Duncan Macmillan’s “City of Glass” at Lyric Hammersmith
Playwright Duncan Macmillan has had a good couple of years. In 2015, his play People, Places and...
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Month: April 2017
All Shizuoka’s a Stage for SPAC’s Theater Festival in Japan
At a recent news conference, Satoshi Miyagi, the artistic director of Shizuoka Performing Arts...
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Amanda Li in “Dream of the Red Chamber”
When Amanda Li steps onto the stage in the classic Dream of the Red Chamber, she’ll do so having...
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Conversation with Renée Fleming – American Soprano
The evening of April 25th marked the culmination of Opera America’s Onstage at the Opera...
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Istanbul Theaters to Offer a Multitude of Star-Studded Programs
With seven plays that include adaptations from world-renowned playwrights, Istanbul City Theaters...
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“Hand to God” at Circa Theatre
If there is such a thing as typical Circa Theatre fare, Hand to God is certainly not it, yet the...
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Giving the Leading Role to the Body
Stage movement has managed to secure its place in Polish theatres. The work of a dancer or a...
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Theater Review: Arthur Miller’s “The Price”
In Roundabout Theatre Company’s revival of Arthur Miller’s The Price, the first striking element...
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Indian Women’s Performance Art
Indian Women’s Performance Art: Un-coding Gender and Sexuality Performance Art’s...
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Jacqui du Toit’s “The Hottentot Venus- Untold” at Ottawa’s TACTICS
Season 3 of Ottawa’s TACTICS (Theatre Artists Collective: The Independent Series) opened with The...
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Reflection on the Middle East: “Credoinunsolodio” by Stefano Massini
Credoinunsolodio is a play by Stefano Massini, the Italian playwright and director and winner of...
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The Actor is the Message: An Interview with Sophie Rois
The actress Sophie Rois on performing without a role, the life of an actress at the Berlin...
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“The Butterfly’s Evil Spell” – Federico García Lorca’s First Premiere. From the Eslava Theatre to “Sala del Mariano”
Lorca’s first play contains beautiful verses. However, its characters, a group of insects did not...
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Ivo van Hove’s “Scenes from a Marriage”
Intimacy burns. A couple pummels each other in an endlessly repetitive cycle from which there is...
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Storytelling and Catching Wild Birds – Talking Dramaturgy With Shilpa T-Hyland
A conversation about dramaturgy, storytelling and outside eyes with Shilpa T-Hyland, co-artistic...
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Two Shakespeare Adaptations in Iran
How do Iranian artists adapt Shakespeare’s drama? The Iranian directors, Mohammad Aghebati and...
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Past Due: Sarah Benson Directs Richard Maxwell’s “Samara”
In the closing moments of Richard Maxwell’s Samara, the audience is plunged into near-total...
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Queer Chronopolitics: Forests, Freaks and Performativity
The term ‘freak’ thus refers not only to bodies, but also to denormalizing social...
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“Bidesia” – The Folk Theatre of Eastern India
In the 1950s, the National School of Drama was set up in India as a cultural organization...
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Polish Director, Michal Znaniecki, in Argentina, on Globalization of Art
Polish stage director on his version of Dallapiccola’s Volo di notte and Il Prigioniero at the...
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