Natalya Vorozhbit’s “Bad Roads” At The Royal Court: Russian And Ukrainian Drama In The UK
This November, the Royal Court Theatre in London stages the global premiere of Ukrainian...
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“The Suppliant Women” at The Young Vic
Asylum is one of the most emotive words in the English language. It evokes valleys of pain,...
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Homo Digitalis Meets Zigmagora
What’s the digital revolution doing to us? A web series, a book and one of our theatre projects...
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Pablo Remón’s “Barbados Etcétera” – Minimalist Theatre of Words and Presence
The Ambigú is a tiny space in the Pavón Kamikaze theatre in Madrid; a large hallway bar that often...
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“The Suppliant Women” – A New Version for Modern Times
Lizzie Clachan’s set is a simple stone floor slanting downwards towards the audience in a warm...
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Diversity – YES, But How?
When can performing arts be considered culturally diverse and inclusive? Where will new...
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Ramlila at Prithvi Theatre: Rambunctious and Unforgettable
Far from the creaky floorboards and blazing arc lamps of the makeshift prosceniums of Faridabad,...
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Clean Hands And Empty Heads: Transparency International’s New Report On Russian Theatre
Transparency International-Russia’s recent report on the financial operations of Russia’s state...
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“Heather” at The Bush Theatre
Harry Potter has a lot to answer for. The phenomenal success of JK Rowling’s books, and of their...
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A Conversation About Movement, Nationalism, And Collectivity
“The grander nationalist ostentatiousness gets, the smaller and quieter bodies...
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“One Green Bottle” Exploring Japanese And English Sensibilities
One Green Bottle is a new-ish work co-written by the renowned Japanese dramatist Hideki Noda and...
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“Poison” at The Orange Tree Theatre
Continental drama, in this era of Brexit negotiations, seems to be rarer and rarer on British...
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Sitting With Amanda Parris’ “Other Side Of The Game”
Shelley Liebembuk reviews Cahoots Theatre and Obsidian Theatre’s world premiere of The Other Side...
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Council Estates: A Rich Array Of Art Making
The music video for grime artist Skepta’s award-winning single Shut Down is shot in the concrete...
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James Graham’s “Quiz” With Audience Participation
Life-changing wealth which is won in an instant then recklessly sacrificed a second later is the...
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“The Slaves Of Solitude” at The Hampstead Theatre
The Second World War is central to our national imagination, yet it has been oddly absent from our...
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“The Retreat” at The Park Theatre
Is Buddhism a path to finding spiritual enlightenment — or just an excuse for not facing your...
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The Unlimited House Of Krip: Vogue Ball With D/deaf And Disabled Performers
Disability theatre company, Fittings Multimedia, headed by Garry Robson got an Unlimited...
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Theatre Of The Real: Bengali Playwright Manoj Mitra’s New Work on Socrates
Six decades of writing, acting and directing often inspired by the changing milieu — Bengali...
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“The State Of Siege” (L’état De Siège): A Political Warning
Albert Camus’ 1948 play The State of Siege (L’État de Siège) is presently touring the U.S. in a...
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