How Can Digital Technology (Help) Attract New Audiences?
The Field Survey, Part 3: Opening Up Reaching and attracting new audiences with the help of...
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Featured
An Interview With Dima Levytskyi, Post-Dramatic Writer
Theatrical season of 2016-2017 finally brought post-dramatic theater to Ukraine. With a...
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In Conversation With Rithisal Kang About Amrita Performing Arts In Cambodia
ASEF culture360 contributor David Fernández talks with Executive Director Rithisal Kang about the...
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“Instructions For American Servicemen In Britain” Is A Humorous Collection Of Sketches
We’re familiar, perhaps too familiar, with the image of Dad’s Army, gamely tramping down the...
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What Is the Price of Surrogacy? Vivienne Franzmann’s “Bodies” at The Royal Court
Surrogacy is an emotionally fraught subject. And one that is pregnant with meaning. The...
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Interview with Romain Guimard, Acrobat with the French Compagnie XY
The company of acrobats known as XY is touring the United States (Discovery Conservancy Green,...
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Are Festivals Public Art Institutions?
Festivals are today, without a doubt, some of the most important institutions in the performing...
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Lina Tur Bonet On Creativity, Collaboration and Taking the Corset out of the Classics
As a storyteller and music performer, Lina Tur Bonet is wary of fusions. Last May, she was part of the presentation Made In Murcia that took place at the Cervantes Theatre in London.
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Should Chinese Opera Westernize to Find Global Audience?
Popularizing the country’s musical tradition means combining mainstream appeal with traditional...
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Traditional Chinese Opera Plots to Charm Politicians
Modern-day opera about poverty alleviation attracts the attention — and wallets — of government...
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“Dream of the Red Chamber” at the 2017 Hong Kong Arts Festival
Princess Jia’s request for poetry upon her visit to the Red Chamber is met by the impetuous Bao...
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Sociopolitical Influences on Theatre in Poland
Let us consider that the evolution of institutional criticism has been conducted in relation to...
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Secret Cinema’s “Moulin Rouge”: The Bohemian Revolution in Immersive Format
At the core of Secret Cinema, there is the promise of daring to be different. Combining the realms...
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“Ink” – Rupert Murdoch’s Tale of Success and Scandal, Now Playing at Almeida Theatre
The recent general election result proves that the power of the rightwing press has diminished...
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5 Things You Probably Didn’t Know About The Bolshoi Theater
It’s easy to become so engrossed in a performance at the Bolshoi that fascinating details about...
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Review: Ensemble Studio Theatre 1-Act Marathon, Series B
Ensemble Studio Theatre’s annual Marathon of One-Act Plays is in full swing this month in New...
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Dramatizing Argentina’s Dirty War: An Interview with Marisela Treviño Orta
While working on her MFA in Writing from the University of San Francisco, playwright Marisela...
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Review: Xameleon Theatre–Chekhov’s Vision Of “Love In A Nutshell”
Xameleon Theatre treats London audiences to a new insight into the life and works of Chekhov in...
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The Holocaust, Sacrificed: Nicholas Tolkein’s “Terezin”
In taking it upon him or herself to depict the horrors of the Holocaust, the artist assumes an...
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“Brodsky/Baryshnikov”: The Art of Poetic Memory
From the cultural perspective, London is an extremely privileged city: the delights it enjoys are...
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