Mikhoels by Freud: “The Singing Windmills” by Roman Freud and the PM Theater Company
Why do we still remember theater that became history many decades ago? How do we remember plays...
Read Moreby Vassili Schedrin | May 31, 2022 | Directing, News, Playwriting, Russia, United States of America | 0
Why do we still remember theater that became history many decades ago? How do we remember plays...
Read Moreby Yana Meerzon | May 13, 2022 | Interview, Management, Russia, Theatre and Politics | 0
This is Part II of the two-part interview. To read Part I, click here. Yana Meerzon: Should we...
Read Moreby Yana Meerzon | May 12, 2022 | Interview, Management, Russia, Theatre and Politics | 0
Russia is my country, who better than me to clean up the ruins of our humanity. – Elena...
Read Moreby Emiliia Dementsova | May 7, 2022 | Adaptation, Review, Russia, Theatre and Politics | 0
In a country at war, theatres continue to work… “(They) are so simple to offer war...
Read MoreThis is part 2 of a piece on Dmitry Krymov’s Everyone Is Here. For part 1, click here. Along...
Read MoreThere is one wonderful detail in the Russian language. The letter E (“ye”) can be absolutely...
Read Moreby John Freedman | Feb 24, 2022 | Essay, Russia, Theatre and Politics | 0
Vladimir Putin’s decision to recognize two breakaway, Russian-backed republics in Ukraine on...
Read Moreby Emiliia Dementsova | Nov 29, 2021 | Adaptation, Review, Russia | 0
Cruel Games at the Mossovet Theater is not just the name of a forgotten play by Alexei Arbuzov,...
Read Moreby Irina Yakubovskaya | Nov 28, 2021 | Interview, Russia, Transmedia | 0
This Fall, the international Theatre HD company Stage Russia enters its fifth season. With a...
Read Moreby Emiliia Dementsova | Nov 7, 2021 | Adaptation, Covid-19, Review, Russia | 0
It’s trite to write about how hard it is to live from lockdown to lockdown; from one mask...
Read Moreby Tanya Vasylkevych | Oct 3, 2021 | Musical Theatre, Review, Russia | 0
The poets say that Love will be the world’s great redeemer, But love is rarely quite as pure as...
Read Moreby John Freedman | Sep 25, 2021 | News, Russia, United Kingdom | 0
“Stop now! See that? You see that cloud? That beautiful shape?” That is what Ken Reynolds would...
Read Moreby Arly Rubens | Jul 3, 2021 | Russia, Theatre and Dance | 0
We have rounded up the rising stars, not only from Moscow and St. Petersburg but also from...
Read Moreby Emiliia Dementsova | Apr 29, 2021 | Festivals, Russia, Theatre and Politics | 0
The Russian Case: History, politics and eternal values Spring, with all of its uncertain promise,...
Read Moreby Vassili Schedrin | Apr 18, 2021 | Interview, Russia, Russian Theatre Archives | 0
An 1890s red brick, neo-gothic mansion, situated on a busy intersection of central Moscow, houses...
Read Moreby Antonio Hernández Nieto | Mar 31, 2021 | Mexico, Review, Russian Theatre Abroad | 0
The world premiere of Paloma Negra (Black Dove) by Alberto Conejero at the Theatre of the Canal...
Read Moreby Irina Yakubovskaya | Mar 21, 2021 | Interview, Producing, Russian Theatre Abroad, Transcultural Collaborations, Transmedia | 0
Stage Russia is an international Theatre HD project formed by Eddie Aronoff, an American producer...
Read Moreby Leah Mercer | Mar 9, 2021 | Adaptation, Australia, Review, Russian Theatre Abroad | 0
Review: The Cherry Orchard, directed by Clare Watson. Black Swan State Theatre Company for the...
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