Amazing Grace: The Barrow Group Presents “The Tricky Part”
“Sun is bad for you. Everything our parents told us was good is bad. Sun. Milk. Red meat....
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Alonzo King Lines Ballet “Sutra” Unites The World
What we grasp from this hypnotic evening presented by the Alonzo King Lines Ballet performing a...
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Solo 70: Dance Is A Mechanism For Letting Go
In Solo 70, acclaimed dancer and choreographer Paul-André Fortier performs his final piece with...
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“Bhagawad Ajjukam” Probes The Concept Of Transfiguration
Beyond the vibrant costumes and farcical elements, Suresh Anagalli’s Bhagawad Ajjukam is a...
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“Chasing The New White Whale”: Neither Fish Nor Fowl
Michael Gorman’s latest play Chasing The New White Whale, at La MaMa where he is the Playwright in...
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Guiding Principles: A New Play Takes Hong Kong’s Educational System To Task
From an early age, we are taught that right and wrong are two distinct entities, just as easily...
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Do You Speak Tech? Report From An Interdisciplinary And Cross-Cultural Partnership
More recent studies from the social sciences showed that “familiar ground may not be the best...
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A Warrior Princess In The Coffee Shop
Isheeta Ganguly’s Sundays With Chitra And Chaitali brings to life once again, the tale of the...
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Ian McKellen Tour 2019: Tickets, Dates, And Venues For 80th Birthday One Man Shows
He will celebrate his actual birthday on a stage in his hometown Most people celebrate with...
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In “The Making of King Kong,” a Hallucinatory Descent Into the American Imagination
Claire, though wrapped in the scrappy, eccentric volatility of experimental theater, is a challenging and provoking playwright, smart and admirably critical—hilarious, too.
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Friday Essay: 50 Shades Of Shakespeare–How The Bard Sexed Things Up
It’s hard to imagine a more literary or successful author than William Shakespeare, formerly...
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“The Wider Earth” at The Natural History Museum: Adapt, or die!
Less is more. When it comes to theatre-making, there is hardly a more relevant maxim than this...
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The Use Of Children In Milo Rau’s “Five Easy Pieces”: Exploitation, Or Confrontational Theatre?
The re-enactments are a way to examine and reproduce human feelings. —Milo Rau [1] This summer, as...
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Legacy And Genius In Machover’s New Opera “Schoenberg In Hollywood”
It’s a bold move to write an opera about a musical genius: to evoke the style of said great...
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A Room Of One’s Own: A Theatre Translator In Residence
In October 2018, Theatre Times translation editor William Gregory became the inaugural translator...
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Pilgrims’ Progress: Larissa FastHorse’s “The Thanksgiving Play”
The political mantra “Nothing about us without us” is hard to object to immediately–it makes...
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Is The New York Theater Scene Serving Disabled Artists And The Disabled Population?
The New York theater scene is often thought of as the pinnacle of progression, where the newest...
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“Dear Dsylexia”: A Truthful Theatre Journey In A Dyslexic World
Dear Dsylexia–written on purpose with the wrong spelling–is a stunning piece of solo theatre,...
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“Hadestown,” National Theatre, Review: Folk Opera That Dazzles Despite Its Imperfections
When the lights go out for the interval midway through Hadestown, I’m already making a mental list...
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All Wuzhen’s A Stage, But It’s Not Yet A Big Player
After a divisive Wuzhen Theatre Festival, the Chinese theater must reassess its priorities. The...
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