An Interview With Noah Birksted-Breen: Falling In Love With New Russian Plays
Noah Birksted-Breen is the artistic director of London’s Sputnik Theatre Company, which he...
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“Mrs. Pistols” A Requiem For A Dream
Mrs. Pistols is an outstanding example of an Iranian play that meets the intellectual and...
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The Epic Of American Capitalism: Luca Ronconi’s “Lehman Trilogy”
Sam Mendes–Oscar-winning Sam Mendes (American Beauty [1999])–has confirmed it: in 2018, he will be...
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“Muriel’s Wedding: The Musical” Is A Deeply Satisfying Tribute To Australia’s Most-Loved Dag
Muriel Heslop occupies a precious position in Australian cultural life. She is, perhaps, our...
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The Serendipitous Path of a U.S.-Russia Theatre Ambassador: An Interview with John Freedman
John Freedman was Theatre Critic at The Moscow Times from 1992 to 2015 and is currently Assistant...
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Junpei Mizobata Plunges Headfirst Into The Absurdist World Of Harold Pinter
As the saying goes, “You can’t judge a book by its cover.” In the same way, if you thought the...
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Natal’ya Vorozhbit’s “Bad Roads” at The Royal Court Theatre
War is morally acidic: it dissolves social rules, loosens inhibitions and gives permission to men...
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Newborn: Talk with Wojtek Markowski
With the team of Polski Theater in the underground we streamed 360-degree video from the container...
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Julia Cho’s “Office Hour”
Julia Cho’s Office Hour began life as a reaction to the 2007 mass-shooting at Virginia Tech. It...
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Zuni Icosahedron Proves Hong Kong Can Be A Fertile Ground For Experimentation
Among Hong Kong’s artists, designers, playwrights and stage directors are polymaths who somehow...
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Sometimes I Feel Like I Feel Too Much
Traces of a Water Spirit #2 I think of myself as a highly sensitive person. One day my therapist...
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Life Of Alija Izetbegovic On Istanbul Stage
The life of legendary Bosnia-Herzegovina leader Alija Izetbegovic, known for his peaceful...
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Kalayan, One Of Bangalore’s Oldest Hindi Theatre Groups, Is Ready With Their Annual Offering
For a theatre group to survive 29 years in today’s times is a big deal. Kalayan theatre...
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Inside Pussy Riot: “Political Art Can Change The World”
Taking place 100 years after the Russian Revolution, Art Riot: Post-Soviet Actionism opened at...
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David Eldridge’s “Beginning” at The National Theatre
One defining characteristic of Englishness is social awkwardness, and its emotional register is an...
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Interpreting “The Mahabharata” With Puppets
Anurupa Roy’s contemporary retelling of the epic uses a melange of cultural influences to focus on...
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Poland on Stage: What, When and Where
The Zygmunt Hübner Powszechny Theatre Mefisto Based on the novel by Klaus Mann and the movie by...
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Lupita Nyong’o’s Father Set To Honor Her With A Theatre And Art Center In Kenya
Anyang Nyong’o is one proud dad who has big plans for his successful daughter: the Oscar...
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How Hitchcock’s “Marnie” Inspired An Opera
An attractive, able woman preyed upon in the office by two bosses, one of whom uses his power to...
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Review Of Albert Camus’ “State Of Siege” By Théâtre De La Ville
“[It] is utterly useless to accuse my characters of being symbolical,” wrote Albert Camus...
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