Sachli Gholamalizad’s “Let us believe in the beginning of the cold season”: Iranian Identity in an Age of Diaspora
I can give two accounts of Sachli Gholamalizad’s solo performance Let us believe in the beginning...
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“Our Stage: European Bürgerbühne Festival”: Day Five, Wednesday
Pending Vote is a fully-interactive performance from Catalan director Roger Bernat, with a text by...
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“Our Stage: European Bürgerbühne Festival”: Day Four, Tuesday
Hungarian company ‘Lifeboat Unit – STEREO AKT’ bring their enticing and interactive performative...
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“Our Stage: European Bürgerbühne Festival”: Day Three, Monday
Heavy rain has restricted the opportunity to take a city walk around Dresden with festival...
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Julia Pascal’s “Blueprint Medea” at The Finborough Theatre: Mythical Reboot
The rewriting of Ancient Greek myth offers a way of creating contemporary stories that have a deep...
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“Let Us Believe In The Beginning Of The Cold Season” – Sachli Gholamalizad
I can give two accounts of Sachli Gholamalizad’s solo performance Let us believe in the beginning...
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salt. at The Royal Court
A hit of the Edinburgh Fringe 2017, Selina Thompson’s one-woman show salt is on at the Royal Court...
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“Cosmic Latte” – Sonya Lindfors
In Cosmic Latte, Sonya Lindfors projects the audience into a Black future, while underscoring just...
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“Our Stage: European Bürgerbühne Festival”: Day Two, Sunday
The second day of the festival brings radiant, early-morning sunshine onto the Kleines Haus. Many...
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“Pacific Overtures:” Solid, Safe, Sondheim
Pacific Overtures, currently running through June 16th at The Lyric Stage in Boston, is one of...
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“Our Stage: European Bürgerbühne Festival”: Day One, Saturday
Here, at the annual ‘Our Stage Festival’ in Dresden, the average citizen is the center of the...
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“School Girls; Or The African Mean Girls Play”: A Show About Competition
Jocelyn Bioh’s School Girls; Or, the African Mean Girls Play now appearing at Boston’s SpeakEasy...
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Actress Holley Fain on the Art of Having Fierce Womanly Support in Broadway’s ”The Ferryman”
Holley Fain is no stranger to Broadway, having appeared in Present Laughter and Harvey in recent...
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“Drag Becomes Her” at The Soho Theatre
Drag auteur, Peaches Christ, has made their name as an adaptor of cult movies, directing the great...
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In “Cloudstreet,” Nostalgia All Too Easily Redeems Australia’s Colonial Past
Set in a rambling and ageing house haunted by a colonial past, Cloudstreet is a theatrical...
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Stories in Sandalwood: Mudrika Puppets
Three-time National Award-winning puppeteer Dattatreya Aralikatte, on the evolution of the mudrika...
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“White Pearl” at The Royal Court
Royal Court’s Artistic Director Vicky Featherstone’s commitment to staging a diversity of...
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Toronto Laboratory Theatre: “In Sundry Languages” – Creating New Identities Through Collaborative Devising In Many Languages!
Art Babayants is a performer and the Artistic Director of the Toronto Laboratory Theatre, working...
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“Salt” at The Royal Court
Most of the facts about the Atlantic slave trade are well known; what is less understood is how...
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“The Pigeon King” At The NAC Is A Perfect Country Musical About Pigeon Scams, The Modern Family Farm, Hope And Loss, And That Reality Is Stranger Than Fiction
The National Arts Centre’s latest acquisition, The Pigeon King originally from Blyth Festival and...
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