Life Of Alija Izetbegovic On Istanbul Stage
The life of legendary Bosnia-Herzegovina leader Alija Izetbegovic, known for his peaceful...
Read MorePosted by Anadolu Agency | 27th Nov 2017 | Bosnia, News, Theatre and Politics, Turkey
The life of legendary Bosnia-Herzegovina leader Alija Izetbegovic, known for his peaceful...
Read MorePosted by Shailaja Tripathi | 27th Nov 2017 | India, News
For a theatre group to survive 29 years in today’s times is a big deal. Kalayan theatre...
Read MorePosted by Emily Jupp | 27th Nov 2017 | News, Theatre and Art, Theatre and Politics
Taking place 100 years after the Russian Revolution, Art Riot: Post-Soviet Actionism opened at...
Read MorePosted by Aleks Sierz | 27th Nov 2017 | Acting, London, Playwriting, Review, United Kingdom
One defining characteristic of Englishness is social awkwardness, and its emotional register is an...
Read MorePosted by Vikram Phukan | 26th Nov 2017 | Festivals, India, Puppetry, Review
Anurupa Roy’s contemporary retelling of the epic uses a melange of cultural influences to focus on...
Read MorePosted by Poland On Stage | 26th Nov 2017 | News, Poland
The Zygmunt Hübner Powszechny Theatre Mefisto Based on the novel by Klaus Mann and the movie by...
Read MorePosted by Claudia Pritchard | 26th Nov 2017 | Adaptation, Essay, London, Theatre and Opera, United Kingdom
An attractive, able woman preyed upon in the office by two bosses, one of whom uses his power to...
Read MorePosted by Khaleem Ali | 26th Nov 2017 | Boston, France, Review, Theatre and Politics, United States of America
“[It] is utterly useless to accuse my characters of being symbolical,” wrote Albert Camus...
Read MorePosted by James Rowson | 25th Nov 2017 | Review, Russia, Russian Theatre Abroad, Transcultural Collaborations, Translation, United Kingdom
This November, the Royal Court Theatre in London stages the global premiere of Ukrainian...
Read MorePosted by Aleks Sierz | 25th Nov 2017 | London, Review, Theatre and Politics, United Kingdom
Asylum is one of the most emotive words in the English language. It evokes valleys of pain,...
Read MorePosted by European Theatre Lab | 25th Nov 2017 | France, Georgia, Germany, News, Transcultural Collaborations, Transmedia
What’s the digital revolution doing to us? A web series, a book and one of our theatre projects...
Read MorePosted by Mara Valderrama | 24th Nov 2017 | Review, Spain
The Ambigú is a tiny space in the Pavón Kamikaze theatre in Madrid; a large hallway bar that often...
Read MorePosted by Duška Radosavljević | 24th Nov 2017 | London, Review, Theatre and Gender, United Kingdom
Lizzie Clachan’s set is a simple stone floor slanting downwards towards the audience in a warm...
Read MorePosted by Rie Hammer | 23rd Nov 2017 | Denmark, Essay, Festivals, Theatre and Politics
When can performing arts be considered culturally diverse and inclusive? Where will new...
Read MorePosted by Vikram Phukan | 23rd Nov 2017 | Festivals, India, Review
Far from the creaky floorboards and blazing arc lamps of the makeshift prosceniums of Faridabad,...
Read MorePosted by Nikolai Klimeniouk | 22nd Nov 2017 | News, Russia, Theatre and Politics
Transparency International-Russia’s recent report on the financial operations of Russia’s state...
Read MorePosted by Aleks Sierz | 22nd Nov 2017 | London, Playwriting, Review, United Kingdom
Harry Potter has a lot to answer for. The phenomenal success of JK Rowling’s books, and of their...
Read MorePosted by Nat Muller and Sandra Noeth | 22nd Nov 2017 | Interview, Theatre and Art, Theatre and Dance, Theatre and Politics
“The grander nationalist ostentatiousness gets, the smaller and quieter bodies...
Read MorePosted by Nobuko Tanaka | 21st Nov 2017 | Collaborating Across Cultures, Japan, Review, United Kingdom
One Green Bottle is a new-ish work co-written by the renowned Japanese dramatist Hideki Noda and...
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