Subjects For Some Short Stories: Acting Character In Postdramatic Chekhov
Twenty years after the Wooster Group’s seminal Three Sisters-inspired Brace Up!, contemporary New...
Read MorePosted by Michael Breslin | 6th Jan 2018 | LGBTQ+ Theatre, New York, Review, Russia, Russian Theatre Abroad, Theatre and Gender, United States of America
Twenty years after the Wooster Group’s seminal Three Sisters-inspired Brace Up!, contemporary New...
Read MorePosted by Yana Meerzon | 6th Jan 2018 | Adaptation, Germany, Review
A Production of the Munich Kammerspiele winner of XIV Europe Prize Theatrical Realities, 2017...
Read MorePosted by Kristin Tomecek | 6th Jan 2018 | Chicago, Review, Theatre and Opera, United States of America
Giacomo Puccini’s final and unfinished opera, the exotic fantasy Turandot, gets the Lyric Opera...
Read MorePosted by Adam Sherwin | 6th Jan 2018 | London, News, United Kingdom
“Come, and take choice of all my library, And so beguile thy sorrow,” Shakespeare wrote. Now...
Read MorePosted by Jonathan Kalb | 5th Jan 2018 | London, Playwriting, Review, United Kingdom
Annoying as it is, I have to start with a spoiler alert. That’s because what’s most interesting to...
Read MorePosted by Yana Meerzon | 4th Jan 2018 | Directing, Germany, Israel, Review
Doing It Right! Yael Ronen, an Israeli theatre director working for the Maxim Gorki Theater in...
Read MorePosted by Daphne Tepper | 4th Jan 2018 | Belgium, News
In the session City Of Arrival, and with the case of Brussels as a starting point, the new nature...
Read MorePosted by Jessica Hinds-Bond | 4th Jan 2018 | News, Russia, Russian Theatre Abroad, Transcultural Collaborations
Yury Butusov’s The Seagull is an exuberant feast of a theatrical performance. In the nearly...
Read MorePosted by Jessica Rizzo | 3rd Jan 2018 | New York, Playwriting, Review, Theatre and Age, United States of America
The ghost of Mary Shelley keeps rudely interrupting Mabou Mines’s Glass Guignol: The Brother And...
Read MorePosted by Walter Byongsok Chon | 2nd Jan 2018 | Interview, Musical Theatre, New York, South Korea, Transcultural Collaborations
To read Part I of the series on KPOP, click here. For the article, I spoke with Jason Kim and...
Read MorePosted by Walter Byongsok Chon | 1st Jan 2018 | Essay, Musical Theatre, New York, South Korea, Transcultural Collaborations, United States of America
In the last few months of 2017, K-pop (Korean pop) has made it into U.S. news reports in two...
Read MorePosted by Kim Hyang | 31st Dec 2017 | Adaptation, Musical Theatre, Review, South Korea, Theatre and Opera
Audiences laughed throughout Ko Sun-woong’s new work Heungbo-ssi (written and directed by Ko...
Read MorePosted by Madison Parrotta | 30th Dec 2017 | Interview, Producing, Russia, Russian Theatre - Featured, Theatre and Disability
Integrated Theatre Company KroogII is a non-profit organization dedicated to providing an...
Read MorePosted by EfeJota Suárez | 30th Dec 2017 | Review, Spain
Silence. From the Latin “silentium”. The RAE (The Royal Spanish Academy) defines it as...
Read MorePosted by Lorena Meeser | 30th Dec 2017 | Adaptation, Italy, Mexico, Review, Theatre and Politics
A Special Day is based on the 1977 film Una Giornata Particolare by Ettore Scola, starring Sophia...
Read MorePosted by Yana Meerzon | 29th Dec 2017 | Estonia, Review, Theatre and Politics
A production from Tallin, Estonia: the winner of XIV Europe Prize Theatrical Realities, 2017. The...
Read MorePosted by Aleks Sierz | 29th Dec 2017 | London, Review, United Kingdom
Is Britain’s welfare system unfit for purpose? Well, all the news channels seem to suggest that...
Read MorePosted by David O'Donnell | 29th Dec 2017 | LGBTQ+ Theatre, New Zealand, Review, Theatre and Gender
Since Sir Edmund Hillary and Tenzing Norgay became the first to climb Mount Everest in May 1953,...
Read MorePosted by Jacob Juntunen and Dagmara Krzyżaniak | 28th Dec 2017 | Poland, Review, Theatre and Disability, Theatre and Politics
“Freedom, Equality, Theatre” The motto of Scena Robocza (Working Scene) is, “Freedom, Equality,...
Read MorePosted by Nobuko Tanaka | 28th Dec 2017 | Festivals, Japan, News, Producing
Never mind those North Korean missiles that provide politicians with heaven-sent pretexts to...
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