Dance And Cultural Exchange: Typologies Of Migration
In dance, migration is not a phenomenon confined to modern times. For numerous reasons artists...
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Traumatic Dramatics: Iraqi Addicts, Criminals, And Survivors Use Theatre As Therapy
An Iraqi man is using drama therapy to help local drug addicts, juvenile offenders and victims of...
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Fiasco Theater’s Time Machine – “Twelfth Night” At Classic Stage Company
Fiasco Theater begins its experimental take of William Shakespeare’s Twelfth Night, Or What You...
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A Matter Of Grave Concern: The Oldest Theatre Group in Delhi Stages “Kafan” and “Kafan Chor”
Reinvigorating socially-relevant theatre, M.K. Raina’s recently-staged Kafan and Kafan Chor...
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A View From The Bridge: The Dramaturg’s Work on A Play in Translation
When talking about translation, statistics show an alarming picture. The United Kingdom has the...
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Verdi’s “A Masked Ball” – A Debut For The Galati Theatre Festival
Year after year, the Galati Theatre Festival commands a prestigious position for opera theatre in...
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Female Desire In Experimental Postdramatic Theatre: “Body Double” Directed By Eleanor Bishop, BATS Theatre, Wellington
Merriam-Webster has recently named “feminism” as the 2017 “word of the year” and feminist issues...
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Playwriting Education In South Korea: In Conversation With Ko Yeon-ok, Part III
Award-winning South Korean playwright and educator Ko Yeon-ok reflects about her teaching practice...
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Playwriting Education In South Korea: In Conversation With Ko Yeon-ok, Part II
Award-winning South Korean playwright and educator Ko Yeon-ok reflects about her teaching practice...
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Playwriting Education In South Korea: In Conversation With Ko Yeon-ok, Part I
Award-winning South Korean playwright and educator Ko Yeon-ok reflects on her teaching practice in...
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“The Lorax” An Exciting And Transformative Experience For The Whole Family
The story by Theodor Seuss Geisel (Dr. Seuss) that has made its way through various forms of...
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Intercultural Theatre Practices – Interview With Frances Barbe
Interview conducted as part of the media partnership between Culture360 and International Theatre...
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Review: “Pawâkan Macbeth’s” Call For Reconciliation Spans Time, Language, And Place
Edmonton, Alberta. Connor Meeker reviews Pawâkan Macbeth: A Cree Tragedy, a co-production between...
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“Ashes To Ashes,” By Harold Pinter At The Europe Theatre Prize In Rome
The XIV Europe Prize Theatrical Realities went to Susanne Kennedy, Jernej Lorenci, Yael Ronen,...
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Theatre As A Public Forum And A Place Of Protest: The #MeToo Revolution In Iceland
In his 1991 book Roman Theatre And Its Audience, Richard C. Beacham forms the theory that the...
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Are You Ready to ReOrient? Festival Overview By Vidhu Singh, ReOrient Publications Dramaturg
As a team member of the first-time partnership between Golden Thread Productions and Literary...
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Out Of Character: How Acting Puts A Mental Strain On Performers
Performers are twice as likely as the general population to experience depression, according to...
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“Human Landscapes–The Migration Of Beings” – Choreographer Germana Civera In Atlanta
Germana Civera, choreographer and performance artist from Spain based in Montpellier, France, just...
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“Goats” by Syrian Playwright Liwaa Yazjiat at The Royal Court
The civil war in Syria spawns image after image of hell on earth. Staging the stories of that...
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The Cage Within: Adaptation of Amrita Pritam’s Celebrated Novel “Pinjar”
Kanchan Ujjal Singh’s adaptation of Amrita Pritam’s popular novel, Pinjar, does justice to the...
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