“OCD Love:” LEV Dance Company Delves Into A Paradox, The Strange Psychic Disruption Of The Troubled Body!
This latest work by the Israeli dance company LEV Dance, created by Sharon Eyal and Gai Behar is a...
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Tisa Ho, The Maestro Behind The Hong Kong Arts Festival
There is probably no place more appropriate than a backstage dressing room to interview Tisa Ho....
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Play Based On “Who Wants To Be A Millionaire” Coughing Scandal Set For West End Transfer
A play inspired by Who Wants To Be A Millionaire’s “coughing major” is set to transfer to the West...
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Theatre Is Not Happy Any More In Crisis: The Internet and Performing Arts
It’s often stated that performing arts reflect changes in society. But how does this look when we...
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Blood on the Stage: “Let the Right One In” is a Vampire Love Story For Our Times
The popularity of vampires has endured since Johann Wolfgang von Goethe’s Bride of Corinth (1797)...
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Isabelle Huppert And Jeremy Irons Will Be Awarded Europe Theatre Prize In Rome
From the 12th to the 17th of December, Rome will host the XVI edition of Theatre Prize and the XIV...
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“Voices From Chernobyl”–Ténéré Arte’s Brilliant, Ghostly Retelling Of The World’s Worst Nuclear Disaster
Svetlana Alexievich’s Voices From Chernobyl collected the testimonies of survivors from the...
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Tracing With Body And Music In Jeff Ho’s “Trace”
In his debut as playwright, Jeff Ho presents a solo piece that explores his family history through...
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“The Taste Of Displacement” – Diasporic Performance from Iraq
The Taste of Displacement (2014) is a video project and an experimental performance piece that...
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An Interview With Noah Birksted-Breen: Falling In Love With New Russian Plays
Noah Birksted-Breen is the artistic director of London’s Sputnik Theatre Company, which he...
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“Mrs. Pistols” A Requiem For A Dream
Mrs. Pistols is an outstanding example of an Iranian play that meets the intellectual and...
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The Epic Of American Capitalism: Luca Ronconi’s “Lehman Trilogy”
Sam Mendes–Oscar-winning Sam Mendes (American Beauty [1999])–has confirmed it: in 2018, he will be...
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“Muriel’s Wedding: The Musical” Is A Deeply Satisfying Tribute To Australia’s Most-Loved Dag
Muriel Heslop occupies a precious position in Australian cultural life. She is, perhaps, our...
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The Serendipitous Path of a U.S.-Russia Theatre Ambassador: An Interview with John Freedman
John Freedman was Theatre Critic at The Moscow Times from 1992 to 2015 and is currently Assistant...
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Junpei Mizobata Plunges Headfirst Into The Absurdist World Of Harold Pinter
As the saying goes, “You can’t judge a book by its cover.” In the same way, if you thought the...
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Natal’ya Vorozhbit’s “Bad Roads” at The Royal Court Theatre
War is morally acidic: it dissolves social rules, loosens inhibitions and gives permission to men...
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Newborn: Talk with Wojtek Markowski
With the team of Polski Theater in the underground we streamed 360-degree video from the container...
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Julia Cho’s “Office Hour”
Julia Cho’s Office Hour began life as a reaction to the 2007 mass-shooting at Virginia Tech. It...
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Zuni Icosahedron Proves Hong Kong Can Be A Fertile Ground For Experimentation
Among Hong Kong’s artists, designers, playwrights and stage directors are polymaths who somehow...
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Sometimes I Feel Like I Feel Too Much
Traces of a Water Spirit #2 I think of myself as a highly sensitive person. One day my therapist...
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