An Intricate Rumination On The Partnership Between Music And Dance
Concert, By Colin Dunne, Dance Umbrella Festival 2018, London, Barbican The important thing about...
Read MorePosted by Miranda Laurence | 2nd Nov 2018 | Dance Umbrella 2018, Festivals, London, Review, Theatre and Dance, United Kingdom
Concert, By Colin Dunne, Dance Umbrella Festival 2018, London, Barbican The important thing about...
Read MorePosted by Michael Appler | 1st Nov 2018 | New York, Review, United States of America
Joe Papp would be proud had he lived to see what his Mobile Theater had become: a brimming, joyous sanctuary of inclusivity and plurality, of Shakespearean excellence armed with subtle and striking mindfulness, no longer a struggling caravan of the American theater’s earliest pioneers, but a rag-tag group of brilliant players all the same.
Read MorePosted by Aleks Sierz | 1st Nov 2018 | London, Review, United Kingdom
On the morning when this stylish revival of Martin Crimp’s 1988 play opens, I wake up to the news...
Read MorePosted by Sergey Elkin | 1st Nov 2018 | Directing, Interview, Russia, Russian Theatre Abroad
Timofey Kulyabin is one of the most prominent young directors in Russia today. At 34, he has...
Read MorePosted by Robyn Grant-Moran | 31st Oct 2018 | Canada, Review
After attending a rehearsal and speaking with playwright Jani Lauzon and director Marjorie...
Read MorePosted by Peter Griffin | 31st Oct 2018 | Essay, India, Musical Theatre
The creators of #SingIndiaSing talk about what it takes to make a musical from the ground up The...
Read MorePosted by Emma Kantor | 31st Oct 2018 | Chicago, Devised Theatre, Directing, Interview, New York, United States of America
Ellenor Riley-Condit is an actor, producer, creator, and artistic director of The Syndicate. She...
Read MorePosted by Katrina Holden-Buckley | 30th Oct 2018 | Boston, Review, Theatre and Opera, United States of America
Gioachino Rossini’s most famous opera, The Barber Of Seville, opened Friday night at the Cutler...
Read MorePosted by Jonathan Kalb | 30th Oct 2018 | New York, Review, United States of America
Nothing you do this week will likely be more worthwhile than spending 40-odd minutes with Dianne...
Read MorePosted by Lorena Meeser | 30th Oct 2018 | Directing, Mexico, Musical Theatre, Review
Kiss Of The Spider Woman is splendidly directed by Miguel Septién, an excellent director who...
Read MorePosted by Patrick Langston | 29th Oct 2018 | Canada, News, Theatre and Disability
When Silence: Mabel And Alexander Graham Bell opens at the NAC, it will mark a significant...
Read MorePosted by James Hogan | 29th Oct 2018 | Essay, LGBTQ+ Theatre, London, Theatre and Politics, United Kingdom
Oberon founder James Hogan writes about his experiences as a gay man in 1960s London, and why he...
Read MorePosted by Saraswathy Nagarajan | 29th Oct 2018 | India, Management, News
The theatre director is bringing in a new visual language and dynamics through Prasanth Narayanan...
Read MorePosted by Duška Radosavljević | 28th Oct 2018 | London, Review, Theatre and Gender, United Kingdom
On Friday, March 13, 2015, the Grand Hall at Battersea Arts Centre in South London went up in...
Read MorePosted by Yulia Shamporova | 28th Oct 2018 | News, Russia, Transmedia
Want to catch a glimpse of a play before splashing the cash on a ticket? Now you can…in 3D...
Read MorePosted by Harry Hoke | 28th Oct 2018 | Boston, Review, Russia, Russian Theatre Abroad, Theatre and Gender, Theatre and Politics
Authority. Surveillance. Enforcement. Confession. These are the tools of the state brought to life...
Read MorePosted by Aleks Sierz | 28th Oct 2018 | London, Playwriting, Review, Theatre and Politics, United Kingdom
Playwright David Edgar is lucky. To begin with, he appreciates his luck in having been born in...
Read MorePosted by Duška Radosavljević | 27th Oct 2018 | London, Review, United Kingdom
Part of the Phoenix Season at the newly re-opened Grand Hall at Battersea Arts Centre is also BAC...
Read MorePosted by Abigail Weil | 27th Oct 2018 | Boston, Review, Russia, Russian Theatre Abroad, Theatre and Gender
Cheek by Jowl’s production of Shakespeare’s Measure For Measure, performed in Russian by actors...
Read MorePosted by Aleks Sierz | 27th Oct 2018 | London, Review, United Kingdom
It’s all in the title, isn’t it? Martin McDonagh’s surreal new play comes with a warning that not...
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