“Genocide 25”: A Rwandan Generation Learning About 94
The year 1994 In 1994, Nelson Mandela had been free since 1990, but a candidate in the upcoming...
Read MorePosted by Kaggwa Andrew Mayiga | 23rd Aug 2019 | Producing, Review, Rwanda
The year 1994 In 1994, Nelson Mandela had been free since 1990, but a candidate in the upcoming...
Read MorePosted by Sarah Balking | 23rd Aug 2019 | Australia, Devised Theatre, Review, Theatre and Gender
My Dearworthy Darling is a collaboration between playwright, fantasy novelist, poet, and theatre...
Read MorePosted by Aleks Sierz | 22nd Aug 2019 | London, Review, United Kingdom
Theatre legends die hard. Playwright Philip King, who passed away in 1979, was once hailed as the...
Read MorePosted by Donald Brown | 22nd Aug 2019 | Festivals, New York, Review, United States of America
A son and his mother, a mother and her son. What are some of the first thoughts that come to mind?...
Read MorePosted by Daniel Teo | 21st Aug 2019 | India, Interview, Playwriting, Singapore
Playwriting can be a lonely career. For the independent playwright, creating work and searching...
Read MorePosted by Taylor L. Ciambra | 21st Aug 2019 | Review, United States of America
“They [the Macbeths] have many attributes that we all share in contemporary society, including...
Read MorePosted by Vikram Phukan | 20th Aug 2019 | India, Review, Theatre and Age, Theatre and Politics
Bengaluru-based, Theatre for Change uses “choreopoems” devised from music, text, and...
Read MorePosted by Alexander Nderitu | 20th Aug 2019 | Festivals, Kenya, News
The call opens on 1st May, 2019, and closes on 31st July, 2019
Read MorePosted by Nicole Birmann Bloom | 19th Aug 2019 | Festivals, France, Interview, Puppetry
In August and September, the street theater collective Plasticiens Volants (PV) return...
Read MorePosted by Vikram Phukan | 19th Aug 2019 | India, Review, Theatre and Gender
A woman peering in at the margins of a black hole waiting to be engulfed by its utter nothingness...
Read MorePosted by Duška Radosavljević | 18th Aug 2019 | Dramaturgy, Edinburgh 2019, Essay, Scotland, United Kingdom
The official stats have it that in its 73rd year of existence, the Edinburgh Fringe Festival 2019...
Read MorePosted by Aleks Sierz | 18th Aug 2019 | London, Review, United Kingdom
Post-Traumatic Stress Disorder (PTSD) is sometimes referred to as a silent illness. Typically, it...
Read MorePosted by Ivanka Apostolova Baskar | 17th Aug 2019 | Directing, Hungary, Interview, Macedonia, Transcultural Collaborations
Oliver Micevski (b. Skopje, Macedonia, 1980) is one of the most creative and intelligently...
Read MorePosted by Alvina Ruprecht | 17th Aug 2019 | Adaptation, Canada, Review, Spain
The Bonds of Interest is thought to be Jacinto Benavente’s most important play because it bridged...
Read MorePosted by Duška Radosavljević | 16th Aug 2019 | Edinburgh 2019, Festivals, Review, Theatre for Young Audiences, United Kingdom
Shooting to stardom with their 2007 Edinburgh Fringe debut Between the Devil and the Deep Blue...
Read MorePosted by James Montaño | 16th Aug 2019 | Review, Theatre and Politics, United States of America
For many who live in the US border states, the peril of crossing the US-Mexico border is a tale as...
Read MorePosted by Duška Radosavljević | 16th Aug 2019 | Belgium, Edinburgh 2019, Festivals, Immersive Theatre, Review, United Kingdom
Since their first understated but instantly successful visit to Edinburgh in 2008 with their...
Read MorePosted by Síofra Ní Shluaghadháin | 15th Aug 2019 | Ireland, New Zealand, Review
Irish theatre company Restless Ecstasy’s production of New Zealand modern classic Skin Tight retains its tension in Dublin showing.
Read MorePosted by Elizabeth Kerr Zolima CityMag | 15th Aug 2019 | Acting, Essay, Hong Kong
It’s a grey April evening in northern Italy, near the Slovenian border, when Hong Kong actor...
Read MorePosted by Christine Deitner | 15th Aug 2019 | Los Angeles, Review, United States of America
“Yes, my hometown is so dear to me that I would rather ruin it than see it flourishing upon a...
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