Dancing the Emotions of the Professional Kitchen
The kitchen has long been a significant trope in our civilization. This began in ancient fires and...
Read MorePosted by Ina Doublekova | 30th Apr 2021 | Bulgaria, Review, Theatre and Dance
The kitchen has long been a significant trope in our civilization. This began in ancient fires and...
Read MorePosted by Emiliia Dementsova | 29th Apr 2021 | Festivals, Russia, Theatre and Politics
The Russian Case: History, politics and eternal values Spring, with all of its uncertain promise,...
Read MorePosted by European Theater Convention Board | 29th Apr 2021 | Europe, News, Theatre and Gender
Men continue to outnumber women and hold the most prestigious positions in theatre programmes, a...
Read MoreKrzysztof Warlikowski’s Nowy Theatre in Warsaw together with Komuna/Warszawa, La Comedie de...
Read MorePosted by Elizabeth Kerr Zolima CityMag | 27th Apr 2021 | Directing, Hong Kong, Review
It’s hard to categorize Anson Mak Hoi-shan. In a video call in early March, the only time the...
Read MorePosted by Aleks Sierz | 27th Apr 2021 | Review, Transmedia, United Kingdom
Over the past year we’ve become used to a variety of home theatre: recordings of live...
Read MorePosted by Angela Jimu | 26th Apr 2021 | Adaptation, Malawi, Review
Madsoc Theatre opened their season with Stanley Mambo’s adaption of Tony Layton’s Once an Actress...
Read MorePosted by Gowri S | 25th Apr 2021 | Adaptation, India
Chennai-based theatre director Prasanna Ramaswamy’s new play, This Is My Name, is an adaptation of...
Read MorePosted by Aleks Sierz | 24th Apr 2021 | Review, Scotland, Theatre and Age, Transmedia, United Kingdom
Does a subjective theatre piece encourage a subjective critical response? I think it might,...
Read MorePosted by Niloofar Mohtadi | 24th Apr 2021 | Adaptation, Interview, Iran
James Shapiro is a Shakespeare scholar and a professor of English and Comparative Literature at...
Read MorePosted by Paula Rodríguez | 23rd Apr 2021 | Acting, Essay, Theatre and Politics, Transmedia, United Kingdom
Today, 23rd of April 2021, is the 405 anniversary of Shakespeare’s death. In two months, on...
Read MorePosted by Tonderai Chiyindiko | 22nd Apr 2021 | Review, South Africa, Theatre for Young Audiences
The National Children’s Theatre’s purpose-built outdoor/open-air “Imagination...
Read MorePosted by Neeraja Murthy | 21st Apr 2021 | India, Review, Theatre and Politics
Theatre group, Sri Venkateswara Surabhi Theatre, Hyderabad, is moving online with a month-long...
Read MorePosted by Du Xinyu | 21st Apr 2021 | China, Interview, Theatre and Gender
This story is part of Sixth Tone’s five-year anniversary project Changemakers. When given the...
Read MorePosted by Daniel Mesta | 20th Apr 2021 | Covid-19, Dramaturgy, Essay, United States of America
At the time of the writing of this article, the historic events of January 6th, January 20th, and...
Read MorePosted by Gowri S | 19th Apr 2021 | India, Review, Theatre and Politics
Chennai-based theatre director Prasanna Ramaswamy’s new play, This Is My Name, is an adaptation of...
Read MorePosted by Michael Schweikardt | 18th Apr 2021 | Devised Theatre, Education, Review, United States of America
How many young-people-of-the pandemic-does it take to screw in a light bulb? Early in the...
Read MorePosted by Vassili Schedrin | 18th Apr 2021 | Interview, Russia, Russian Theatre Archives
An 1890s red brick, neo-gothic mansion, situated on a busy intersection of central Moscow, houses...
Read MorePosted by Victoria Isotti | 17th Apr 2021 | Devised Theatre, Interview, New York, United States of America
Gia Forakis is the Founder and Artistic Director of GF&CO in Brooklyn, NY. Gia is also the...
Read MorePosted by Gowri S | 16th Apr 2021 | Adaptation, India, Review
Adishakti Theatre Arts’ latest musical, Bhoomi, is adapted from Sarah Joseph’s Malayalam play,...
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