Natalia Lizorkina’s “Vanya is Alive” Is Both A Play and Witness Statement
Vanya is alive; Vanya is alive and healthy; Vanya is alive and healthy and totally free. And we...
Read Moreby Kitty Brandon-James & Alma Prelec | Aug 5, 2023 | Festivals, Review, Russian Theatre Abroad, Theatre and Politics, United Kingdom | 0
Vanya is alive; Vanya is alive and healthy; Vanya is alive and healthy and totally free. And we...
Read Moreby Emiliia Dementsova | Oct 2, 2022 | Adaptation, Review, Russia, Theatre and Politics | 0
Musical drama of unlearned lessons is perhaps the most appropriate definition for Evgeny...
Read Moreby Vassili Schedrin | Sep 14, 2022 | Dramaturgy, Essay, New York, Russian Theatre Abroad, United States of America | 0
“Time means nothing. That is, it does, but not in the way we think,” says Joseph, the protagonist...
Read Moreby Justine Nakase | Aug 12, 2022 | Adaptation, Design, Review, Russian Theatre Abroad, United States of America | 0
What might Anton Chekov, that Russian master of the nineteenth century, have to say about the...
Read Moreby Sergey Elkin | Jul 3, 2022 | Adaptation, Directing, Interview, Russia | 0
Dmitry Krymov: artist, director, stage designer, teacher. The son of two of the great theatrical...
Read Moreby Vassili Schedrin | May 31, 2022 | Directing, News, Playwriting, Russia, United States of America | 0
Why do we still remember theater that became history many decades ago? How do we remember plays...
Read Moreby Yana Meerzon | May 13, 2022 | Interview, Management, Russia, Theatre and Politics | 0
This is Part II of the two-part interview. To read Part I, click here. Yana Meerzon: Should we...
Read Moreby Yana Meerzon | May 12, 2022 | Interview, Management, Russia, Theatre and Politics | 0
Russia is my country, who better than me to clean up the ruins of our humanity. – Elena...
Read Moreby Emiliia Dementsova | May 7, 2022 | Adaptation, Review, Russia, Theatre and Politics | 0
In a country at war, theatres continue to work… “(They) are so simple to offer war...
Read MoreThis is part 2 of a piece on Dmitry Krymov’s Everyone Is Here. For part 1, click here. Along...
Read MoreThere is one wonderful detail in the Russian language. The letter E (“ye”) can be absolutely...
Read Moreby John Freedman | Feb 24, 2022 | Essay, Russia, Theatre and Politics | 0
Vladimir Putin’s decision to recognize two breakaway, Russian-backed republics in Ukraine on...
Read Moreby Emiliia Dementsova | Nov 29, 2021 | Adaptation, Review, Russia | 0
Cruel Games at the Mossovet Theater is not just the name of a forgotten play by Alexei Arbuzov,...
Read Moreby Irina Yakubovskaya | Nov 28, 2021 | Interview, Russia, Transmedia | 0
This Fall, the international Theatre HD company Stage Russia enters its fifth season. With a...
Read Moreby Emiliia Dementsova | Nov 7, 2021 | Adaptation, Covid-19, Review, Russia | 0
It’s trite to write about how hard it is to live from lockdown to lockdown; from one mask...
Read Moreby Tanya Vasylkevych | Oct 3, 2021 | Musical Theatre, Review, Russia | 0
The poets say that Love will be the world’s great redeemer, But love is rarely quite as pure as...
Read Moreby John Freedman | Sep 25, 2021 | News, Russia, Theatre and Art, United Kingdom | 0
“Stop now! See that? You see that cloud? That beautiful shape?” That is what Ken Reynolds would...
Read Moreby Arly Rubens | Jul 3, 2021 | Russia, Theatre and Dance | 0
We have rounded up the rising stars, not only from Moscow and St. Petersburg but also from...
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