Freemuse Report On Women And Artistic Freedom: Copenhagen, 29. November 2018
In collaboration with Yildiz Akdogan MP and KVINFO, Freemuse launched its new report on women and...
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Performance Entre Le Réel Et Le Virtuel: Le Projet “Odiseo.Com”
Performance Between the Real and the Virtual: The Odiseo.com Project I will focus here on the...
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Persian Hippolyte: Hybrid Performance Cultures, Hybrid Identity, And Hybrid Technology
In 2013, Goosan Artistic Group, an Iranian group of performance artists, created a promenade...
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“Barber Shop Chronicles”: Man Talk In A Man’s World
Inua Ellams’ Barber Shop Chronicles, his first full-length play, was a smash-hit when it opened in...
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Review: “Other People’s Children” Cracks Open Postpartum Intimacy And Labor
Montreal, Québec Sarah J Culkin reviews Imago Theatre’s production of Other People’s Children by...
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ETL Wins The Heritage In Culture Award 2018
The European Theatre Lab is very proud to announce that the project won Spotlight on Heritage in...
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Violent Clowns And Panto Dames: The Origins Of “Rocky Horror’s” Frank-N-Furter
Dr. Frank-N-furter, the snappy alpha-alien who stars in The Rocky Horror (Picture) Show, is one of...
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“An Enemy Of The People”: The Not-So-Silent Majority Speaks Out Again
In one bound, the rising English director Jonathan Munby found himself in the spotlight of...
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Egypt’s Puppet Show Al-Aragouz Joins UNESCO’s Intangible Cultural Heritage List
Egypt’s most famous and oldest traditional children’s puppet show, El-Aragouz, was accepted...
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Global Queer Plays: A Q & A With Jeremy Tiang And Danish Sheikh
Global Queer Plays, published December 10, is a unique anthology bringing together stories of...
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An Introduction To The National Disability Theatre: In Conversation With Mickey Rowe
A greater push for disability representation in the theatre industry has seen the emergence of...
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Identity, Technology, Nostalgia: The Theater Of Ivo Van Hove, Robert Lepage, And The Wooster Group
In recent theatre practice, attempts have been made and desires expressly voiced–from puppet...
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“THE BIRDS”: Using Theatre to Explore Multilingualism
Did you know that corvids, the crow family, are native to every single continent, and found...
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2018 Was The Year In Japan That Saw The Stage Sing, While Contemporary Drama Barely Made A Squeak
Musicals have flourished in 2018, with many young stars also helping to sell out straight plays in...
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Cybernetics Vs. Decartes
The Mind of non-Cartesian Theater To contextualize my work HUMAN SIMULATION, I organized a...
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Terrific Power: “St. Kilda” at the So-Fi Festival in NYC
Jody Christopherson’s one-woman show St. Kilda, at the So-Fi Festival, gave me one of the...
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“Sycorax, Cyber Queen of Qamara”: A Conversation with Joan Kane and Sandra Bargman
By Playwright Fengar Gael, Sycorax is a character referred to, yet never seen, in Shakespeare’s “The Tempest.” But, in Fengar Gael’s story, Sycorax has been alive and waiting for 500 years to tell her side of the story.
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Ivan Vyrypaev On Cinema, Theatre, And His Dreams
Ivan Vyrypaev is the internationally known playwright, director, producer, artist, and recipient...
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“Magic Mike Live,” London Hippodrome, Review: “A Frenzy Of Hallucinogenic Mansplaining, Fatman Scoop, And Abs”
As the speakers blasted out Ed Sheeran’s Thinking Out Loud and topless men crept out of the...
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Art In Astrophysics: Science in Indian Theatre
For some years now, Mumbai-based theatre practitioner Jyoti Dogra has been regaling audiences in...
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