Tadashi Suzuki’s “Cyrano de Bergerac”: East and West Under the Umbrella
This year is a special one for the Theatre Olympics. For in it’s touring, it is comprised of two...
Read Moreby Emiliia Dementsova | Nov 23, 2019 | Festivals, Japan, Review, Russia, Theatre Olympics 2019 | 0
This year is a special one for the Theatre Olympics. For in it’s touring, it is comprised of two...
Read Moreby Jagger Biggs | Nov 18, 2019 | London, Review, Russian Theatre Abroad, United Kingdom | 0
This month, Moscow’s Theatre of Nations graced the Barbican’s stage with Shukshin’s Stories, an...
Read Moreby Emiliia Dementsova | Nov 2, 2019 | Festivals, Poland, Review, Russia, Theatre Olympics 2019 | 1
King Lear by William Shakespeare. Text adaptation and music scoring by Jan Klata. Translation:...
Read Moreby Emiliia Dementsova | Oct 31, 2019 | Festivals, Germany, Review, Russia, Theatre Olympics 2019 | 0
The Eighth Life (for Brilka) or Das achte Leben (Für Brilka). Adapted by Julia Lochte and Emilia...
Read Moreby Emiliia Dementsova | Oct 26, 2019 | Festivals, Review, Russia, Theatre Olympics 2019 | 2
The guest performance of the Olonkho Theatre from Yakutia in St. Petersburg as part of the Theatre...
Read Moreby Emiliia Dementsova | Oct 18, 2019 | Festivals, News, Russia, Russian Theatre - Featured, Theatre Olympics 2019 | 0
The Olympics is a paradoxical phenomenon. On the one hand, it lives in a spirit of competition and...
Read Moreby Jessica Hinds-Bond | Sep 25, 2019 | News, Russia, Russian Theatre Abroad | 0
Stage Russia HD — which brings high-quality filmed performances from the Russian stage to...
Read Moreby Sasha Hackling | Sep 11, 2019 | Documentary Theatre, Interview, Russia, Russian Theatre - Featured, Theatre and Politics | 0
Whatever preconceptions you have about documentary theatre, set them aside when you step inside...
Read Moreby Yana Meerzon | Aug 8, 2019 | Avignon 2019, Festivals, France, Review, Russia, Theatre and Politics | 0
Provocation – artistic, political, personal – is the signature style of the Russian theatre...
Read Moreby Henrik Eger | Aug 4, 2019 | Czech Republic, Documentary Theatre, Dramaturgy, Interview, News, Russia | 0
Cooper Robb, an immensely knowledgeable and prolific American theater critic, who recently passed...
Read Moreby Duška Radosavljević | Jun 22, 2019 | Review, Russia, Russian Theatre - Featured, Russian Theatre Abroad, United Kingdom | 0
Three Sisters was the last play Chekhov wrote in 1900, in his dacha in Yalta, and in the final...
Read Moreby Alexandra Guzeva - Russia Beyond the Headlines | Jun 18, 2019 | Design, News, Russia | 0
The Bolshoi Theater is known all over the world, whereas the Maly Theater, which is located...
Read Moreby Alexandra Guzeva - Russia Beyond the Headlines | Jun 17, 2019 | News, Russia | 0
Nowadays, most theaters have stopped using prompters, but the Maly Theater cherishes this...
Read Moreby Mert Dilek | May 24, 2019 | Adaptation, London, Review, Russian Theatre Abroad, United Kingdom | 0
“I’m bored, bored, bored.” The refrain, occasionally spoken but frequently felt, is at the heart...
Read Moreby Alexandra Guzeva - Russia Beyond the Headlines | May 1, 2019 | Essay, LGBTQ Theatre, Russia, Theatre and Dance | 0
He was first in every sense: the first Soviet performer to refuse to return from an international...
Read Moreby Alexandra Guzeva - Russia Beyond the Headlines | Apr 6, 2019 | Review, Russia | 0
With Third Wave Feminism’s meteoric rise, we’re not even sure we can call a woman...
Read Moreby Sergey Elkin | Mar 26, 2019 | Interview, Russia, Russian Theatre - Featured, Theatre and Dance | 0
Sergey Elkin interviews composer Ilya Demutsky about the Joffrey’s new ballet of Anna Karenina
Read Moreby Pavel Rudnev | Mar 22, 2019 | Review, Russia, Russian Theatre - Featured | 0
Pavel Rudnev reviews “Exile” at the Mayakovsky Theatre in Moscow.
Read More