Czech Puppetry Practitioners in Poland; or, a Parable on the Importance of Internationalisation in Theatre Training
‘In theatre the national differences, instead of dividing, are now connecting,’ says Polish...
Read MorePosted by Kasia Lech | 25th Feb 2018 | Czech Republic, Essay, Poland, Puppetry, Theatre for Young Audiences
‘In theatre the national differences, instead of dividing, are now connecting,’ says Polish...
Read MorePosted by Aleks Sierz | 25th Feb 2018 | London, Review, United Kingdom
Monologues are increasingly popular in contemporary British theatre. In an age of austerity, they...
Read MorePosted by Aleks Sierz | 24th Feb 2018 | Immersive Theatre, London, Review
“Two things only the people anxiously desire—bread and circuses,” said the Roman poet Juvenal. He...
Read MorePosted by Conrad Landin | 24th Feb 2018 | London, News, Playwriting, United Kingdom
Alan Bennett’s next play will focus on an NHS hospital threatened with closure thanks to...
Read MorePosted by Jack Wernick | 24th Feb 2018 | Immersive Theatre, New York, Review, Stage Combat, Theatre and Politics, United States of America
One of New York City’s most dynamic young theater companies makes a bold addition to its...
Read MorePosted by Anna Gordeeva | 24th Feb 2018 | Review, Russia, Russian Theatre - Featured, Theatre and Dance
The glass pavilions that appeared on Teatralnaya Square after the reconstruction of the Bolshoi...
Read MorePosted by Courtney Seyl | 23rd Feb 2018 | Review, Seattle, United States of America
Seattle Rep’s “Two Trains Running” shows the power of standing up for what is right and finding your own voice in a sea of impossibility.
Read MorePosted by Michael Schweikardt | 23rd Feb 2018 | Design, Interview, Philadelphia, United States of America
Set Designers are known for creating beautiful, finished renderings of scenic environments,...
Read MorePosted by Liisi Aibel | 22nd Feb 2018 | Estonia, Interview, Management
Theatre NO99 is a theatre in Tallinn, Estonia with a troupe of 10 actors at the centre of it, lead...
Read MorePosted by Alvina Ruprecht | 22nd Feb 2018 | Review, Spain, Theatre and Dance
European performance is slipping through boundaries, transforming relationships between film,...
Read MorePosted by Nobuko Tanaka | 22nd Feb 2018 | Essay, Festivals, Japan
Back in 1995, some of the movers and shakers of the domestic theater scene got together at various...
Read MorePosted by Jonathan Kalb | 21st Feb 2018 | Germany, Review, Theatre and Politics
Plays set in recording studios, in my experience, are usually stories of entrapment. The spaces...
Read MorePosted by Christine Deitner | 21st Feb 2018 | Los Angeles, Review, United States of America
From the moment the play begins, it doesn’t take long for anyone to understand why playwright...
Read MorePosted by Chloe Chotrani | 21st Feb 2018 | Asia, Dramaturgy, Interview
Chloe Chotrani is a movement artist and writer based in Singapore. She has set up the performing...
Read MorePosted by Trevor Boffone | 20th Feb 2018 | Review, Theatre and Gender, United States of America
In a city that still has a relatively conservative theatre community such as Houston, seeing ten...
Read MorePosted by Nicole Birmann Bloom | 20th Feb 2018 | France, Interview, Theatre and Art, Translation
A production from Compagnie L’Héliotrope, and co-presented by the Cultural Services of the...
Read MorePosted by Elaine Chiew | 19th Feb 2018 | Review, South Korea, Theatre and Opera
Euripides’ play Trojan Women has been adapted and performed numerous times around the world, from...
Read MorePosted by Arts Equator | 19th Feb 2018 | Australia, Interview, Theatre and Dance
Art that Moves is an occasional series where we ask artists and other creative workers to reflect...
Read MorePosted by Nobuko Tanaka | 19th Feb 2018 | Japan, Management, News
At the start of each year, the New National Theatre Tokyo holds a media event at which the...
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