeller’s “The Father”
Florian Zeller’s The Father, first produced in 2012, remains a timely play for various reasons. It...
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“Phaedra” at The National Theatre
How can old texts speak to us now? The point is not just to adapt classics, but to reimagine them...
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Àlex Rigola’s Lean, Mean Riff on “Hedda Gabler”
Catalan director Àlex Rigola, the former artistic director of the Venice Biennale’s theatre...
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The Geography of Theatre Imagination: A New “Endgame” at a New Irish Theatre Festival
Much of my approach to theatre, to performance, especially, consists in locating and assessing a...
Read MoreThe Poeticism of Woman’s War: AnomalousCo’s “(beyond) Doomsday Scrolling”
Only a week after the invasion of Ukraine, three creatives found themselves nestled around a...
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ENTRE: A Dispersed Festival of Literature and Theater in Goiania and São Paulo, Brazil
An ambitious plan to fly from Gdańsk, Poland to Goiânia, Brazil and co-organize as well as lead a...
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Theatre and Social Justice in Brazil: The Successful Case of the São Paulo Theatre School
Introduction São Paulo Theatre School was founded in 2009 with the aim to establish a democratic...
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The ENTRE Festival in Midwest Brazil
ENTRE, is a Portuguese verb in the imperative tense that invites us to enter. That says to us:...
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The Brazilian Experience with Different Forms of Technopresence in Theatre: Os Satyros and SP Escola de Teatro
Praça Roosevelt (Roosevelt Square) is a square located in downtown São Paulo. It was a historic...
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