February 2019 - Page 3 of 4 - The Theatre Times

Pie in the Sky: Eliza Bent Delights With “Bonnie’s Last Flight”

Posted by Abigail Weil | 13th Feb 2019 | New York, Review, United States of America

I follow a strict protocol of attitudinal class warfare when I board airplanes. As I walk proudly...

Matthew Bourne’s “Cinderella”–A Breathtaking Fairytale At War

Posted by Christine Deitner | 13th Feb 2019 | Los Angeles, Review, Theatre and Dance, United States of America

When he first created his Cinderella in 1997, Matthew Bourne couldn’t have predicted any...

Transforming Society Through Documentary Theatre: Peter Eckersall In Conversation With Lebanese Director Sahar Assaf

Posted by Peter Eckersall | 13th Feb 2019 | Directing, Documentary Theatre, Interview, Lebanon

Peter Eckersall: How did you come into theatre and how did you start working around this idea of...

At “The Mountaintop” There Is Doubt, Uncertainty And Humanity: Katori Hall’s Play About King’s Final Night Before His Assassination

Posted by Patrick Langston | 12th Feb 2019 | Canada, Review

One of the first things we learn about Dr. Martin Luther King Jr. in The Mountaintop, Katori...

Vikram Phukan: Mapping Resilience And Vulnerability

Posted by Zahra Amiruddin | 12th Feb 2019 | India, LGBTQ+ Theatre, Review, Theatre and Politics

In the midst of external turmoil, how does one battle with one’s inner demons? In a world where...

The “King” Returns And Theaters Look To Russia For 2019 – Theatre in Japan

Posted by Nobuko Tanaka | 12th Feb 2019 | Japan, Musical Theatre, News, Transcultural Collaborations

Whether it’s a regular theatre that gets you going these days—or you’re skipping along more to...

Interview With Olivier Comte, Les Souffleurs

Posted by French Culture | 11th Feb 2019 | France, Interview

Les Souffleurs, a collective of more than 60 artists mostly based in France, are known for their...

Audience To Be

Posted by Nevenka Koprivšek | 11th Feb 2019 | Applied Theatre, Essay, Slovenia

Our upcoming Plenary Meeting in Rijeka aims to challenge the most common assumptions and beliefs...

“Beware Of Pity” Is Beautiful To Watch, But Clashes With Modern Sensibilities

Posted by Caroline Wake | 11th Feb 2019 | Australia, Festivals, Review, Sydney, Theatre and Disability

Review: Beware Of Pity, Sydney Festival 2019 Performances in the Roslyn Packer Theatre typically...

“Churning Waters”—Muffled Voices Flow

Posted by Gowri S | 11th Feb 2019 | India, Review, Theatre and Dance

A white, feathered string in hand, Sylvia Nulpinditj begins to explain each action in the...

The First Middle Eastern Theatre Photo Exhibition At The University Of Toronto, Spring 2019

Posted by Rahaf Fasheh | 11th Feb 2019 | Canada, News

On January 11, 2019, the Centre for Drama, Theatre and Performance Studies at the University of...

“The Tempest” At The Pittsburgh Public Theater In Pittsburgh, PA, USA

Posted by Wendy Arons | 11th Feb 2019 | Adaptation, Pittsburgh, Review, The Pittsburgh Tatler, United States of America

A couple of decades ago my then-colleague Jan Hagens introduced me to a genre categorization that...

Truth And “True West”

Posted by Jonathan Kalb | 10th Feb 2019 | New York, Review, United States of America

Sam Shepard’s True West has always been a magnet for celebrity hamming, particularly in the role...

Post-Apocalyptic Ambiguity Of The Inner Light: A Conversation With The Creators Of “When Angels Fall”

Posted by Irina Yakubovskaya | 10th Feb 2019 | Boston, France, Interview, Theatre and Dance, United States of America

ArtsEmerson is honored to host the New England premiere of When Angels Fall, a riveting tale of...

The Sight of Sound: Samson Young Explores the Audio of Authenticity

Posted by Zolima Citymag | 10th Feb 2019 | Design, Essay, Hong Kong

For an artist known for engaging the political in his work, it’s perhaps impossible for Samson...

Decoding The Music Masterpieces: Alban Berg’s “Wozzeck,” An Apocalyptic Descent Into Madness

Posted by Michael Ewans | 9th Feb 2019 | Australia, Review, Sydney, Theatre and Opera

Alban Berg’s Wozzeck is arguably the most important opera composed in the first half of the 20th...

Two Bold Shows by Women of Color at Mabou Mines

Posted by Abigail Weil | 9th Feb 2019 | Festivals, New York, Review, Theatre and Gender, United States of America

When I entered the theater at Mabou Mines for Edisa Weeks’ performance of Three Rites: Liberty, my...

Shakespeare’s “Othello” In The Trappings Of Twenty-First Century America

Posted by Jane Baldwin | 9th Feb 2019 | Boston, Review, Theatre and Politics, United States of America

An updated version of Othello now playing at the American Repertory Theatre in Cambridge...

“One Infinity” Explores Tension and Connection Between China and the West

Posted by Kiu-wai Chu | 9th Feb 2019 | Australia, Review, Sydney, Theatre and Dance

In an age of growing mistrust, the Chinese-Australian artistic collaboration One...

“Frankenstein” In The Age Of Artificial Intelligence

Posted by Zainabu Jallo | 8th Feb 2019 | Review, Switzerland, Theatre and AI, Theatre and Science, Transmedia

A futuristic freezing laboratory where naked human avatars hang for research purposes. Doctor...

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Month: February 2019

Pie in the Sky: Eliza Bent Delights With “Bonnie’s Last Flight”

Matthew Bourne’s “Cinderella”–A Breathtaking Fairytale At War

At “The Mountaintop” There Is Doubt, Uncertainty And Humanity: Katori Hall’s Play About King’s Final Night Before His Assassination

Vikram Phukan: Mapping Resilience And Vulnerability

The “King” Returns And Theaters Look To Russia For 2019 – Theatre in Japan

Interview With Olivier Comte, Les Souffleurs

Audience To Be

“Beware Of Pity” Is Beautiful To Watch, But Clashes With Modern Sensibilities

“Churning Waters”—Muffled Voices Flow

The First Middle Eastern Theatre Photo Exhibition At The University Of Toronto, Spring 2019

“The Tempest” At The Pittsburgh Public Theater In Pittsburgh, PA, USA

Truth And “True West”

Post-Apocalyptic Ambiguity Of The Inner Light: A Conversation With The Creators Of “When Angels Fall”

The Sight of Sound: Samson Young Explores the Audio of Authenticity

Decoding The Music Masterpieces: Alban Berg’s “Wozzeck,” An Apocalyptic Descent Into Madness

Two Bold Shows by Women of Color at Mabou Mines

Shakespeare’s “Othello” In The Trappings Of Twenty-First Century America

“One Infinity” Explores Tension and Connection Between China and the West

“Frankenstein” In The Age Of Artificial Intelligence

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