Natalia Lizorkina’s “Vanya is Alive” Is Both A Play and Witness Statement
Vanya is alive; Vanya is alive and healthy; Vanya is alive and healthy and totally free. And we...
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Russian Theatre Archives
“Cabaret” at the Theatre of Nations: Inside and Underwear of the Third Empire
Musical drama of unlearned lessons is perhaps the most appropriate definition for Evgeny...
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Russian Theater Beyond Time and Place. On the 25th Anniversary of the STEPS Theatre
“Time means nothing. That is, it does, but not in the way we think,” says Joseph, the protagonist...
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“The Cherry Orchard,” Portland Experimental Theatre Ensemble
What might Anton Chekov, that Russian master of the nineteenth century, have to say about the...
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“On the Verge of Tragedy and Farce”: An Interview with Dmitry Krymov
Dmitry Krymov: artist, director, stage designer, teacher. The son of two of the great theatrical...
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Mikhoels by Freud: “The Singing Windmills” by Roman Freud and the PM Theater Company
Why do we still remember theater that became history many decades ago? How do we remember plays...
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“Russia Is My Country, Who Better Than Me to Clean Up the Ruins of Our Humanity:” Interview with Elena Kovalskaya – Part II
This is Part II of the two-part interview. To read Part I, click here. Yana Meerzon: Should we...
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“Russia Is My Country, Who Better Than Me to Clean Up the Ruins of Our Humanity”: Interview with Elena Kovalskaya – Part I
Russia is my country, who better than me to clean up the ruins of our humanity. – Elena...
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Dolce & Duce: “The Taming of the Shrew” at the Mossovet Theatre
In a country at war, theatres continue to work… “(They) are so simple to offer war...
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Dmitry Krymov Plumbs the Depths of Memory (part 2)
This is part 2 of a piece on Dmitry Krymov’s Everyone Is Here. For part 1, click here. Along...
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Dmitry Krymov Plumbs the Depths of Memory (part 1)
There is one wonderful detail in the Russian language. The letter E (“ye”) can be absolutely...
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The Anatomy of Lost Love: Russian Culture at War
Vladimir Putin’s decision to recognize two breakaway, Russian-backed republics in Ukraine on...
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“Cruel Games”—A Soviet Play in Post-Soviet Realities
Cruel Games at the Mossovet Theater is not just the name of a forgotten play by Alexei Arbuzov,...
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Stage Russia Expands Its Repertoire as It Continues to Offer Unprecedented Access to Contemporary Russian Theatre on a Big Screen
This Fall, the international Theatre HD company Stage Russia enters its fifth season. With a...
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COVID—Brevis, Ars—Longa
It’s trite to write about how hard it is to live from lockdown to lockdown; from one mask...
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“The Last Trial” Musical: There Once Was a Wizard, a Servant of Night
The poets say that Love will be the world’s great redeemer, But love is rarely quite as pure as...
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Ken Reynolds: 1938–2021. A Personal and Professional Remembrance of East European Theatre’s Finest Photographer
“Stop now! See that? You see that cloud? That beautiful shape?” That is what Ken Reynolds would...
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9 New Names in Russian Ballet That You Should Know
We have rounded up the rising stars, not only from Moscow and St. Petersburg but also from...
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LATEST FROM RUSSIA
- Natalia Lizorkina’s “Vanya is Alive” Is Both A Play and Witness Statement
- “Cabaret” at the Theatre of Nations: Inside and Underwear of the Third Empire
- Russian Theater Beyond Time and Place. On the 25th Anniversary of the STEPS Theatre
- “The Cherry Orchard,” Portland Experimental Theatre Ensemble
- “On the Verge of Tragedy and Farce”: An Interview with Dmitry Krymov
- Mikhoels by Freud: “The Singing Windmills” by Roman Freud and the PM Theater Company
- “Russia Is My Country, Who Better Than Me to Clean Up the Ruins of Our Humanity:” Interview with Elena Kovalskaya – Part II
- “Russia Is My Country, Who Better Than Me to Clean Up the Ruins of Our Humanity”: Interview with Elena Kovalskaya – Part I
- Dolce & Duce: “The Taming of the Shrew” at the Mossovet Theatre
- Dmitry Krymov Plumbs the Depths of Memory (part 2)
- Dmitry Krymov Plumbs the Depths of Memory (part 1)
- The Anatomy of Lost Love: Russian Culture at War
- “Cruel Games”—A Soviet Play in Post-Soviet Realities
- Stage Russia Expands Its Repertoire as It Continues to Offer Unprecedented Access to Contemporary Russian Theatre on a Big Screen
- COVID—Brevis, Ars—Longa
- “The Last Trial” Musical: There Once Was a Wizard, a Servant of Night
- Ken Reynolds: 1938–2021. A Personal and Professional Remembrance of East European Theatre’s Finest Photographer
- 9 New Names in Russian Ballet That You Should Know
- The Golden Mask Festival
- Preserving, Documenting, and Archiving Theater. An Interview with Dmitrii Rodionov, Director of the State Central Theatrical Museum in Moscow.
